Résultats lu par "John Burlinson" dans Toutes les catégories

The Salome Ensemble probes the entangled lives, works, and passions of a political activist, a novelist, a screenwriter, and a movie actress who collaborated in 1920s New York City. Together they created the shape-shifting, genre-crossing Salome of the Tenements, first a popular novel and then a Hollywood movie. The title character was a combination Cinderella and Salome like the women who conceived her. Ginsberg considers the women individually and collectively.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

A Gallery of Children is A. A. Milne's first published book of prose. It was released after his poetry collection, When We Were Very Young, and prior to Winnie the Pooh. With his characteristic blend of nonsense, wit and warmth, Milne offers 12 short stories of childish endeavour and mishap. They will delight and amuse listeners both young and not-so-young.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

The belief that Native Americans might belong to the fabled “lost tribes of Israel” - Israelites driven from their homeland around 740 BCE - took hold among Anglo-Americans and Indigenous peoples in the United States during its first half century. In Lost Tribes Found, Matthew W. Dougherty explores what this idea can tell us about religious nationalism in early America.

Stephen Leacock (1869 - 1944) is considered by many to be the Canadian counterpart to the better known American humorists Mark Twain and S.J. Perelman. In the early 20th century he was one of the most widely read authors in the English speaking world. Jack Benny and Groucho Marx considered Leacock as one of the funniest writers they had ever read. The following sketches have been adapted from pieces in the miscellanies Moonbeams from the Larger Lunacy and Further Foolishness, in which Leacock satirizes many of the social institutions of his time.

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

The notorious pirate Captain Flint is dead, and his great horde of stolen treasure lies lost, stashed and buried on an island far, far away. Jim Hawkins, the humble son of a country innkeeper, comes into possession of the only map to Flint's treasure and is soon swept away on a high seas adventure of treachery and survival.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

A central theme of Ostrovsky's plays is the inevitable struggle between the demands of personal morality and and those dictated by social propriety. In this grim drama, the dramatist sketches a tragic incident arising from the conflict of two social classes: the petty tradesmen and the nobility. From the coarse environment of the first emerge honest, upright natures like Krasnov, the earnest shokeeper; from the superficial, dawdling culture of the second come weak-willed triflers like the ineffectual landowner, Babayev.

Pull up a chair, snuggle under your favorite blanket, gather the kids, and enjoy the charming stories you know and love. This multicast production brings to life all your favorites! 

In a public debate held at the Manhattan Opera House, Clarence Darrow argued that not one of the 19 men under sentence of death at Sing Sing Prison would have been convicted if they could have afforded good attorneys. He was opposed by Judge Alfred J. Talley of General Sessions, who argued for the retention of the death penalty for murder. The debate commenced with an address by Lewis Lawes, who was the warden at Sing Sing.

Under the auspices of the League for Political Discussion, in a meeting held at the Manhattan Opera House, Rev. John Haynes Holmes of the Community Church, taking the positive, and Clarence Darrow, taking the negative, debated the following proposition: "A Resolution that the United States should continue the policy of prohibition as defined in the 18th Amendment." The meeting was chaired by Senator Royal S. Copeland and introduced by Benjamin Javits.

Margery Williams' classic story about a toy rabbit who longs to become real is a treat for listeners of all ages. This full-cast performance brings this timeless tale to vibrant life.

Dorothy Scarborough was an academic and author who had a particular interest in the supernatural. The following collection, first published in 1921, features stories that have a strong comical or satirical focus.

In the introduction to this selection of tales of the macabre, anthologist Arthur Reeve writes: "What is the fascination we feel for the mystery of the ghost story? Man is incurably fascinated by the mysterious. If all the ghost stories of the ages were blotted out, man would invent new ones. For, do we not all stand in awe of that which we cannot explain, of that which, if it is not in our own experience, is certainly recorded in the experience of others, of that of which we know and can know nothing?"

 Khaled is a genie who has fallen in love with the beautiful Zehowah, the only child of the powerful Sultan of Nejed. Zehowah is courted by suitors from far and wide. When she seems inclined to accept the proposal of a handsome Indian prince, Khaled, with his special powers, recognizes the prince's deceitful nature and whisks him into the desert to kill and bury him. In consequence, Khaled is punished by losing his rank as a genie and is given the body of a human, though without a soul, which he can obtain only if he wins the love of the proud and headstrong princess Zehowah.

In Speaking with the Dead in Early America, historian Erik R. Seeman undertakes a 300-year history of Protestant communication with the dead. Seeman chronicles the story of Protestants' relationships with the deceased from Elizabethan England to puritan New England and then on through the American Enlightenment into the middle of the nineteenth century with the explosion of interest in Spiritualism. He brings together a wide range of sources to uncover the beliefs and practices of both ordinary people, especially women, and religious leaders.

Christopher Smart (1722-1771) was an English poet and scholar. This extraordinary poem, which is a florid display of Smart's opinions on a variety of theological, historical, and scientific subjects, was written between 1759 and 1763, while the author was confined in a lunatic asylum. His condition was diagnosed as religious mania, as evidenced by his compulsion to break into spontaneous prayer in public.