Art Essays

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

Life and Art—these are the twin subjects considered in Richard Russo’s twelve masterful new essays—how they inform each other and how the stories we tell ourselves about both shape our understanding of the world around us. In “The Lives of Others,” he reflects on the implacable fact that writers use people, insisting that what matters, in the end, is how and for what purpose. How do you bridge the gap between what you know and what you don’t, and sometimes can’t, know?

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Known for his meaty seriocomic novels–expansive works that are simultaneously lowbrow and highbrow–Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

At the center of The Dark Night of the Soul (La noche oscura del alma) is a poem written by the 16th century Spanish poet and mystic St John of the Cross. Consisting of eight stanzas, each of five lines, the poem outlines the journey in pursuit of divine union, within which the only source of light comes from the soul. This recording in English includes the poem itself and St John's two accompanying treatises (1584-1585), essentially commentaries, which offer line-by-line explanations of the poem. Many modern listeners have found guidance and consolation in this work.

Chanakya's Arthashastra is an unrivalled political treatise that has been used by scholars, academics and leaders across the world. In Chanakya and the Art of Getting Rich, Radhakrishnan Pillai brings out the inherent lessons from Arthashastra to present a strategic and practical way of wealth creation. This is a holistic study, written for anyone and everyone.

In this stunning debut collection, award-winning voice actor and cultural critic Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn’t always follow through.

The last 20 years have brought us the rise of the Internet, the development of artificial intelligence, the ubiquity of once unimaginably powerful computers, and the thorough transformation of our economy and society. Through it all, Ellen Ullman lived and worked inside that rising culture of technology, and in Life in Code she tells the continuing story of the changes it wrought with a unique, expert perspective.

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles—and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

Forty essays on history, art, and literature to lift your mind and spirit. Guy Davenport serves as the listener's guide through history and literature, providing links between music and sculpture, modernist poets and classic philosophers, the past and present-pointing out the values and avenues of thought that have shaped our ideas and our thinking.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

This edition brings together some of Ephron’s most famous writing on a generation of women (and men) who helped shape the way we live now, and on events ranging from the Watergate scandal to the Pillsbury Bake-Off. In these sharp, hilariously entertaining, and vividly observed pieces, Ephron illuminates an era with wicked honesty and insight. From the famous "A Few Words About Breasts" to important pieces on her time working for the New York Post and Gourmet Magazine, these essays show Ephron at her very best.

Here is Virginia Woolf at her most entertaining and informative, relishing the portraits and insights she presents as she surveys a varied collection of individuals in English society and English literature. In The Common Reader Volume 2, (published in 1932), the essay lives on and even more so in this sensitive and engaging book by Georgina Sutton.

Embodiment is not an easy business. From violence to illness, sexuality to racism, the fact of a body can be impossibly hard to inhabit. Olivia Laing draws on her own background in protest and alternative medicine to investigate the reasons why. Laing’s exploration of the complexities of bodily life takes in some of the most significant and beguiling figures of the past century, among them the psychoanalyst Wilhelm Reich, the painters Francis Bacon and Agnes Martin and the singer and civil rights activist Nina Simone.