Art Genre

Diana Donovan was raised aboard a naval ship on a steady diet of war strategy, so when her orphaned friend, Lucy, is denied a perfectly respectable love match by her controlling guardian, Diana sees an opportunity to put her battle knowledge to use in service of a deserving friend. But Marmaduke Russell is not the middle-aged curmudgeon Diana is expecting. He is a maddeningly cool unmarried gentleman who seems uniquely able to parry her tactics—and infuse her with even more determination to win.

For years her explorer father promised Dr. Lauren Westlake she'd accompany him on one of his Egyptian expeditions. But as the empty promises mounted, Lauren determined to earn her own way. Now the assistant curator of Egyptology for the Metropolitan Museum of Art, Lauren receives two unexpected invitations. The first is her repentant father's offer to finally bring her to Egypt as his colleague on a new expedition. The second is a chance to enter the world of New York's wealthiest patrons who have been victims of art fraud.

This is the story of an artist who was willing to sacrifice everything for the sake of art. In much of its general outline, this famous novel follows the life of Paul Gauguin, famous French post-impressionist painter, but it is not a novelized biography of Gauguin. Rather it is a sharply-delineated, carefully wrought "private life", written by one of the most vivid and penetrating contemporary literary masters.

Years ago, Beth Lathrop and her sister Kate suffered what they thought would be the worst tragedy of their lives the night both the famous painting Moonlight and their mother were taken. The detective assigned to the case, Conor Reid, swore to protect the sisters from then on. Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run.

Rome, 1955. The artists gather for a picture at a party in an ancient villa. Bear Bavinsky, creator of vast canvases, larger than life, is at the center of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name.

Before he won stunning acclaim as one of today's most gifted southern writers, Larry Brown was a firefighter with the Oxford, Mississippi, Fire Department. On Fire, his powerful and unflinching account of this experience, catapults listeners into the daily trauma all firefighters face, from the blistering heat of burning homes to the crunch of broken glass at crash scenes.

"If there is any life that is happier than the life we led on our timber ranch, it must be the sort of life which I have not read of in books or experienced in person," wrote Mark Twain, and now you can share in that experience. The beloved American humorist spent seven years on a "pleasure trip" through the untamed wilderness of Nevada. Twain intended to spend three months touring silver mines, but the lure of rough terrain and comfortable clothes proved irresistible - as will this vibrant travelogue.

It's 1980s New York, and though the coke flows freely, money and glamour are the more powerful intoxicants. While fortunes are being made in SoHo galleries and on Wall Street, an underclass of transient drag queens and dandies, club kids and strippers, artists and actors, models and waitstaff wander the streets, providing the city's background color, cheap labor, and even cheaper entertainment.

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

A wonderful, warm novel from a major new American voice. In The Art of Fielding, we see young men who know that their four years on the baseball diamond at Westish College are all that remain of their sporting careers. Only their preternaturally gifted fielder, Henry Skrimshander, seems to have the chance to keep his dream – and theirs, vicariously – alive, until a routine throw goes disastrously off course, and the fates of five people are upended.

Tipper has been caring for her family’s estate for years now, ever since her father disappeared, making a living by selling off his famous artwork. Then she learns that three statues she sold were carved from an ancient foundation stone, and the fabric of her reality is crumbling. She must free her father and save the world. But she can’t do it alone....

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep the child. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist and ended up in a hospital emergency ward where she nearly died. In Happening, Ernaux sifts through her memories and her journal entries dating from those days.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

This is not a love story. If it were, we would have the same story. But he has his, and I have mine. In 1916, Georgia O’Keeffe is a young, unknown art teacher when she travels to New York to meet Stieglitz, the famed photographer and art dealer, who has discovered O’Keeffe’s work and exhibits it in his gallery. Their connection is instantaneous. O’Keeffe is quickly drawn into Stieglitz’s sophisticated world, becoming his mistress, protégé, and muse, as their attraction deepens into an intense and tempestuous relationship and his photographs of her, both clothed and nude, create a sensation.

In this delightful audio collection, Garrison Keillor reads 14 of his own favorite stories from his many years as a writer for The New Yorker and from two of his best-selling books, Happy To Be Here and We Are Still Married. These selections embody all of the qualities that make Keillor such a beloved storyteller; his effortless blending of humor and poignancy, his keen observations and gentle insights, and his rare ability to bring a sense of truth to every tale he tells.

Set against the glorious backdrops of Rome, Florence, and Genoa, and Naples, peopled with historical characters and filled with the details of the life of a 17th-century painter, The Passion of Artemisia is the story of Gentileschi's struggle to find love, forgiveness, and wholeness through her art.

Real rock stars do truly insane thing and invite truly insane things to happen to them: murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, and Sid Vicious and that consumed the Norwegian black metal scene.

"We are all travelers in the 'wilderness of the world' - travelers with a donkey." So Robert Louis Stevenson wrote to a friend on completing this enchanting account of a journey in rural France in 1878. Alone with his pack-donkey Modestine, and showing total disregard for discomfort, Stevenson relishes to the full his walking tour of the Cevennes.

Living on the island of Cyprus, Nisha is far from her native Sri Lanka. Though she longs to return home, she knows that working as a nanny and maid for a wealthy widow is the only way to earn enough to support her daughter, left behind to be raised by relatives. Yiannis is a poacher, trapping the tiny protected songbirds that stop in Cyprus as they migrate each year from Africa to Europe and selling them on the illegal market. He dreams of finding a new way of life, and of marrying Nisha.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.