English Gothic

Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.

The male I'm forever bonded to is now a monster. A cruel beast. A vampire without remorse and no memories of our previous existence together. He has no idea who I am. What I mean to him. Who we used to be together. But I'm not giving up. He will remember me. I vow it.

Kicked out of her house because her father can no longer tolerate her constant delinquency, Roxy wanders the streets of New York, living in a fleabag hotel. Spotted by an "agent" for Madam Brittany, a sophisticated woman who runs an escort service, Roxy is taken into the Madam's "training program" where she is educated and set up with her own boutique apartment.

Charm is a witch, and she is alone. The last of a line of conquered necromantic workers, now confined within the yard of regrown bone trees at Orchard House, and the secrets of their marrow. Charm is a prisoner, and a survivor. Charm tends the trees and their clattering fruit for the sake of her children, painstakingly grown and regrown with its fruit: Shame, Justice, Desire, Pride, and Pain. Charm is a whore, and a madam. The wealthy and powerful of Borenguard come to her house to buy time with the girls who aren't real.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family's estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the house: no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.

Since her husband’s unsolved murder three years ago, Iris Blodgett’s life has unraveled. Awash in grief and buried in debt, she can’t pay her mortgage—and now that she’s lost her job, she has no idea how she’ll provide for her unruly teenage daughter, Ellory. Facing eviction, Iris turns to her new beau, prominent architect Hugh Smoll, for a shoulder to cry on. But the seemingly perfect Hugh offers her something more: an invitation to move in to his mother’s centuries-old mansion while he renovates the property.

Ambrosio, the worthy superior of the Capuchins of Madrid, falls to the temptations of Matilda, a fiend-inspired wanton who, disguised as a boy, has entered his monastery as a novice. Ambrosio then falls in love with one of his penitents and finally kills her in order to escape detection. However, he is discovered, tortured by the Inquisition and sentenced to death.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

After more than a decade, the handsome amateur detective Xavier Kilgarvan has returned to Winterthurn just in time to see the fifth young woman’s body carried from Devil’s Half Acre. A brutal fiend has left her mutilated body in this desolate plot of land filled with hulking boulders, quicksand, and twisted trees. Can detective Kilgarvan discover the forces motivating the mysterious “Gentleman Suitor” who has lured five innocent women to their deaths?

When Eleanor Harper becomes the director of a renowned artists' retreat, she knows nothing of Cliffside Manor's dark past as a tuberculosis sanatorium, a "waiting room for death". After years of covering murder and violence as a crime reporter, Eleanor hopes that being around artists and writers in this new job will be a peaceful retreat for her as much as for them.

They call me mad, but I don’t see anything wrong with using science to create the perfect monster girl. They call me insane, but I just want to live my life with a harem of beautiful cat-girls, bear-girls, fox-girls, snake-girls, and...well, pretty much any type of monster girl. They call me a megalomaniac, but why wouldn’t any red blooded man want to make cute babies with all these beautiful monster girls? They call me evil, but they just don’t realize that I’d destroy anyone who tries to harm my monster girls.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still.

For centuries, Sister Winter’s life has been dictated by a Grimoire—the book her Sister Autumn just destroyed. Despite the necessity of its destruction to end a vile shadow organization and the sisters’ 300 years of separation, Wendolyn is left adrift without its guidance.

Hugh Mercer has come to a small town in Ontario, far away from his broken career, broken marriage, and broken life in New York. He's expecting to take advantage of what he's sure will be a peaceful place in the middle of winter to begin to make some sense of the situations he's left behind. Before he has a chance to settle into his rented farmhouse, a strange woman appears on his doorstep and makes a startling prediction: Elizabeth Goode, a local, is about to disappear under bizarre circumstances and her life is at risk.

There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe. When Eleanor West decided to open her school, her sanctuary, her "Home for Wayward Children", she knew from the beginning that there would be children she couldn’t save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school.

London, 1839. Where the cemeteries are full and there is money to be made in death, Bonnie and Crawford lead a life of trickery, surviving off ill-gotten coin and nefarious schemes. But one hot evening, their luck runs out. A man lies in a pool of blood at Bonnie’s feet and now she needs to disappear. Crawford secures a position for her as lady’s maid in a grand house on the Thames that is still deep in mourning for its late mistress.