English Renaissance

Sixteenth-century Europe was a hostile world dominated by court politics and patriarchal structures–and yet against all odds, two women rose to power: Elizabeth I and Catherine de Medici. Much has been written about these shrewd and strategic sovereigns, but though their l legacies have been heavily scrutinized, nothing has been said of their complicated relationship—thirty years of camaraderie, competition, and conflict that forever changed the face of Europe.

Renowned as a period of cultural rebirth and artistic innovation, the Renaissance is cloaked in a unique aura of beauty and brilliance. Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit.

Spring, 1549. Two years after the death of Henry VIII, England is sliding into chaos...The king, Edward VI, is 11 years old. His uncle Edward Seymour, Duke of Somerset, rules as Protector. Radical Protestants are conducting all-out war on the old religion, stirring discontent among the people. The Protector's prolonged war with Scotland is proving a disastrous failure. Worst of all, the economy is in collapse, inflation rages, and rebellion is stirring among the peasantry.

What was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory sit alongside the vagrants, diseases, violence, sexism and famine of the time? In this book Ian Mortimer answers the key questions that a visitor to late 16th-century England would ask.

"Know thyself" - this fundamental imperative appeared for the first time in ancient Greece. For the Greeks, self-knowledge and identity were the basics of their civilization and their sources were to be found in where one was born and into which social group. These determined who you were and what your duties were. In this book the independent scholar Ingrid Rossellini surveys the major ideas that, from Greek and Roman antiquity through the Christian medieval era up to the dawn of modernity in the Renaissance, have guided the Western project of self-knowledge.

The startling truth behind one of the most notorious dynasties in history is revealed in a remarkable new account by the acclaimed author of The Tudors and A World Undone. Sweeping aside the gossip, slander, and distortion that have shrouded the Borgias for centuries, G. J. Meyer offers an unprecedented portrait of the infamous Renaissance family and their storied milieu.

What would happen if we intentionally chose to live a life of nobility? If we thought of our fellow man before ourselves? In a world littered with lawsuits, hate mail, and demands for punishment, when did we stop caring for our neighbor? When did we set aside the cause and effect of our decisions? With humor-filled personal tales and in-depth research, Carrie Lloyd will unfold the meaning behind the characteristics of nobility - self-sacrifice, humility, courage, self-conquest, integrity, honesty - all required for nurturing noble virtues.

Present day: When thirty-six-year-old Robyn Willoughby discovers an exquisite yet blood-stained Tudor map in her father’s antique map shop, desperate for a distraction from her problems, she decides to investigate. But as Robyn delves into the mystery, she finds herself caught up in a centuries-old secret—one that will change her life forever.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

Niccolò Rising, book one of the series, finds us in Bruges, 1460. Jousting is the genteel pastime, and successful merchants are, of necessity, polyglot. Street smart, brilliant at figures, adept at the subtleties of diplomacy and the well-timed untruth, Dunnett's hero rises from wastrel to prodigy in a breathless adventure that wins him the hand of the strongest woman in Bruges and the hatred of two powerful enemies.

In 1461, Nicholas is in Florence. Backed by none other than Cosimo de' Medici, he will sail the Black Sea to Trebizond, last outpost of Byzantium, and the last jewel missing from the crown of the Ottoman Empire. But trouble lies ahead. Nicholas's stepdaughter—at the tender age of thirteen—has eloped with his rival in trade: a Machiavellian Genoese who races ahead of Nicholas, sowing disaster at every port. And time is of the essence: Trebizond may fall to the Turks at any moment.

In all of human history there has never been an era as richly endowed with human creativity as the Italian Renaissance. When the economic boom of the Late Middle Ages had allowed a flourishing and wealthy merchant class to emerge, a plethora of artists, sculptors, architects, and thinkers followed in their wake. In an astonishingly short period of time, Italy was transformed mentally, physically, and spiritually.

Swordsman Richard Hughes has arrived on the banks of the Grand Canal looking for a simpler life, only to be plunged—alongside Phillip de Chambray, a remarkable woman unable to show her true self—into the thick of the murkiest, most dangerous European politics, at a moment when someone is trying to destroy the opera, and Venice itself.

Mary is queen of Scotland, but she has been forced to flee her land and take refuge in an England that is ruled by her cousin, Elizabeth. But England, precarious in its Protestant state, set against the mighty powers of Spain, France and Rome, doesn't need a charismatic Catholic figurehead at large. So Elizabeth's chief advisor, Cecil, devises a plan in which Mary will live under guard with his trusted accomplice: Bess of Hardwick.

Following the fall of Rome in 476 CE, the entire dynamic of Europe underwent a complete shift in power and culture. The Dark Ages was an interesting period of about six centuries, and during it, Europe was still trying to figure out what it was and how it would survive the chaos that followed the fall of Rome.

What would you think if, in your old age, the doctors tell you that you only have a couple years left to live, and even ultra-modern medical technology is powerless to help? Some may spend their remaining years at the bottom of a bottle, others may choose to spend it quietly, with family...But there are also those who are ready to leave everything behind. Volper is one of those who has decided to have one last hurrah and immerse himself in a virtual reality.

In a chamber overlooking the nighttime waterways of a maritime city, a man looks back on his youth and the people who shaped his life. Danio Cerra's intelligence won him entry to a renowned school even though he was only the son of a tailor. He took service at the court of a ruling count - and soon learned why that man was known as the Beast.

1812. Arriving back in England after his successes in the Adriatic, Captain Sir Thomas Kydd is bestowed with honours. In London, he's greeted by the Prince Regent, who, despite Kydd's protestations that he's happy with his present command, insists he be given a bigger ship - HMS Thunderer, a 74-gun ship of the line. But she's old, and being part of a standing fleet, Kydd's chances of further fame and distinction are slim indeed.

Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.