English Theater

General George S. Patton, Jr., died under mysterious circumstances in the months following the end of World War II. For almost 70 years, there has been suspicion that his death was not an accident - and may very well have been an act of assassination. Killing Patton will take listeners inside the final year of the war and recount the events surrounding Patton's tragic demise, naming names of the many powerful individuals who wanted him silenced.

Two mismatched brothers must save their late mother's failing board game company using an unconventional marketing framework, or risk losing their family legacy forever. When their mother unexpectedly passes away, Joe and Pete inherit her once-thriving board game company. But with the stock price plummeting and their own incompetence threatening to sink the business, these polar opposite brothers – Joe, an overconfident jock, and Pete, a sensitive poet – must put aside their differences and work together to save their family's legacy.

Oli the goblin is the last creature anyone would send on a world-ending quest. But the Dark Lord's under siege and without his doomsday weapon, those pesky forces of Good might just get it done this time. Seizing the long-awaited opportunity to serve their Big Boss, Oli and his cousins strike out on a super secret mission to retrieve the doomsday weap-on a road trip to see their family. With the hopes of every creature sinister and foul riding on them, the goblins hurry directly to their destination. Mostly directly. Okay, so it's more of a zigzag.

Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day.

Although he was once the promising young CEO of a successful corporation, Lucas abandoned everything he knew and retreated from both the real world and his demanding life following a horrific accident. In order to cope with tragic loss, he began spending his time in virtual reality, lazing about in the sun, and living a carefree life. When he learns that his escapist paradise is being threatened and is about to disappear, however, Lucas is once again forced to take action and do what he does best: take charge.

Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying - and narcissistic - Falstaff's of all time.

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the journey to the capital. On the night after Christmas, the city's only theater is packed with holiday revelers. In the middle of a performance, the theater goes up in flames. Based on the true story of Richmond’s theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious—and fleeting—chances at redemption.

Theater of Lies provides an in-depth examination of the lies, misinformation, and propaganda in our lives. For centuries, we’ve been persuaded to trust the lies told by our governments, businesses, and religions to manage how we think and act, to their benefit, not ours. Filled with real-life examples, Theater of Lies demonstrates the impact lies and misinformation have had through the centuries and today on topics including racism, gender debates, entrenched political divides, and the status of women.

The secrets of the factory of nightmares are free for the taking...and Dungeon Lord Edward Wright intends to claim them. War is coming to Starevos, delivered by the navy of the Kingdom of Heiliges. The only hope Edward and his friends have at surviving the wrath of the Light is an ancient Factory whose defenses are as deadly as those seeking to conquer it. However, Ed is not the only Dungeon Lord who seeks the power of the factory. To save the Haunt, Ed must face war-forged Dungeon Lords older and crueler than he is, and everything he has learned shall be tested to its utter limit.

Adair Finch, the most powerful warlock in the world, is back in business! But first he must complete his pact with a mischief spirit by finding her a human body. Seemingly no easy task, as the mischief spirit is beyond picky about her future body. But on his way to Oakland, Finch stumbles upon the dead body of a social media star—both a solution and a major problem.

After experimenting with an exploit, Vincent begins to develop new spells that will take him higher in the game than he ever thought possible. Unfortunately, he crosses paths with the last moderator, a young man named Lucas that uses his mod abilities to torture and subjugate other players. Lucas is willing to abuse his power to conquer the World-Tree, but Vincent’s exploit might just be the key to stopping him.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

When Cassidy begins painting her visions, she has no idea that she actually opens a door to the past. And behind that door are ghosts, ghosts that want to be seen and remembered. As the rookie member of the Gulf Coast Paranormal investigation team, Cassidy is eager to prove she has the skills required to make the cut, but will her eagerness to fit in place the team in supernatural danger? When a new client hires GCP to settle the spirits in the Crescent Theater, Midas, Sierra, Joshua, and Cassidy are put to the test. Will a century-old tragedy force the new owner to shutter the doors?

It’s Drop Night, the one night every decade when the gods hand out cards to a lucky few. If you get a deck, you’re a deckbearer capable of wondrous feats within the Great Game system. You can control powerful monsters and summon mantles that let you fight alongside your beasts. Ethan Wolfe, top enforcer for the Grimm family mob, has already been overlooked on two previous Drop Nights. People of his ilk seldom receive cards, as the gods tend to favor people who follow their divine mandates, but that doesn’t mean Wolfe can’t hope.

Despite his victory against the Guild, Kers soon learns that there is now an even greater target upon his cloudy back. Typical. Then there’s the small matter of Marwan, the Dark Lord who wants to take over the world, and the Jade Citadel sortie that is on the verge of collapsing. Not to mention the fact that he now has to ‘get along’ with his neighboring core and deal with a mysterious orca-like monster that has started flying nearby…

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

The hero of Hanif Kureishi's debut novel is a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving, albeit with some rude and raucous results.

London, 1815. Amateur sleuth Atlas Catesby is about to discover the dark side of the bright lights. His long-awaited night at the opera with Lady Lilliana ends abruptly when a notorious courtesan is shot to death in Covent Garden. The infamous victim was the mistress of the powerful Marquess of Vessey. Atlas believes that the marquess - his former brother in law - is responsible for the long-ago death of Atlas' sister, Phoebe. Atlas seizes the opportunity to potentially avenge his sister's death.

A portal opened, and Perry's curiosity got the better of him. Once. Twice. Three times did Perry step through a portal, each to a new and strange world. He stepped through into a world of advanced technology, power armor and micro reactors. He stepped through into a world of knights and kings, orcs and goblins, where old wizards handed out magical swords. He stepped through into a world of hidden vampires and rainy streets, where the clocktower tolled the hour as ships sailed by.

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.