Family Genre

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

The Road Home lies in the shadows of Manifest Destiny and Wounded Knee; it is etched into the landscape of an old man’s memory and into the stubborn dreams of a young man’s heart. In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the expanses of the Nebraska plains. They strive to understand their fates, to reconcile with demons of the past, to live in accordance with the land, and to die with grace.

Ten years ago, Izzy Stone's mother fatally shot her father while he slept. Devastated by her mother's apparent insanity, Izzy, now 17, refuses to visit her in prison. But her new foster parents, employees at the local museum, have enlisted Izzy's help in cataloguing items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades-old journal, and a window into her own past.

For Susan Green, messy emotions don’t fit into the equation of her perfectly ordered life. She has a flat that is ideal for one, a job that suits her passion for logic, and an “interpersonal arrangement” that provides cultural and other more intimate benefits. But suddenly confronted with the loss of her mother and the news that she is about to become a mother herself, Susan’s greatest fear is realized. She is losing control.

When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break - a barren field on an isolated strip of land outside her house - she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim - police, family, and friends - tell their personal stories leading up to that fateful night.

Barns are burning in Amish author Linda Byler's second book in the Lancaster Burning series, and no one knows who's doing it or why. Can Sarah Beiler end the terror that is pulling apart her community, even as her own heart is pulled between two young men? Sarah Beiler's barn was the first to burn, and it was quickly followed by two other barn fires.

Lydia, Dean, and Robyn live very different lives, but each of them, independently, has always felt that something was missing. What they don't know is that a letter is about to arrive that will turn their lives upside down. It's a letter containing a secret - one that will bind them together and show them what love and family and friendship really mean.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Luke and Hannah live a happy and stable life in London, working in jobs they love as they prepare for the arrival of their first child, Samuel. All his life, Luke has known he was adopted, but he’s never felt the need to seek out his birth mother—until he becomes a father himself.

The Amish community of Lancaster is being terrorized by barn fires. David and Malinda Beiler's barn was the first to go. The clues are sparse, but Levi, the Beilers' oldest son, happened to be awake in the middle of the night and spotted a white vehicle driving past the house with its lights off. Sarah, David and Malinda's daughter, observes her parents' agony. Not only is she afraid and wishing she could protect her parents, she's entranced by the flirtatious Matthew Stoltzfus.

When Lauren and Ryan’s marriage reaches the breaking point, they come up with an unconventional plan. They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes. Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned - from the layout of the winding roads to the colors of the houses to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren - an enigmatic artist and single mother - who arrives in this idyllic bubble with her teenage daughter, Pearl, and rents a house from the Richardsons.

The year 1996 was the one that changed everything for Maggie Dawes. Sent away at 16 to live with an aunt she barely knew in Ocracoke, a remote village on North Carolina’s Outer Banks, she could think only of the friends and family she left behind...until she met Bryce Trickett, one of the few teenagers on the island. Handsome, genuine, and newly admitted to West Point, Bryce showed her how much there was to love about the wind-swept beach town - and introduced her to photography, a passion that would define the rest of her life. By 2019, Maggie is a renowned travel photographer.

Jack, Emma, and the gang from the Lonely Heart Attack Club (Isle of Man branch) are back.... For their next challenge, how will they surpass a World Record attempt? Get their members to compete in an Olympic Games for the elderly, of course! The Wrinkly Olympics is a feel-good, heart-warming story that’s sublimely funny.

Anna McNichol knows how to take charge. Raised by a single mother, she’s worked to ensure her three children have every advantage she didn’t. And while her marriage has its problems, she values commitment and believes in "till death do us part." Now an empty nester, she’s at the peak of her career and ready to seize the opportunity to focus on her future.

The world's population is soaring, creating overcrowded cities and an economic crisis. And in the UK, the breaking point has arrived. A growing number of people can no longer afford to start families, let alone raise them. But for those desperate to experience parenthood, there is an alternative. For a monthly subscription fee, clients can create a virtual child from scratch who they can access via the metaverse and a VR headset. To launch this new initiative, the company behind Virtual Children has created a reality TV show called The Substitute.