Fiction Realism

Fed up with playing the normal game, recent university graduate, ex-cum laude, ex-soccer star, ex-popular, and mostly broke Kera MacDonagh changed her life when she read How to be a Badass Witch and shockingly, the spells worked. She barely made it out of the first few weeks of on-the-job training before her powers got her in trouble. Hunted as a magical vigilante, the Kims sacrificed to keep her safe. Kera hunts criminals in the darkness of LA, but will she be able to hide the signature of her powers, too?

Ten months. That’s the longest Elisa has stayed anyplace, constantly propelled by her fear that if she puts down roots, a family curse will turn her into a tree. But she’s grown tired of flitting from town to town and in and out of relationships. When she discovers a small town in Massachusetts where mysterious forces make it impossible for the residents to leave, she hopes she can change her fate.

Carrie Morgan ran from Woodsmoke ten years ago, and the decision has haunted her ever since. Spending a decade painting and drifting around Europe, she tries to forget her family’s legacy and the friends she left behind. But the Morgan women have always been able to harness the power of the mountains surrounding the town, and their spells—and curses—are sewn into the soil. The mountains, they say, never forget. Sure enough, when Carrie’s grandmother dies and leaves behind her dilapidated cottage, she returns to renovate—certain she will only be there for one winter.

Compilation de récits adorés par les sorcières et sorciers de tous âges, "Les Contes de Beedle le Barde" sont l'équivalent des contes des frères Grimm dans le monde des sorciers. Cette édition a été traduite des runes originales par Hermione Granger en personne et contient des annotations du professeur Dumbledore et de J.K. Rowling. Parfaite occasion de découvrir les histoires qui ont joué un rôle crucial dans le combat contre Lord Voldemort, ces classiques de la littérature raviront petits et grands. Cinq contes sont présentés : "Le Conte des trois frères", qui ne sera pas inconnu aux lecteurs et lectrices de "Harry Potter et les Reliques de la Mort", ainsi que "La Fontaine de la bonne fortune", "Le Sorcier au cœur velu", "Le Sorcier et la marmite sauteuse" et "Babbitty Lapina et la souche qui gloussait".

So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. He is born into a world of poverty, ignorance and injustice, but Azaro awakens with a smile on his face. Despite belonging to a spirit world made of enchantment, where there is no suffering, Azaro chooses to stay in the land of the Living: to feel it, endure it, know it and love it. This is his story.

As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra.

Lois Clary is a software engineer at General Dexterity, a San Francisco robotics company with world-changing ambitions. She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers quickly close up shop. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it.

Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot.

Before marrying, Emma Bovary believed she would enter a life of luxury and passion like the sentimental stories she'd read in her novels and magazines. Now married to an ordinary country doctor her life is not the romantic ideal she imagined and seeks an escape through having extra-marital affairs. This devastating spiral into deceit and despair leads to catastrophic consequences. Emma Bovary continues to be enjoyed to this day because of its profound humanity, still as fresh today as when it was first written.

Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, with a tactless tongue and a face she’s sure only a mother could love. Durie only wants one thing in life—to follow her father and grandfather into the family business of bonesetting. It’s a physically demanding job, requiring strength, nerves of steel and discretion—and not the job for a woman. But Durie isn’t like other women.

There is bad luck in New Felicity. The people of the small coastal village have taken in Milagros, an eleven-year-old Venezuelan refugee, just as Trinidad's government has begun cracking down on undocumented migrants—and now an American journalist has come to town asking questions. New Felicity's superstitious fishermen fear the worst, certain they've brought bad luck on the village by killing a local witch who had herself murdered two villagers the year before.

La historia de amor entre Fermina Daza y Florentino Ariza, en el escenario de un pueblecito portuario del Caribe y a lo largo de más de sesenta años, podría parecer un melodrama de amantes contrariados que al final vencen por la gracia del tiempo y la fuerza de sus propios sentimientos, ya que García Márquez se complace en utilizar los más clásicos recursos de los folletines tradiciones.

In a Pacific Northwest hospital far from the Rummani family’s ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns vibrantly, permanently cobalt blue. On the same day, the Rummanis’ centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of their lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening back to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin. Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who goes unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.

Living forever isn’t everything it’s cracked up to be. Hearts can still break, looks can still fade, and money still matters, even in eternity. The ghosts, zombies, and demons in this collection are all shockingly human, and they’re ready to spill their guts. Vanity, love, and tragedy are all candidly explored as the unfulfilled desires of the dead are echoed in the lives of modern-day immigrants. Story-by-story, the line between ghost and human, life and death, becomes increasingly blurred. From Shanghai to Vancouver, the women in this collection haunt and are haunted.

Blue Bishop has a knack for finding lost things. While growing up in charming small-town Buttonwood, Alabama, she’s happened across lost wallets, jewelry, pets, her wandering neighbor, and sometimes, trouble. No one is more surprised than Blue, however, when she comes across an abandoned newborn baby in the woods, just south of a very special buttonwood tree. Sarah Grace Landreneau Fulton is at a crossroads. She has always tried so hard to do the right thing, but her own mother would disown her if she ever learned half of Sarah Grace’s secrets.

Generations of Montrose women—Augusta, Victoria, Willow—have lived together in their quaint two-story bungalow in California for years. They keep to themselves, never venture far from home, and their collection of tinctures and spells is an unspoken bond between them. But when seventeen-year-old Nickie Montrose brings home a boy for the first time, their quiet lives are thrown into disarray. For the other women have been withholding a secret from Nickie that will end her relationship before it’s even begun: the decades-old family curse that any person they fall in love with dies.

Situated at the heart of a rapidly gentrifying district of Seoul, the Yeonnam-dong Smiley Laundromat is a place where the extraordinary stories of ordinary residents unfold. It is already a haven of tranquility and reflection for locals, but when someone leaves a notebook behind, the laundromat becomes a place that brings people together. One by one, customers start jotting down candid diary entries, opening their hearts and inviting acts of kindness from neighbors who were once just faces in the crowd.