Historical Mystery Women Sleuth

Harper Curtis is a killer who stepped out of the past. Kirby Mazrachi is the girl who was never meant to have a future. Kirby is the last shining girl, one of the bright young women, burning with potential, whose lives Harper is destined to snuff out after he stumbles on a House in Depression-era Chicago that opens on to other times.

After fleeing London in infamy more than two years prior, Lady Kiera Darby's return to the city is anything but mundane, though not for the reasons she expected. A gang of body snatchers is arrested on suspicion of imitating the notorious misdeeds of Edinburgh criminals Burke and Hare - killing people from the streets and selling their bodies to medical schools. Then Kiera's past - a past she thought she'd finally made peace with - rises up to haunt her.

The year is 1933. Maisie Dobbs is contacted by an Indian gentleman who has come to England in the hopes of finding out who killed his sister two months ago. Scotland Yard failed to make any arrest in the case, and there is reason to believe they failed to conduct a thorough investigation. The case becomes even more challenging when another Indian woman is murdered just hours before a scheduled interview. Meanwhile, unfinished business from a previous case becomes a distraction, as does a new development in Maisie's personal life.

One advantage of being caught up in a whirl of dress fittings and decisions about flower arrangements is that Charlotte Sloane has little time for any pre-wedding qualms. Her love for Wrexford isn't in question. But will being a wife - and a countess - make it difficult for her to maintain her independence - not to mention, her secret identity as famed satirical artist A. J. Quill? Despite those concerns, there are soon even more urgent matters to attend to during Charlotte and Wrexford's first public outing as an engaged couple.

When Sheriff Zachariah Fitch hears about a corpse found inside the wall of Maltby le Marsh Abbey, he wants nothing to do with the investigation since that is where his estranged sister resides as a nun. But with the local constable asking for his help, and Lady Vivienne accepting the case for them, he quickly finds himself not only working on a murder, but having to face his ghosts of the past involving his sister.

Spring 1937. In the four years since she left England, Maisie Dobbs has experienced love, contentment, stability - and the deepest tragedy a woman can endure. Now all she wants is the peace she believes she might find by returning to India. But her sojourn in the hills of Darjeeling is cut short when her stepmother summons her home to England; her aging father, Frankie Dobbs, is not getting any younger.

The glorious Phryne Fisher returns to the spotlight in her seventh adventure. Fisher is an independent, unconventional PI with competence, unflappability and flamboyance in equal measures.

Running late to the Hinkler gala performance of Gilbert and Sullivan's Ruddigore, she meets some thugs in a dark alley and handles them convincingly before they can ruin her silver dress. Phryne then finds that she has rescued a gorgeous Chinese, Lin Chung, and his grandmother, and is briefly mistaken for a deity.

With the country in the grip of economic malaise, and worried about her business, Maisie Dobbs is relieved to accept an apparently straightforward assignment from an old friend to investigate certain matters concerning a potential land purchase. Her inquiries take her to a picturesque village in Kent during the hop-picking season, but beneath its pastoral surface she finds evidence that something is amiss. Mysterious fires erupt in the village with alarming regularity, and a series of petty crimes suggests a darker criminal element at work.

With her new husband George busy on a special mission for the British Museum, Frances has taken on an assignment of her own. The dowager Viscountess Wingate needs someone to sponsor her niece, Kate, for presentation to Queen Victoria. Frances—who understands society’s quirks and constraints as only an outsider can—is the perfect candidate. Kate is charming and intelligent, though perhaps not quite as sheltered as she might first appear. More worrying to Frances is the viscountess’s sudden deterioration.

To the costermongers of Covent Garden Eddie Pettit was a gentle soul with a gift for working with horses. When Eddie is killed in a violent accident, the grieving costers are skeptical about the cause of his death. Who would want to kill Eddie - and why? Maisie Dobbs' father, Frankie, had been a costermonger, so she had known the men since childhood. She remembers Eddie fondly and is determined to offer her help. But it soon becomes clear that powerful political and financial forces are equally determined to prevent her from learning the truth behind Eddie's death.

Philippa Watson, a good-natured yet troubled 17-year-old, has just moved to Washington, DC. She’s lonely until she meets Judy Peabody, a brilliant and tempestuous classmate. The girls become unlikely friends and fashion themselves as intellectuals, drawing the notice of Christine Martins, their dazzling English teacher, who enthralls them with her passion for literature and her love of noirish detective fiction. When Philippa returns a novel Miss Martins has lent her, she interrupts a man grappling with her in the shadows.

Gemma Tate has a new job and a new address. She is putting her past – her memories of nursing in the Crimean war – behind her. But when Jacob Harrow, a journalist with ties to Crimea, is found brutally killed, Gemma is pulled into the investigation. Police inspector Sebastian Bell works alone. But when all signs point toward a dark secret Harrow brought back from the war, he realizes he needs Gemma’s help to untangle the mystery. But raking up the past has devastating consequences when Gemma’s friend, another nurse from Crimea, is found murdered in her boarding house…

New York Times best-selling master of suspense, Elizabeth Peters, brings an exotic world of adventure, intrigue, and danger to vivid life, in a tale as powerful as ancient Egypt.

Lady Vivienne Harlowe doesn't fear much, and delves into life's experiences head on. But for years she's been plagued by the unsolved murders of her parents and the strange disappearance of other family members. Now, in the face of a new tragedy, she vows to follow every twist and turn until she's solved the dark deeds at Mablethorpe Castle.

The sedate English countryside can host - or hide - any number of secrets. Frances, the widowed Countess of Harleigh, needs a venue for her sister Lily’s imminent wedding, away from prying eyes. Risings, George Hazleton’s family estate in Hampshire, is a perfect choice, and soon the guests have gathered to enjoy the usual country pursuits - shooting, horse riding, and romantic interludes in secluded gardens. But the bucolic setting harbors a menace, and it’s not simply the arrival of Frances’ socially ambitious mother. Mysterious accidents befall guests and staff alike.

Summer 1923. Lady Eleanor Swift is finally persuaded by her butler, Clifford, to take a villa in the south of France for the season. She plans to do what a glamorous lady abroad should: long lunches on the balcony followed by lazy afternoons lounging by the pool. But when Clifford examines the wine cellar, he discovers there are no decent reds, but there is a very dead body. The victim is famous American movie-star Rex Armstrong. Poor Rex seems to have been stabbed with a sword from the film set. So how did he end up in Eleanor’s villa?

After a murder scandal nearly sent her husband to the gallows, Audrey, the Duchess of Fournier, has retreated to the countryside to distance herself from gossip—and from the Bow Street officer who proved as irritating as he was intriguing. But when Audrey's friend Charlotte, the Countess of Bainbury, dies mysteriously on Fournier Downs parkland, she summons the only person she trusts to uncover the truth: Principal Officer Hugh Marsden.

July 1831. In the midst of their idyllic honeymoon in England's Lake District, Kiera and Gage's seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter.

Melbourne, Australia, 1929. The year starts off for glamorous private investigator Phryne Fisher with a rather trying heat wave and more mysteries than you could prod a parasol at. Simultaneously investigating the apparent suicide death of a man on St Kilda beach and trying to find a lost, illegimate child who could be heir to a wealthy old woman's fortune, Phryne needs all her wits about her, particularly when she has to tangle with a group of thoroughly unpleasant Bright Young Things.

It’s wintertime in New York, and for the first time since Irish immigrant Molly Murphy started her early-twentieth-century detective agency, she is completely snowed in with work. While she’s proving to be quite the entrepreneur and is very much in demand by some of Broadway’s brightest stars and Fifth Avenue’s richest families, she has to grudgingly admit that if she’s going to work more than one case at a time, then she’s going to need some help.