Magical Realism Fiction

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

Father Jared Osborne has received an extraordinary assignment from his superiors: Investigate an itinerant preacher stirring up deep trouble in Central Europe. His followers call him B, but his enemies say he’s something else: the Antichrist. However, the man Osborne tracks across a landscape of bars, cabarets, and seedy meeting halls is no blasphemous monster - though an earlier era would undoubtedly have rushed him to the burning stake. For B claims to be enunciating a gospel written not on any stone or parchment but in our very genes....

Present day. As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. 1682: Grace Cotter longs for nothing more than a husband and family of her own. Separated by three hundred years, two women are drawn together by a home bathed in blood and magic.

Imaginez : un homme vous sauve la vie, en échange de votre engagement de faire tout ce qu'il vous demande... pour votre bien. Le dos au mur, vous acceptez et vous vous retrouvez embarqué dans une incroyable situation où tout semble vous échapper. Vous n'êtes plus le maître de votre vie.

In the 1990s, Carter Wills was the lead singer of the English alt-rock band Mayluna, securing his place among music legends. His tortured-heart lyrics struck a chord. And so did his secret connection to a woman whose love changed all their lives. Who was she? Evie Waters’s two grown children discover an iconic photo in an old magazine of a “mystery girl” with Carter: their mother. It all started in a wistful time and place for Evie, her twenty-fifth summer.

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family's communal care—threaten to destroy this fragile second chance at life.

The year is 1949, the city London. Amidst the smog of the capital stumbles Dennis Knuckleyard, a hapless eighteen year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How? Dennis has stumbled on a book from the Great When, a magical version of London beyond time and space, where reality blurs with fiction and concepts such as Crime and Poetry are incarnated as wondrous, terrible beings.

De jóvenes, Florentino Ariza y Fermina Daza se enamoran apasionadamente, pero Fermina eventualmente decide casarse con un médico rico y de muy buena familia. Florentino estáanonadado, pero es un romántico. Su carrera en los negocios florece, y aunquesostiene 622 pequeños romances, su corazón todavía pertenece a Fermina. Cuandoal fin el esposo de ella muere, Florentino acude al funeral con toda intención.

From their first meeting, it was clear that Gwen and Tancred were meant to be together. But, as we know, the course of true love never did run smooth. Gwen’s mother, intuiting that her daughter is in love, gives her a magic ring that has been passed down through endless generations of mothers and daughters. This ring grants its wearer the opportunity to change three things about her beloved. Like all blessings, this may also be a curse.

In the late-eighteenth century, the conjurer and amateur scientist Gustavus Katterfelto has made a name for himself travelling across the English countryside with a bag of tricks. For audiences, his astonishing stunts are pure magic. For Katterfelto, each one is carefully engineered and executed with the help of his colleague, confidante and amanuensis, and our narrator, Roger Gossage. Yet one day in their travels, the two men come across a mystifying object beyond their ken: a metal horn that emits a disembodied woman’s voice.

This is the story of the peculiar and magical photo studio owned by Mr. Hirasaka, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard. Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time.

In a back alley in Tokyo, there is a café that has been serving carefully brewed coffee for more than one hundred years. Local legend says that this shop offers something else besides coffee - the chance to travel back in time. With faces both familiar and new, Tales from the Cafe follows the story of four patrons who visit to take advantage of café Funiculi Funicula's time-traveling offer and revisit moments with family, friends and lovers. Each one must face up to the past to move on with their life.

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who goes unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.

The Shape of Water is set in Cold War-era Baltimore at the Occam Aerospace Research Center, which has recently received its most sensitive asset ever: an amphibious man captured in the Amazon. What unfolds is a stirring romance between the asset and one of the janitors on staff, a mute woman who uses sign language to communicate with the creature.

With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.

Uncle Dixon always told Rennie to tell the bees everything, but somewhere along the way, Rennie forgot. Now, with her life at its lowest, she begins to see the bees in a new light. Will she believe again in the magic of the hives, and will she listen as the bees try to guide her home? Perfect for fans of Sarah Addison Allen, Margaret Renkl, and Rachel Linden.

¿Quién le abriría la puerta a un muerto? Eso se pregunta Mariela Bauer cuando escucha por el intercomunicador de su casa, que el señor Jaime Quiroz quiere verla, veintitrés años después de haber sido encontrado sin vida.

K is madly in love with his best friend, Sumire, but her devotion to a writerly life precludes her from any personal commitments. At least, that is, until she meets an older woman to whom she finds herself irresistibly drawn. When Sumire disappears from an island off the coast of Greece, K is solicited to join the search party—and finds himself drawn back into her world and beset by ominous visions. Subtle and haunting, Sputnik Sweetheart is a profound meditation on human longing.

From the internationally acclaimed Haruki Murakami comes a mind-bending new collection of short stories, all touching beautifully on love and solitude, childhood and memory...all with a signature Murakami twist. The eight stories in this new book are all told in the first person by a classic Murakami narrator. From memories of youth, meditations on music, and an ardent love of baseball, to dreamlike scenarios and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world.

The year is 2048. Climate change and bio-warfare have ravaged much of the Earth, and societal meltdown has splintered the US into fragments. But out of the ruins, Northern California has built a thriving culture based on respect for the four sacred things: air, fire, water and earth.