Medieval English

He is a king, a warrior, the last hope of his people - and the chosen one of the sidhe...journey with Cade and Rhiann to a world of myth and magic in Dark Age Wales!

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.

Alexia D'Clere didn't ask to be Protector of the Spear, but after her dying mother gave her the tiny metal object and made her promise to keep it safe, she had no choice. Orphaned at age eight, she began to take over the running of her parents' castle with the help of a trusted steward. Yet when a plot to murder her was revealed, a friar whisked her away to live hidden in the forest. There she learned to shoot expertly with a bow and arrow and hone her skills to see into the spirit realm.

Medieval feudalism is one of those subjects which most of us are familiar with, and yet have difficulty describing. Was is a political, military, economic, or social system? And how did it develop? All these questions are answered in this superb book. Carl Stephenson has done a magnificent job of paring away all extraneous subjects and focusing on just the key elements. This short book, a masterpiece of brevity, succinctly sums up medieval feudalism better than anything ever written.

Outlaw Princess of Sherwood is award-winning author Nancy Springer's third delightful tale of Rowan Hood. Her popular adventure novels provide a fresh new vision of the medieval period. When Princess Ettarde refuses to marry the man her father, King Solon, has chosen for her, she flees to Sherwood Forest and joins Rowan Hood's band of outlaws.

These 24 dramatic lectures examine key events from ancient Egypt, Greece, and Rome to medieval Europe and Asia. Spanning thousands of years and three continents, this course illuminates fascinating historical dramas on the individual scale.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization, they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated.

For centuries, the Crusades have been central to the story of the medieval Near East, but these religious wars are only part of the region's complex history. As The Mongol Storm reveals, during the same era the Near East was utterly remade by another series of wars: the Mongol invasions. In a single generation, the Mongols conquered vast swaths of the Near East and upended the region's geopolitics. This is the definitive history of the Mongol assault on the Near East and its enduring global consequences.

The onslaught of Modred's forces may have been temporarily halted, but danger lurks around every corner for Myrddin and Nell. Not only do they face treachery on the part of their enemies, but allies - and even family too - cannot be trusted. Only by joining forces can they succeed in averting the terrible fate that threatens their king, their country, and their own lives.

Adventurer Lance Desmond needs to produce a fortune before his arch-rival collects the bounty on his head. He risks an ancient curse to retrieve treasure hidden within icebound Castle Cavanaugh, only to become trapped inside. Not with the gold he so desperately needs, but with medieval Princess Marigold who's been cooling her heels since...well, medieval times. The lonely princess refuses to acknowledge the blossoming attraction between them. Not just because she deserves a better future than a penniless rogue. But because at midnight, he'll vanish like all her other would-be heroes.

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity.

England’s greatest royal dynasty, the Plantagenets, ruled over England through eight generations of kings. Their remarkable reign saw England emerge from the Dark Ages to become a highly organised kingdom that spanned a vast expanse of Europe. Plantagenet rule saw the establishment of laws and creation of artworks, monuments and tombs which survive to this day, and continue to speak of their sophistication, brutality and secrets. Dan Jones brings you a new vision of this battle-scarred history.

Late December, 1389. Ordered to undertake a grueling three-day journey to bleak Whitby Abbey in the Far North of England in a bid to purchase the Abbey's priceless holy relic - a lock of St. Hild's hair, said to be 700 years old - Hildegard of Meaux and her three companion monks arrive to find the abbey a decidedly unwelcoming place, a place of strange customs and practices very different from their modest lifestyle at Meaux. Nor, as Hildegard discovers, is she the only visitor intent on acquiring the relic.

July 1346. The Hundred Years' War has begun, and King Edward and his lords are on the march through France. But this war belongs to the men on the ground. Swept up in the bloody chaos, a tight-knit company from Essex must stay alive long enough to see their home again. With sword, mace and longbow, the Essex Dogs will fight, from the landing beaches of Normandy to the bloodsoaked field of Crécy.

A Medieval Life offers a biography of one woman, a portrait of her world, and an introduction to historical method. Written in a clear and accessible style, it reworks a well-loved book to provide an entirely new resource for students, teachers, and general listeners. Like Cecilia Penifader, most people in the Middle Ages were peasants, humble people living socially below the knights, bishops, and kings who figure so large in history books. Judith M. Bennett shows that peasants, too, made history.

It has been famously pointed out that the Holy Roman Empire was neither holy, nor Roman, but it was also not an empire in the sense people expect when hearing the term, but it is clear that church clergy occupied a privileged place in medieval society. Europe had inherited Christianity from the Roman Empire, and the concept of a united Christendom and empire were practically synonymous. Indeed, there was no real consciousness of the Roman Empire ever having ended.

MEDIEVAL: The Phantom King is a supernatural fantasy action thriller about an undead skeleton king that rises from the crypt and goes stalking through a massive medieval castle, wreaking murder and devastation. All denizens of the castle are terrorised from the reigning King and Queen, down to the lords, ladies, knights, dames, servants, watchmen, courtesans, outlaws and even the resident ghosts. The entire story takes place within the span of a single storm-ridden autumn night.

A reckless princess. An enemy kingdom. And a mistake that could cost her everything.

Aristotle’s Poetics is the earliest-surviving work of dramatic theory and the first fully intact philosophical treatise to focus on literary theory. The respected Greek sage offers an account of what he calls "poetry" (which the Greeks understood to literally mean "making"), examining its "first principles" and identifying its genres and basic elements, including what he terms drama-comedy, tragedy, and the satyr play - as well as lyric poetry, epic poetry, and iambic pentameter, which he always associates with wit.