Memoirs Biographys Celebrity

Grab your lace shawl and top hat and get ready to twirl—this is a full-throttle appreciation of the life and voice of Stevie Nicks from one of rock criticism’s most celebrated writers.

Best-selling author and Rolling Stone columnist Rob Sheffield explores the music and artistry of the rock goddess who has kept generations of music lovers totally bewitched and spellbound, with such classic rock hits as "Rhiannon" and "Gypsy".

In his song "You Can't Stop Rock and Roll" Ozzy Osbourne sings, "Rock and roll is my religion and my law". And that's why Raising Hell is a must-have for anyone who wants to hear about the iconoclastic culture of headbangers and the wild lives they lead. The book contains the crazy, funny, and sometimes horrifying anecdotes musicians have told about a lifestyle both invigorating and at times self-destructive.

It was that voice, those eyes, that hair, the cars, the girls. Elvis Presley revolutionized American pop culture when, at age 21, he became a modern superstar. A Memphis Beau Brummel even before he found fame, Elvis had a personal style that, like his music, had an immediate impact on his audience that continues to influence us today.

"Young people starting out in television sometimes say to me: 'I want to be you.' My stock reply is always: 'Then you have to take the whole package.'" And now, at last, the most important woman in the history of television journalism gives us that "whole package", in her inspiring and riveting memoir. After more than 40 years of interviewing celebrities of all kinds, Barbara Walters has turned her gift for examination onto herself to reveal the forces that shaped her extraordinary life.

In the early 2000s, after years of hard work and determination to breakthrough as an actor, Bethany Joy Lenz was finally cast as one of the leads on the hit drama One Tree Hill. Her career was about to take off, but her personal life was slowly beginning to unravel. What none of the show’s millions of fans knew, hidden even from her costars, was her secret double life in a cult. An only child who always wanted a place to belong, Lenz found the safe haven she’d been searching for in a Bible study group with other Hollywood creatives. However, the group soon morphed into something more sinister.

Stuey Ungar dropped out of high school to become an underground card-table sensation, eventually taking out every top gin-rummy player on the east coast. Bankrolled by the Genovese crime family, Ungar went on to win the World Series of Poker a record three times. Then his luck began to run out.

At the end of his memoir Talking to Canadians, Rick Mercer was poised to make the biggest leap yet in his extraordinary career. The Road Years picks up the story at that exciting point, with the greenlighting of what would become Rick Mercer Report. Plans for the show, of course, included political satire and Rick’s patented rants.

As lead singer and songwriter for the Red Hot Chili Peppers, Anthony Kiedis has lived life on the razor's edge. Much has been written about him, but until now we've only had his songs as clues to his experience from the inside. In Scar Tissue, Kiedis proves himself to be as compelling a memoirist as he is a lyricist, giving us a searingly honest account of the life from which his music has evolved.

Simon's memoir reveals her remarkable life, beginning with her storied childhood as the third daughter of Richard L. Simon, the co-founder of publishing giant Simon & Schuster; her musical debut as half of The Simon Sisters, performing folk songs with her sister, Lucy, in Greenwich Village; to a meteoric solo career that would result in 13 top 40 hits, including the number-one song "You're So Vain".

Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as “America's most significant punk band.” Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time. Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance.

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.

From Moon Unit Zappa, the daughter of musical visionary Frank Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age in the Hollywood Hills in the 1980s as the “Valley Girl,” gaining momentum as an accidental VJ on a new network called MTV, and finding herself after losing her father, then her mother, and the testing of her most important relationships.

From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song.

"Unvarnished. Funny. Leaving no stone unturned"...So say the publishers about this audiobook I've written. What I say is that this is the story of my life, told as clear as a Texas sky and in the same rhythm that I lived it. It's a story of restlessness and the purity of the moment and living right. Of my childhood in Abbott, Texas, to the Pacific Northwest, from Nashville to Hawaii, and all the way back again. Of selling vacuum cleaners and encyclopedias while hosting radio shows and writing song after song, hoping to strike gold.

In her first work of nonfiction, the beloved star of Gilmore Girls and Parenthood recounts her experiences on Gilmore Girls - the first and second times - and shares stories about life, love, and working in Hollywood. This collection of essays is written in the intimate, hilarious, and down-to-earth voice that made her novel, Someday, Someday, Maybe, a New York Times best seller.

Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-20 singles and sold eight million copies the year it was released (more than 17 million to date), and it was inducted into the Grammy Hall of Fame in January 2020.

With a sensibility that recalls her beloved screen characters, including Yvette, Queenie, Shug, and the iconic Cookie from Empire, yet is all Taraji, the screen actress writes of her families - the one she was born into and the one she created. She shares stories of her father, a Vietnam vet who was bowed but never broken by life's challenges, and of her mother, who survived violence both in the home and on DC's volatile streets. Here, too, she opens up about her experiences as a single mother.

It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn’t fit in.

Phil Spector, born in the Bronx in 1940, grew up an outsider despised by his peers. But he formed a band, and had a number-one hit with "To Know Him Is to Love Him". He quickly became the top producer of early rock and roll and the originator of such girl groups as the Ronettes. Hit followed hit, and for all of them he used a new recording style called the "wall of sound". But the reign of the boy-man who owned pop music was doomed, and Spector spiraled into paranoid isolation and peculiar behavior.

Serj Tankian will be the first to admit that his band, System of a Down, was “unlikely a chart-topper as had ever existed in modern music history: a band of Armenian-Americans playing a practically unclassifiable clash of wildly aggressive metal riffs, unconventional tempo-twisting rhythms, and Armenian folk melodies, with me alternately growling, screaming, and crooning lyrics that could pivot from avant-garde silliness to raging socio-political rants in the space of a single line.” After all, as Serj concedes, “it’s not easy listening.”