Modern Classics

Strindberg, Tschechow, Schnitzler - Revolutionäre des modernen Dramas: Sie schlugen ein wie eine Bombe in die angestaubte Theaterwelt ihrer Zeit. Sie waren frech, sie waren klug, sie wollten das wahre Leben auf die Bühne bringen und lösten Theater-Revolutionen aus. Noch heute bereichern ihre Stücke die Spielpläne unserer Schauspielhäuser. Mit dabei: "Fräulein Julie" (Strindberg), "Die Möwe" (Tschechow), "Reigen" (Schnitzler).

Together with the Iliad, the Odyssey, The Divine Comedy and Paradise Lost, the Aeneid is one of the true monuments of world literature. Like all these great classics, over the centuries it has become stultified by academic formalism, and its true glory as a narrative of thrilling power and richness has become very much obscured. This new translation seeks to highlight the vigor and immediacy of Virgil's epic while still respecting the grandeur of the original language.

Um mergulho nas fontes e origens do teatro português – eis a proposta de Alexandre Herculano neste ensaio elucidativo e de deliciosa leitura, dado o impecável manuseio da língua portuguesa, tão característico do autor. Herculano destaca Gil Vicente, como não poderia deixar de ser, mas revela também ao leitor nomes menos conhecidos da arte dramática lusitana.

In this modern-retelling of "Beauty and the Beast", Savannah Carmichael, betrayed by an unreliable source, returns to her hometown of Danvers, Virginia, with her once-promising journalism career in ruins. Given the opportunity to get back in the game by writing a patriotic human interest piece, Savannah turns her attention to the town hermit, Asher Lee, a wounded veteran who returned to Danvers eight years ago, and hasn't been seen since.

"Sie müssen auf eine einsame Insel; Sie dürfen nur ein philosophisches Buch mitnehmen - nehmen Sie die Aphorismen! Verzichten Sie lieber auf die Schwimmweste!" Ein Ratgeber fürs richtige Leben im Sinne einer wirklichkeitsnahen Überlebens- und Selbstbehauptungsphilosophie. Ein Buch für Philosophen - ohnehin, aber eben auch für den Hörer, der philosophisch weder vorgebildet noch sonderlich interessiert ist.

Als Friedrich Nietzsche im Jahre 1878 sein aphoristisches Werk "Menschliches, Allzumenschliches" herausbrachte, war schlagartig klar, dass hier einer der ganz Großen der Philosophie die Weltbühne betreten hatte. Die hier vorliegende Sammlung vereint die Teile "Von den ersten und letzten Dingen", "Zur Geschichte der moralischen Empfindungen", "Aus der Seele der Künstler und Schriftsteller", "Der Mensch im Verkehr", "Der Mensch mit sich allein", sowie eine Auswahl aus seinem 1887 veröffentlichten Werk "Die fröhliche Wissenschaft".

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot." Es ist eine Ironie des Schicksals, dass dieses Werk von den Nazis missbraucht wurde.

"Nanni Lasca, da ragazzo, non si rammentava altro: suo padre, compare Cosimo, che tirava la fune della chiatta, sul Simeto, con Mangialerba, Ventura e l'Orbo; e lui a stendere la mano per riscuotere il pedaggio. Passavano carri, passavano vetturali, passava gente a piedi e a cavallo d'ogni paese, e se ne andavano pel mondo, di qua e di là del fiume. Prima compare Cosimo aveva fatto il lettighiere. E Nanni aveva accompagnato il babbo nei suoi viaggi, per strade e sentieri, sempre coll'allegro scampanellío delle mule negli orecchi."

Gerade aus der Haft entlassen, möchte sich Franz Biberkopf eine neue Existenz aufbauen. Doch den Lockungen der Großstadt kann er nicht widerstehen und wird schon bald wieder in kriminelle Machenschaften verwickelt, die ihn fast an den Galgen bringen. Das bewegende Schicksal des Arbeiters Franz Biberkopf, der sich in einer Welt des Verbrechens verirrt, steht exemplarisch für den Kampf des kleinen Mannes in einer unsicher gewordenen Welt. Döblin schuf damit einen Jahrhundertroman, der häufig mit "Ulysses" verglichen wird. Hannes Messemer liest diese atemlose, polyphone Symphonie der Großstadt bravourös ein.

To all appearances, John Wilder has all the trappings of success, circa 1960: a promising career in advertising, a loving family, a beautiful apartment, even a country home. John's evenings are spent with associates at quiet Manhattan lounges and his weekends with friends at glittering cocktail parties. But something deep within this seemingly perfect life has long since gone wrong.

Lord Dunsany was the most influential writer in the genre that came to be known as fantasy, which his stories set trends for that continue to this day. In this collection you’ll find sixteen stories from the first and greatest master of the fantasy genre.

This anthology, first published in 1919, is very much a record of its time. Many of the poems deal with the cataclysmic trauma of World War One and the emergence of a new world order after the fading of the Edwardian era. Among the authors of the 151 poems can be found the names of Rupert Brooke and Ivor Gurney, best known as war poets, as well as James Joyce and the mystic philosopher Evelyn Underhill.

This audiobook contains six of the most popular Canterbury Tales by Geoffrey Chaucer translated into Modern English Slang (without swear words, of course). This is a fun way to get the old English storyline and understand the original text.

I.L. Peretz, the acknowledged "Father of Yiddish Literature", captured the essence of Eastern European Jewish life. He wrote of the magical quality of kindness, and the bitter fruits of blind faith.

The story concerns a scientist, Victor Frankenstein, who conducts a great experiment to see if he can create a living being from the body parts of corpses. Only whe the experiment is successful does he begin to think of the ethics and consequences of what he has done. The creature he created becomes embittered when he finds that no one will love him becuase of his appearance.

We never forget the stories we were told as children. Even when they are not on the top of our mind, they lurk like palm prints on the drying cement foundations of our understanding of the world. We absorb the pluck of children in the face of adult perfidy, cheering the heroism of Hansel and Gretel or Beauty and the Beast. Counterpoised by the wickedness and cruelty of parents, stepmothers, and wolves in sheep's clothing, children's wiliness usually leaves them unharmed, if not heroic. As adults, we keep returning to them again and again in film, in theater, and in books.

"Die Welt der Guermantes" ist die des mondänen Paris der Belle Époque. Marcel Proust schildert bis ins Detail die Gesellschaft der Aristokraten, Intellektuellen und Künstler zwischen den Salons der Metropole und den verträumten Strandbädern der Normandie. Doch der eigentliche Gegenstand des Romans bleibt die Zeit, die hinter den alltäglichsten Vorgängen die "Essenz der Dinge" aufleuchten lässt.

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.