Museum Library

The Maryhill Museum of Art is located on 5,300 acres in the Columbia River Gorge. Miles from any sizeable town and surrounded by the gorge's spectacular scenery, Maryhill is an internationally recognized - and undeniably eclectic - repository of art that ranges from one of the nation's best Rodin collections to one of the world's largest assemblage of chess sets. Dancer, Dreamers, and the Queen of Romania is the story of the four widely disparate people whose lives intertwined in such a way as to lay the foundation for the museum.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

In this inspiring and pragmatic new audiobook, Aldrich shows that the first step toward a sustainable library is sustainable thinking: a determined yet realistic attitude that will help your library spot opportunities for institutional advancement, advocate for and safeguard operating funds, and generate intense loyalty from the communities you serve.

Libraries today are more important than ever. More than just book repositories, libraries can become bulwarks against some of the most crucial challenges of our age: unequal access to education, jobs, and information.

Esta guía propone al lector una visita al Museo del Prado con el objetivo de que pueda disfrutar de ella y aprovecharla al máximo. Le invita a detenerse en aquellas obras absolutamente imprescindibles y, sobre todo, le muestra cómo "mirarlas" para percibir aún más su belleza, le ayudará a reparar en la excelencia del artista volcada en su obra y a observar los distintos aspectos y detalles que hacen que esos cuadros sean únicos.

Este Boletim apresenta uma coleção de artigos selecionados pelo Conselho Editorial do Museu Histórico de Jataí Francisco Honório de Campos, com o intuito de valorizar trabalhos de alta qualidade e seus respectivos autores. Coordenado pelo Historiador Professor Dr. Murilo Borges Silva (UFJ), o processo de análise e seleção culminou na escolha de cinco artigos que abordam temas variados e relevantes.

¿Qué define una biblioteca? ¿Hay algo que podamos decir que "es" una biblioteca? ¿Un mueble? ¿Una cantidad de libros determinada? Con este libro nos vamos a dar cuenta de que no hay una definición única. Están quienes fusionan sus bibliotecas al casarse y quienes, al irse a convivir con otra persona, prefieren mantenerlas separadas. También hay bibliotecas "inmateriales": libros leídos pero no acumulados, desperdigados por el universo. Y por qué no, bibliotecas separadas: una en Buenos Aires y otra en Rosario.

A provocative, progressive rejoinder to the status quo, from the perspective of a disrupter and global leader in the museum world. The challenge to transform museums is unapologetically real and complicated. But everything we learn about reconciliation, science and biodiversity, climate change, and sustainability gives us the confidence and freedom to break through the conventions of the past. Each essay in this collection emphasises key features that are driving change in museums, such as globalization, society, authenticity, and technology.

Using information in its everyday, nonspecialized sense, Michael Buckland explores the influence of information on what we know, the role of communication and recorded information in our daily lives, and the difficulty (or ease) of finding information. He shows that all this involves human perception, social behavior, changing technologies, and issues of trust.

The past, present, and future of human culture can be found inside glass, on walls, or tucked away in a climate-controlled environment. But what attracts society to collect fine art, pottery, and other ancient artifacts? In Beyond the Halls: An Insider’s Guide to Loving Museums, you’ll find a brief history of museums while exploring the present nature of these institutions and the thought-provoking ways to interact with them. Beyond the Halls is a book that speaks to museum lovers (and haters) who are looking to discover, for the first time, the history of museums.

Every city usually has at least one library, so some people take libraries for granted. Instead of taking libraries for granted, we ought to praise them to high heaven for all their noble contributions to humanity.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.

Forgotten Empire, the new exhibition in London devoted to the great realm that Alexander the Great destroyed, is an openly political occasion, designed to stress links in the present as well as to revive interest in a part of the past that has more or less sunk into oblivion. It stresses the fact that, despite the tensions that now exist between the Islamic Republic of Iran and Western Europe, a degree of cultural cooperation is still possible.

A recorded visit to Elizabethan Treasures during the press view at the National Portrait Gallery London. Inspect miniature portraits by Nicholas Hilliard and Isaac Oliver of Sir Walter Raleigh, Sir Francis Frake, Henry Wriothesley and others, and the celebrated icon of Queen Elizabeth I.

"Citizens and Kings", the new blockbuster show at the Royal Academy in London, contains an almost overwhelming number of celebrated paintings and sculptures, even if one or two of them, such as Jacques-Louis David’s Marat Assassiné, turn out to be studio versions rather than the real thing. The show aims to trace the shift in attitudes towards the human personality that was set in motion by the American and French Revolutions and the wars associated with these great political and social upheavals.

The term avant-garde continues to be used, in my opinion with far too much frequency, in discussions of contemporary art. It derives, of course, from military terminology, and implies that the art to which it is applied is somehow ahead of the game. It’s worth taking a look at how this assumption works in practice. Essentially, Western and now world art has witnessed the emergence of a series of avant-gardes since just before the third quarter of the 19th century.

Byzantine art has a slightly odd reputation. It is regarded, on the one hand, as something remote, hieratic, and difficult. On the other hand, the word Byzantium has a very romantic ring - it lives in our minds as the name of a citadel of civilization, a place that preserved for posterity both intellectual and material treasures that would otherwise have vanished forever. The remarkable exhibition now at the Royal Academy in London touches on both of these aspects.

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.