Noir Mystery Thriller Suspense

Sam Capra has one reason to live: to rescue his baby son from the people who abducted him. An ex-CIA agent, Sam now owns bars around the world as cover for his real mission - working undercover for a secret network as mysterious as it is powerful, while using his skills to find his child. Now the kidnappers have offered a deadly deal: they'll surrender Sam's child... if Sam finds and murders the one man who can expose them.

Ten years have passed since Joe Coughlin's enemies killed his wife and destroyed his empire, and much has changed. Prohibition is dead, the world is at war again, and Joe's son, Tomas, is growing up. Now the former crime kingpin works as a consigliore to the Bartolo crime family, traveling between Tampa and Cuba, his wife's homeland.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.

Sammy Dee is a mid-level Long Island mafioso in witness protection. Didier Onyekachukwu was the corrupt minister of finance of the former Upper Volta. Both men find themselves in middle age, living in the Southern California version of genteel poverty in a down-market condo complex called Paradise Gardens. Enter Marcy Gray, a "mature" actress barely getting by on a meager SAG pension.

Once Joe Kurtz needed revenge - and revenge cost him 11 years in Attica prison. Now Kurtz needs a job, and the price is going to be higher. Out of prison, out of touch, Kurtz signs on with the Byron Farino, Don of a Mob family whose son Kurtz had been protecting on the inside. Farino enlists Kurtz's help to track down the Family's missing accountant - a man with too much knowledge of Family business to have on the loose.

In this first installment of the Miami Crime Trilogy, Don Donovan spins a sprawling noir tale of three hardened individuals whose lives are woven together in a web of money, betrayal, and murder.

Leonid McGill-the protagonist introduced in The Long Fall, the book that returned Walter Mosley to bestseller lists nationwide - is still fighting to stick to his reformed ways while the world around him pulls him in every other direction. He has split up with his girlfriend, Aura, because his new self won't let him leave his wife - but then Aura's new boyfriend starts angling to get Leonid kicked out of his prime, top-of-the­skyscraper office space.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

It’s a slow, steamy summer in New Orleans’ French Quarter, but Franki Amato is busy planning her bridal shower—that is, until a hit-and-run outside a coffee shop gets her PI senses percolating. The victim is linked to crimes at a fancy society wedding in a haunted hotel where Franki’s fiancé’s family is staying. As for the java joint, it’s straight out of a hardboiled detective movie, and there’s something hinky about its walnut liqueur coffee.

A year ago, Gemma met the love of her life, Danny. Since then, their relationship has been perfect. But one evening, Danny doesn’t return home. Gemma turns to the police. She is horrified by what she discovers – a serial killer is on the loose in Bristol. When she sees photos of the victims she is even more stunned...they all look just like Danny. Who would you believe? But the police are suspicious. Why has no one apart from Gemma heard from Danny in weeks?

Can one man’s search for justice stand up to the forces of evil threatening to destroy him? A shocking murder drags Black newspaper columnist Clarence Abernathy into the disorienting world of inner-city gangs and racial conflict.

From the moment Lucy met her husband's mother, Diana, she was kept at arm's length. Diana was exquisitely polite and properly friendly, but Lucy knew she was not what Diana envisioned. That was five years ago. Now, Diana is dead, a suicide note found near her body. Diana claims she no longer wanted to live because of a battle with cancer. But the autopsy finds no cancer. The autopsy does find traces of poison and evidence of suffocation.

In noir master Raymond Chandler's Playback, Philip Marlowe is hired by an influential lawyer he's never heard of to tail a gorgeous redhead but then decides he'd rather help out the redhead. She's been acquitted of her alcoholic husband's murder, but her father-in-law prefers not to take the court's word for it.

Antonia Scott n'a peur de rien, sauf d'elle-même. Antonia Scott est la pièce maîtresse du projet Reine rouge, créé pour résoudre les crimes les plus retors. Un soir, elle et Jon Gutiérrez, un flic à l'instinct aiguisé, sont sollicités sur une affaire urgente : la disparition de Lola Moreno, la femme de Yuri Voronin, trésorier d'un clan mafieux qui opère dans la zone de Malaga. Cette dernière s'est évaporée dans la nature juste après que quelqu'un a tenté de la tuer dans un centre commercial et que son mari a été brutalement assassiné dans leur villa.

Une nuit pas très paisible de 1749 dans un cimetière parisien... Le corps d'une jeune fille est retrouvé sur une tombe, sans doute sacrifiée lors d'un rituel sataniste. Pas de suspect et pour seuls indices : une hostie, un crucifix et cinq empreintes de pas. Sartine, le lieutenant général de police, craint une résurgence des messes noires sous le règne du très contesté Louis XV... Toujours aussi mal vus du pouvoir en place, le commissaire aux morts étranges et son non moins étrange compagnon, le moine hérétique, explorent la part d'ombre du siècle des Lumières.

Zack Walker a le cœur sur la main, une générosité quasi pathologique qui lui vaut d'être régulièrement dans le pétrin. Et son karma ne va pas s'améliorer : Trixie, sa charmante voisine, comptable le jour, dominatrice la nuit, a besoin d'aide pour empêcher le reporter Martin Benson de dévoiler la nature illégale de sa "profession". Zack, plus chevaleresque que jamais, est prêt à tout pour rendre service à son amie ; quitte à rogner sur la déontologie pour aller menacer son confrère...

A young woman walks into the frozen fjords of Iceland, never to be seen again. But Matthildur leaves in her wake rumours of lies, betrayal and revenge. Decades later, somewhere in the same wilderness, Detective Erlendur is on the hunt. He is looking for Matthildur but also for a long-lost brother, whose disappearance in a snow-storm when they were children has coloured his entire life. He is looking for answers.

With the scars of her last case still fresh on her skin, DI Jamie Johansson is piecing together a puzzle that’s been buried for 20 years. It killed her father, and now she’s determined to finish what he started and expose the corruption threaded through every street of Stockholm. When a series of violent incidents rock Jamie’s fragile existence in Sweden, she’s faced with a choice - drop the case, or have her loan to Stockholm Police terminated.

At the age of twenty-four, Griselda Satter lee has already lived two lifetimes. A star of the silver screen, she gives up Hollywood after a year and moves to New York to become a designer. While her ex-husband, Con, is out of town, she is staying in his apartment. Walking back one night, she meets two cheerful young men who want to go home with her - and won't take no for an answer.

Berlin does not make it easy to write noir fiction - or perhaps Berlin makes it too easy. Noir tradition casts a long, influential, and even daunting shadow. Neither Döblin nor Benn, Brecht nor Lang, catered to any crime fiction traditions. They merely steeped their literary projects in a great deal of noir. And so it is with most of the stories in our anthology: they do not necessarily follow the usual patterns of crime fiction, but regard noir as a license to write as they wish, a certain way of approaching the city, and a prism through which its nature is viewed....