Renaissance Europe

Beginning in the heady days just after the First Crusade, this volume - the third in the series that began with The History of the Ancient World and The History of the Medieval World - chronicles the contradictions of a world in transition. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453 - years that marked a sea change in mankind's perception of the world.

From the darkness of a plagued and war-torn Middle Ages, the Renaissance (we’re told) heralds the dawning of a new world—a halcyon age of art, prosperity, and rebirth. Hogwash! or so says award-winning novelist and historian Ada Palmer. In Inventing the Renaissance, Palmer turns her witty and irreverent eye on the fantasies we’ve told ourselves about Europe’s not-so-golden age, myths she sets right with sharp clarity.

In this masterful work, listeners will encounter: the poets Petrarch and Boccaccio, the fathers of the Renaissance; the paintings, sculptures, and architecture of Milan, Florence, and Venice; the life and accomplishments of Leonardo DaVinci; the Catholic church and the popes of Avignon and Rome; the politicians and philosophers of Italy, including the Borgia family, Julius II, and Machiavelli; the Italian Wars, the conflicts with France, and the country's decline.

Against the background of an age that saw the rebirth of ancient and classical learning, Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence as well as the Italian Renaissance, which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo, and Donatello as well as scientists like Galileo and Pico della Mirandola.

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice, and vicious cruelty - all have been associated with their name. And yet, paradoxically, this family lived when the Renaissance was coming into its full flowering in Italy. Examples of infamy flourished alongside some of the finest art produced in western history.

The papal tiara has been worn by a number of infamous men through the course of its history. Some have been accused of murder, many have had mistresses, while others sold positions in the church to their followers or gave land and wealth to their illegitimate children. E. R. Chamberlin examines the lives of eight of the most controversial popes, from the reign of Pope Stephen VI, who had his predecessor exhumed, put on trial and thrown in the Tiber, in the ninth century, through to Pope Clement VII, whose failed international policy led to the Sack of Rome in 1527.

Some ladies who served at the Tudor court are only faceless silhouettes lost to the sands of time, but there are those who dedicated their lives to please their royal mistresses and left documentation, allowing us to piece their life stories together and link them to the stories of Tudor queens. These female attendants saw their queens and princesses up close and often used their intimate bonds to their own benefit. Some were beloved, others hated. This is the story of the ladies of the Tudor court like you've never heard it before.

Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.

Death in Florence illuminates one of the defining moments in Western history - the bloody and dramatic story of the battle for the soul of Renaissance Florence. By the end of the fifteenth century, Florence was well established as the home of the Renaissance. In an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts, and political compromises that made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

In this landmark study of Italy from the 14th through the early 16th centuries, Swiss historian Jacob Burckhardt chronicles the rise of Florence and Venice as powerful city-states, the breakup of the medieval worldview that came with the rediscovery of Greek and Roman culture, and the new emphasis on the role of the individual. All these, Burckhardt explains, went hand in hand with the explorations of science and the more naturalistic depiction of the world in art and literature.

Having founded the bank that became the most powerful in Europe in the 15th century, the Medici gained massive political power in Florence, raising the city to a peak of cultural achievement and becoming its hereditary dukes. Mary Hollingsworth argues that the idea that the Medici were enlightened rulers of the Renaissance is a fiction that has now acquired the status of historical fact. In truth, the Medici were as devious and immoral as the Borgias - tyrants loathed in the city they illegally made their own.

Orphaned from infancy, Catherine de’ Medici endured a tumultuous childhood. Married to the French king, she was widowed by forty, only to become the power behind the French throne during a period of intense civil strife. In 1546, Catherine gave birth to a daughter, Elisabeth de Valois, who would become Queen of Spain. Two years later, Catherine welcomed to her nursery the beguiling young Mary Queen of Scots, who would later become her daughter-in-law. Together, Catherine, Elisabeth, and Mary lived through the sea changes that transformed sixteenth-century Europe.

It was one of the most concentrated surges of creativity in the history of civilization. Between 1390 and 1537, Florence poured forth an astonishing stream of magnificent artworks. But Florentines did more during this brief period than create masterpieces. As citizens of a fractious republic threatened from below, without, and within, they also were driven to reimagine the political and ethical basis of their world, exploring the meaning and possibilities of liberty, virtue, and beauty.

Au Moyen Âge et à la Renaissance, les philosophes vont mener trois combats : les théologiens médiévaux intègrent les valeurs chrétiennes à la philosophie antique ; les philosophes chrétiens et mystiques opposent à la toute-puissance théologique les bienfaits de la philosophie antique ; les humanistes de la Renaissance réenchantent le monde et inspirent le renouveau de la métaphysique. Cet ouvrage cherche à mieux comprendre les relations entre philosophie et christianisme et redécouvre le mystère des penseurs de la Renaissance.

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; military leaders waging endless wars. Their solution was simple and radical. They would rebuild their city, and their civilization, by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

More than ever before, the Renaissance stands out as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics, and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. In this wide-ranging exploration of the Renaissance, Jerry Brotton shows the period as a time of unprecedented intellectual excitement, cultural experimentation, and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status.

Catherine de' Medici was a ruthless pragmatist and powerbroker who dominated the throne for 30 years. Her youngest daughter, Marguerite, the glamorous "Queen Margot," was a passionate free spirit, the only adversary whom her mother could neither intimidate nor control.

The dome of the Santa Maria del Fiore, the great cathedral of Florence, is among the most enduring symbols of the Renaissance, an equal to the works of Leonardo and Michelangelo. Its designer was Filippo Brunelleschi, a temperamental architect and inventor who rediscovered the techniques of mathematical perspective. Yet the completion of the dome was not Brunelleschi’s glory alone. He was forced to share the commission with his archrival, the canny and gifted sculptor Lorenzo Ghiberti.

Léonard de Vinci était enfant illégitime, homosexuel, gaucher, végétarien, distrait et parfois hérétique. Cette inadéquation aux moeurs de l'époque a décuplé sa créativité. À travers les milliers de pages de ses carnets et les plus récentes découvertes des historiens, Walter Isaacson dépeint l'émergence de son génie, alimenté par une curiosité passionnée, une capacité d'observation de tous les instants et une imagination sans limites.