Satire Comedy

Sampath Chawla was born in a time of drought that ended with a vengeance the night of his birth. All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

Call it superstition, but when a guy bats as hot as Brooks Elliott, you don’t mess with what’s working. And what’s working is him keeping his pants zipped and doing all of his scoring on the field. So when I hear he’s planning to ditch his V-card now that he’s been traded to baseball’s lovable losers - a.k.a. my home team and my reason for living every March through October - I do what any rational, dedicated, obsessed fan would do. I make a plan to stop him. But the thing about stopping him is that it requires spending time with him. Lots. And lots. And lots of time.

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage. Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her ... except vengeance.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting). He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person).

Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.

Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stand for everything she detests—Happiness and Love is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.

In the fading days of summer 2011, self-taught astrophysicist Petra has calculated that the atmosphere will collapse in a few weeks’ time—on September 21, at approximately 9:20 p.m.—ending the world as we know it. But the distraught Petra will not have to carry the burden of this terrible news alone for long. Fate intervenes, bringing her into the orbit of a pair of unlikely companions: Johan, a man whose intellectual prowess is remarkably overshadowed by his culinary skills, and Agnes, a seventy-five-year-old widow who has made a fortune posing as a young influencer on social media.

Galapagos takes the listener back one million years to AD 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.

I get paid to erase problems. Did your extramarital affair produce an unwanted complication? Family problems? Just want to enjoy your midlife crisis by yourself? That's where I come in. For a fee, I'll take care of it. A big fee. Only, I'm not going to do what you think. I'm not going to save you from them, I'm going to save them from you.

A delivery driver finds himself inside a world occupied by characters from unfinished novels and must accept he is not real. But the world around him doesn’t feel right, and when he starts asking questions, the authorities soon take extreme measures to stop him finding the truth about Fiction Land.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.

You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.

America’s most-read, most-watched, and most­ beloved serial killer - Dexter Morgan - is back. After selling more than one million copies and inspiring the wildly popular number one Showtime series and top-rated crime drama on pay-cable television, New York Times best-selling author Jeff Lindsay returns with his most hilarious, macabre, and purely entertaining novel yet. Dexter Morgan has always lived a happy homicidal life. He keeps his dark urges in check by adhering to one stead­fast rule...he only kills very bad people.

Hendrik Groen may be old, but he is far from dead and isn't planning to be buried any time soon. Granted, his daily strolls are getting shorter because his legs are no longer willing, and he has to visit his doctor more than he'd like. Technically speaking he is...elderly. But surely there is more to life at his age than weak tea and potted geraniums? Hendrik sets out to write an exposé: a year in the life of his care home in Amsterdam, revealing all its ups and downs.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

Sam Bennett is the last of a dying breed, a former Mad Man, now made redundant after 30 years at the same advertising agency. Left with his awards and a case of Bulgarian whiskey (which he still can’t remember buying), Sam retreats to his home, awaits the summer arrival of his daughter and crazy son-in-law, Muller, is plagued by panic attacks and has an incident involving a pressed ham on a liquor store window with a young security guard named Max. .

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?

The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words); his wife, Beverley, a celebrated novelist; and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant.