Social Sciences Media Studies

Der Ton wird schärfer, die Probleme nicht kleiner - in Deutschland wird heftig diskutiert. Die Lager stehen sich zunehmend unversöhnlicher gegenüber. "Alte weiße Männer", denen die Meinungsvorherrschaft abgesprochen wird, auf der einen Seite, junge schwarze Frauen, die, kaum gehört, der Ideologie verdächtigt werden. Dazwischen Wutbürger, Verschwörungserzähler, pöbelnde Klakeure. Vor allem in den sozialen Medien geht es hoch her, niemand will mehr zuhören, alle senden, keiner will empfangen. Zwischen grenzenloser Empörung und großer Empfindlichkeit wabern die Debatten hin und her.

Este es un audiolibro de investigación al que los autores han dedicado cerca de dos años. El resultado es este trabajo polémico compuesto por las biografías de once hombres y una mujer que controlan el 70 por 100 de la información mundial. Los autores nos cuentan como Silvio Berlusconi paso de vender aspiradoras a construir su imperio televisivo; esta es la primera biografía autorizada de Jesús de Polanco, así como los comienzos de El País, diario que en 1996 celebro sus veinte años de existencia.

The internet was created on the basis that all users are equal, but children and the vulnerable are not. In Born Digital, Robert Wigley distils the mountains of available research on the subject and brings to bear his wealth of institutional experience to present a road map for society to radically and urgently reset its relationship with technology - for the sake of future generations.

To See and Be Seen considers some of the ideological, aesthetic, pragmatic, institutional, cultural, commercial, environmental, and psychological forces that consciously or otherwise shape the production of news images and subsequently influence their reception. T. J. Thomson examines the expectations, experiences, and reactions of those depicted by visual journalists and considers other relevant factors: How do everyday people perceive cameras and those who operate them?

Walter Veltroni denuncia la debolezza della politica di fronte al ricatto dell'opinione pubblica, il cedimento dell'etica e del pudore sotto i colpi della società delle immagini e della comunicazione totale, riportandoci con la memoria al giorno in cui il nostro sguardo perse l'innocenza. L'11 giugno del 1981, un grido disperato paralizza l'Italia davanti ai teleschermi. Alfredino Rampi, sei anni, è precipitato in un pozzo e sta chiamando disperatamente sua madre. Gli italiani ascoltano agghiacciati il suo lamento, mentre iniziano i tentativi di salvataggio.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

In October 1993, a tiny start-up called the Food Network debuted to little notice. Twenty years later, it is in 100 million homes, approaches a billion dollars a year in revenue, and features a galaxy of stars whose faces and names are as familiar to us as our own family's. But what we don't know about them, and the people behind them, could fill a book.

Influencer – das ist für eine ganze Generation inzwischen ein ernsthafter Berufswunsch, wenn nicht sogar ein Traumberuf. Es klingt auch zu verlockend: Ein bisschen posieren vor der Kamera, ein paar Likes und schon kommen die gut bezahlten Werbekooperationen wie von selbst. Sie filmen sich beim Schminken, reisen an paradiesische Orte, halten sich fit mit Sport und teilen ihre Tipps mit Fans. Doch dahinter steckt ein profitorientiertes Business, das große Begehrlichkeiten und Abhängigkeiten auf der Seite der Nutzer schafft.

Collecting over twenty-five essays written by more than twenty California Indian authors, Know We Are Here surveys many of the ways California's Indigenous communities are resisting the legacies of genocide. Focusing on the particular histories, challenges, and dynamics of life in Native California—which are often very different from elsewhere in the United States—the book collects essays from writers across the state. It encompasses the perspectives of both elders and the rising generation, and the contributors include activists, academics, students, memoirists, and tribal leaders.

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

Seeking ways to understand video games beyond their imperial logics, Patterson turns to erotics to re-invigorate the potential passions and pleasures of play. Video games vastly outpace all other mediums of entertainment in revenue and in global reach. On the surface, games do not appear ideological, nor are they categorized as national products. Instead, they seem to reflect the open and uncontaminated reputation of information technology. Like literature and film before it, video games have become the main artistic expression of empire today.

When the world's biggest and most moving events took place - World War II, the Moon landing, the death of Princess Diana, and many more - Time magazine was there to tell the story with passion and clarity. This book features pieces by Barbara Ehrenreich, Henry Anatole Grunwald, Maureen Dowd, Walter Isaacson, Bono and many other famous writers, and will provide listeners with a uniquely entertaining view of 85 years of Time's history.

The most powerful political tool of the modern presidency is control of the message and the image. In Republic of Spin - a vibrant history covering more than 100 years of politics - presidential historian David Greenberg recounts the rise of the White House spin machine, from Teddy Roosevelt to Barack Obama. His sweeping, startling narrative takes us behind the scenes to see how the tools and techniques of image making and message craft work.

يحوي الكتاب العديد من المواضيع ويناقش عدة قضايا في مجالات مختلفة، تخرج منه بمعلومات ثقافية دينية تاريخية أدبية وأخلاقية وغيرها من معلومات متنوعة يخبرك بأن الحق حق والباطل باطل مهما كثر مرتادية ومؤيّديه. فالكتاب عبارة عن مقالات كُتبت بتواريخ مختلفة في الصحف ومدونات الجزيرة والمواقع الإلكترونية وجمعها في كتاب واحد، حيث يناقش الكاتب بعض القضايا في المجتمع ويحاول إيجاد حلول لها.

The founders of FactCheck.org teach you how to identify and debunk spin, hype, and fake news in this essential guide to informed citizenship in an age of misinformation.

A behind-the-scenes look at how conservatives - and even iconoclasts who don't consider themselves conservative - are overthrowing the liberal media and political correctness. From the bloggers who demolished Dan Rather, to the Swift Boat veterans who sank John Kerry, to the gleeful anti-political correctness of such comedic send-ups as South Park and Team America, the American media landscape has suffered an earthquake.

World War II was a media war. President Franklin D. Roosevelt used the press to a great extent, of course, but as the war progressed, the media also came to influence commanders' decisions on the battlefield. The Media Offensive offers a new way to understand military-media relations during World War II. The press and public opinion shaped not only how the conflict was seen but also how it was fought. In what could be called "the new history of war reporting," the focus is switched from how the military controlled reporters to how military decisions were shaped by the press.

Was Massenmedien berichten, weicht oft von den Ansichten und Eindrücken großer Teile der Bevölkerung ab – gerade, wenn es um brisante Geschehnisse geht. So entsteht häufig der Eindruck, die Massenmedien in Deutschland seien von der Regierung oder "dem Staat" manipuliert. Aber die heutige Selbstangleichung der Medien hat mit einer gelenkten Manipulation nichts zu tun. Die Massenmedien in Deutschland sind keine Vollzugsorgane staatlicher Meinungsmache.

More than a decade ago, counterterrorism expert Rita Katz began browsing white supremacist and neo-Nazi forums. The hateful rhetoric and constant threats of violence immediately reminded her of jihadist militants. Now, years of attacks committed by extremists radicalized online—including at a synagogue in Pittsburgh and mosques in New Zealand, as well as the Capitol siege—have brought home the danger. From ISIS to QAnon, Saints and Soldiers pinpoints the approaches needed for a new era in which arrests and military campaigns alone cannot stop never-before-seen threats.

Sonic Encounters: The Islamic Call to Prayer recounts the author’s experience gathering field recordings of the Islamic Call to Prayer. It touches on key questions and problems faced along the way, as well as discussing technologies and methods for recording, what it means to develop art from ethnographic research, and the ethics and considerations of working with Islamic communities around the globe. The book uses a sound studies framework to explore artistic research methods and practices in ethnography as they relate to religious recitation.