Social Sciences Media Studies

City of Inmates explains how the City of Angels became the capital city of the world's leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernandez unmasks how histories of native elimination, immigrant exclusion, and Black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernandez documents the persistent historical bond between the racial fantasies of conquest and the eliminatory capacities of incarceration.

Midwives in the United States live and work in a complex regulatory environment that is a direct result of state and medical intervention into women's reproductive capacity. In Birthing a Movement, Renee Ann Cramer draws on over a decade of ethnographic and archival research to examine the interactions of law, politics, and activism surrounding midwifery care.

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

New England's history is marked with witch executions, curses, and an untold number of cemeteries hiding mysteries beneath their stones. In this sometimes harsh landscape, the truth is often stranger than fiction. Examine the footprints burned into the ledge of Devil's Foot Rock in Rhode Island. Spend a night at the Kennebunk Inn in Maine, where the mischievous specter of Silas Perkins still resides.

Per la prima volta insieme, tutti gli scritti che Umberto Eco ha dedicato alla televisione: al suo linguaggio, alle forme di comunicazione che mette in gioco, alle tecnologie che le sostengono, all'immaginario che produce, ai suoi esiti culturali, estetici, etici, educativi e, soprattutto, politici.

Merchants of Truth is the groundbreaking and gripping story of the precarious state of the news business told by one of our most eminent journalists. Jill Abramson follows four companies: The New York Times, The Washington Post, BuzzFeed, and Vice Media over a decade of disruption and radical adjustment. The new digital reality nearly kills two venerable newspapers with an aging readership while creating two media behemoths with a ballooning and fickle audience of millennials.

What made the San Diego Comic-Con a Hollywood destination? How does the industry’s presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.

Family Guy and Philosophy brings together low-brow, potty-mouthed, cartoon humor and high-brow philosophical reflection to deliver an outrageously hilarious and clever exploration of one of TVs most unrelenting families. (Okay, its not that high-brow.)

What does it mean to be Asian American? How does our racialization in the United States shape our lives and our worldviews? With candor and care, Ellie Yang Camp, a Taiwanese American educator, offers a set of ideas and frameworks to guide us toward a more nuanced understanding of these questions. Drawing on her experiences and observations from history, conversations with Asian American peers, and lessons derived from other people of color, Camp unpacks the confusing dynamics that underlie anti-Asian stigmas and stereotypes in the US.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary.

Locked away in refrigerated vaults, sanitized by gas chambers, and secured within bombproof caverns deep under mountains are America's most prized materials: the ever-expanding collection of records that now accompany each of us from birth to death. This data complex backs up and protects our most vital information against decay and destruction, and yet it binds us to corporate and government institutions whose power is also preserved in its bunkers, infrastructures, and sterilized spaces.

Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated.

Beyond Bombshells analyzes the cultural importance of strong women in a variety of current media forms. Action heroines are now more popular in movies, comic books, television, and literature than they have ever been. Their spectacular presence represents shifting ideas about female agency, power, and sexuality. This book explores how action heroines reveal and reconfigure perceptions about how and why women are capable of physically dominating roles in modern fiction.

Marriage equality has surged across the country. Closet doors have burst open in business, entertainment, and even major-league sports. But as longtime advocate Michelangelo Signorile argues in his most provocative book yet, the excitement of such breathless change makes this moment more dangerous than ever.

Identitätspolitik zwischen Vernunft und Exzess. Wer gendert, das Z-Wort meidet und im Schlaf aufsagen kann, wofür die Buchstabenwürmer LGBTQIA* und BIPoC stehen, gilt in seinen Kreisen als "woke". Die Mehrheitsgesellschaft dagegen fragt: Haben wir keine anderen Sorgen? Petra Gerster und Christian Nürnberger führen durch das Minenfeld, das die deutsche Sprache durch identitätspolitische Forderungen geworden ist.

This book exposes how the media racializes and genderizes news coverage to fit the its far left "progressive" agenda-with bias baked into every aspect of news organizations these days. This work sets the record straight.

In this raw and redemptive debut memoir, Ellen O'Connell Whittet explores the silent suffering of the ballerina - and finds it emblematic of the violence that women quietly shoulder every day. For O'Connell Whittet, letting go of one meant confronting the other - only then was it possible to truly take flight.