Victorian Thriller

An artist's model never shows up at Neville Grant's house...or so he claims. But when one of Mr. Grant's houseguests suddenly dies, the Inspector and Mrs. Jeffries have to work double-time to find both the missing model and the killer!

When an Italian assassin's body is found floating in a barrel in Victorian London's East End, enquiry agent Cyrus Barker and his assistant Thomas Llewelyn are called in to investigate. Soon corpses begin to appear all over London, each accompanied by a Mafia Black Hand note. As Barker and Llewelyn dig deeper, they become entangled in the vendettas of rival Italian syndicates - and it is no longer clear who is a friend or foe.

Harriet Andover had no intention of dying young like her silly siblings had. She intended to outlive them and outdo them as she always had. But Harriet discovers that the best intentions can lead to murder when she is strangled inside her mansion with a house full of holiday guests. As much as Inspector Witherspoon enjoys his job delivering justice, the last thing he wanted was a complicated murder case just a week before Christmas. He soon discovers that Harriet's own husband and grown stepchildren are not overcome with grief and neither are most of her friends.

Miss Penelope Monckton, just returned from nursing with Florence Nightingale's in Crimea, has come to the country estate of one of the most scandalous men in England, Lord Rickarby—nicknamed Rakerby—to collect a bequest from his late wife, her childhood friend Millie. But something about Millie's death doesn't sit right with Penny. A celebrated painter, Joss, Lord Rickarby, knows Miss Penelope Monckton only from the letters she sent to his late wife during her time nursing in a war zone.

Cyrus Barker is undoubtedly England's premiere private enquiry agent. With the help of his assistant, Thomas Llewelyn, he's developed an enviable reputation for discreetly solving some of the toughest, most consequential cases in recent history. But one evening in 1888, Robert Anderson, the head of Scotland Yard's Criminal Investigation Department (CID), appears at Barker's office with an offer.

Worcester, April 1893. Detective Inspector Ravenscroft receives a strange note from a lonely old woman fearing for her life. But when he visits her, she is already dead. Did Miss Maud Fincher's heart give out or was she scared to death? Maud Fincher was part of a group of locals trying to speak to their deceased loved ones through the medium of séance. Ravenscroft thinks this is harmless nonsense . . . until the old lady's last surviving heir is murdered.

Victorian Era England. Stetson revels in being unconventional. So when society shies away from her independent nature, the bold woman creates an imaginary boss and opens her own detective agency. And her keen observational skills, convincing disguises, and Holmesian methods quickly bring in a string of tough-to-crack cases. Struggling to squeeze a personal life in around a series of hazardous investigations, Stetson worries she'll never find a woman of like-passions. But with her heart set on true love despite the risk, she carries on hunting for the perfect relationship.

Calista Langley operates an exclusive "introduction" agency in Victorian London, catering to respectable ladies and gentlemen who find themselves alone in the world. But now a dangerously obsessed individual has begun sending her trinkets and gifts suitable only for those in deepest mourning - a black mirror, a funeral wreath, a ring set with black jet stone. Each is engraved with her initials.

When a Hungarian immigrant is dismembered near London's River Thames, Commander Monk is called to the eerie scene, where 16 candles surround the corpse. As identical murders pop up around the city, Monk confronts the unsettling options: could it be the work of a secret society? A serial madman? Or is a xenophobic Brit targeting foreigners? A local doctor who speaks Hungarian from his days on the battlefield may be able to help, but his own struggles with post-traumatic stress have left his memory in shambles.

The year is 1862 and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial "humanitarianism," which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.

Hannah Cameron was not well-liked, but who stabbed her in the back? To almost everyone, the answer was clear: she was killed by a burglar. This case is given to Inspector Nivens, so Mrs. Jeffries and the rest of the household must tiptoe around this case to find the real killer.

It is the summer of 1871 when Scotland Yard's Inspector Ben Ross pays a visit to Jacob Jacobus, the old rogue of Limehouse: infamous antiquarian, friend to villains and informer to the police. Ben hopes to glean information about any burglaries that might take place now that the wealthiest echelons of society are back in London for the Season. Little does he realise that an audacious theft has already occurred - a priceless family heirloom, the Roxby emerald necklace, has been stolen from a dressing table in the Roxby residence, and the widowed Mrs Roxby is demanding its immediate return.

After a nearly fatal blow to the skull, traumatized private detective Ian Cameron is found dazed and confused on a muddy riverbank in Victorian London. Among his effects: a bloodstained business card bearing the name of a master wizard and a curious pocket watch that doesn’t seem to tell time. To retrieve his lost memories, Ian demands answers from Edwina and Mary Blackwood, sister witches with a murky past. But as their secret is slowly unveiled, a dangerous mystery emerges on the darkened streets of London.

In 1887 New York City, Nellie Bly has ambitions beyond writing for the ladies pages, but all the editors on Newspaper Row think women are too emotional, respectable and delicate to do the job. But then the New York World challenges her to an assignment she'd be mad to accept and mad to refuse: go undercover as a patient at Blackwell’s Island Insane Asylum for women.

Under a bundle of mistletoe, art collector Daniel McCourt lies with his throat slit, a bloody sword next to his body. Inspector Witherspoon is determined to solve the case - preferably before the eggnog is ladled out on Christmas Eve - but of course he will require assistance from the always sharp-witted housekeeper, Mrs. Jeffries, who has a few of her own theories on why McCourt had to die by the sword.

It was a most peculiar murder. A man's body was found in the canal - but the evidence showed that he had drowned in a bathtub. A theater critic known for his savage reviews, the victim had had a full cast of enemies. While Inspector Witherspoon scoured the theater, his housekeeper and unofficial sleuthing partner Mrs. Jeffries uncovered the critic's secret past: a real-life drama more compelling than any stage play.

London's social season is in full swing, and Victorian aristocracy can't stop whispering about a certain gentleman who claims to be the direct descendant of Louis XVI and Marie Antoinette. But he's not the only topic of wagging tongues. Drawing rooms, boudoirs, and ballrooms are abuzz with the latest news of an audacious cat burglar who has been systematically stealing valuable items that once belonged to the ill-fated queen. Light gossip turns serious when the owner of one of the pilfered treasures is found murdered, and the mysterious thief develops a twisted obsession with Lady Emily Ashton.

Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.

Sir Charles Sheridan is many things - an amateur scientist, a renowned photographer, and a skilled detective. And due to Victorian customs, he will soon become a baron - rendering him unable to marry American writer Kate Ardleigh. But even as customs keep them apart, a good murder case always seems to bring them together. The Countess of Warwick, known affectionately as Daisy, is the subject of endless rumors about her unladylike ways and temperament. But what happens during a weekend party at her Easton estate is uglier than any rumor. First, a stable boy is killed.

It's Derby day at Epsom Downs, and Lord Charles Sheridan is on hand to photograph the race with his new camera—while his wife, Kate, watches from the stands. It's a thrilling day for both Sheridans—until the race ends with a jockey's death. With her husband busy investigating, Kate retreats to the countryside to interview world-renowned actress Lillie Langtry for a magazine article. Plunging into her subject's less-than-illustrious past, Kate puzzles over the long-ago theft of the actress's jewels—and is not surprised when Charles's investigation heads in Langtry's direction.