Women Childhood

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds.

Dead Woman Pickney chronicles Yvonne Shorter Brown’s life growing up in Jamaica between 1943 and 1965 and teaching in Canada from 1969. Told with stridency and humour, the stories include both personal experience and history. Taking up the haunting memories of childhood, along with persistent racial marginalization of Black people, both globally and in Canada, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples.

He's a reclusive writer whose imagination creates chilling horror novels. She's a down-on-her-luck actress reduced to staging kids' puppet shows. He knows a dozen ways to kill his characters with his bare hands. She knows a dozen ways to kill an audience with laughs. But she's not laughing now.

Carla Funk grew up in a place of logging trucks and God, pellet guns and parables. Every Sunday, she sat with her mother and brother in the same pew at the Mennonite church while her dad stayed home with his cigarettes and a fridge full of whiskey. In these tender, humorous stories, Funk stitches together the wondrous and the mundane: making snow angels and carrying sacks of potatoes, tossing pig bladders like footballs, and vying for the Christmas pageant spotlight.

When Lucy Mangan was little, stories were everything. They opened up new worlds and cast light on all the complexities she encountered in this one. She was whisked away to Narnia and Kirrin Island and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy and played by the tracks with the Railway Children.

Dana Trent is only a preschooler the first time she uses a razor blade to cut up weed and fill dime bags for her schizophrenic father, King. While King struggles with his unmedicated psychosis, Dana’s mother, the Lady, a cold and self-absorbed woman whose personality disorders rule the home, guards large bricks of drugs from the safety of their squalid trailer. But when the Lady impulsively plucks Dana from the Midwest and moves the two of them south, their fresh start results in homelessness and bankruptcy.

Much is written about children's infancy and toddler years, which is good, since children will never remember those times themselves. It is ages four to 14 that make up the second act, as Catherine Newman puts it in this delightfully candid, outlandishly funny new memoir about the years that "your children will remember as childhood". Following Newman's son and daughter as they blossom from preschoolers into teenagers, Catastrophic Happiness is about the bittersweet joy of raising children and the ever-evolving landscape of issues parents traverse.

In this memoir, Natasha takes on the therapist's role with her past selves to drag her social anxiety into the open. From feisty Miss 6, lonely Miss 14 reeling from a tumultuous childhood, and defiant Miss 18 pushing back against a world where she didn't fit, through to her present self, Natasha explores the way social anxiety colored her experiences and finds healing through self-acceptance.

Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time" - a lost joyful time - and after. She was shunted from one relative to another while her father coped with his grief. He married again only nine months later, perhaps to have a mother for his child, but her new mum, harsh and withholding of her love, quickly exerted complete control over her thoughts and deeds, with her father oblivious.

In March 2020, Martha McPhee, her husband, and their two children set out for her childhood home in New Jersey, where she finds herself grappling simultaneously with a mother slipping into severe dementia and a house that’s fallen into neglect. As Martha works to manage her mother’s care and the sprawling, ramshackle property—a broken septic system, invasive bamboo, dying ash trees—she is swept back, unwillingly, into memories of her fraught, dysfunctional childhood.

Margaret Staples was nine years old at the beginning of 1939 when her father was posted to the British colony of Malta with the Royal Engineers. Swimming every day, with blue skies and balmy weather; Margaret and her siblings thought they were in paradise. Everything changed when the Second World War broke out. Hitler wanted to take control of Malta for its strategic position, right in the middle of the Mediterranean.

To save her Tennessee bed-and-breakfast, Sophie Bates needs a fast-cash miracle. Holden McKenzie, her childhood best friend, needs to prove to a prospective employer that he’s a committed man. Their fortunes on the line, Holden proposes...a solution. He’ll take care of Sophie’s bills if she agrees to a temporary marriage of convenience. And why not? They’re comfortable together, they have fun, and they trust each other. It’s as simple as saying “I do.” But the off-the-cuff wedding has all of Honey Creek talking.

Nowhere Like This Place is a coming-of-age memoir set against the backdrop of the weirdness of an enclave with more PhDs per capita than anywhere else on Earth. It’s steeped in thinly-veiled sexism and the searing angst of an artsy child trapped in a terrarium full of white-bread nuclear scientists and their nuclear families. Everything happens, and nothing happens, and it all works out in the end. Maybe.

Leah Broad's magnificent group biography resurrects these four forgotten voices, recounting lives of rebellion, heartbreak and ambition, and celebrating their musical masterpieces. Lighting up a panoramic sweep of British history over two World Wars, Quartet revolutionises the canon forever.

When Susannah Breslin is a toddler, her parents enroll her in an exclusive laboratory preschool at the University of California, Berkeley, where she becomes one of 128 children who are research subjects in an unprecedented 30-year psychological experiment that predicts who she and her cohort will grow up to be. Decades later, trapped in an abusive marriage to a man with a violent history and battling breast cancer, she starts to wonder how growing up under a microscope shaped the person she became and her life choices. Is she the narrator of the story of her life, or is something else?

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure.

To Julie Metz, her mother, Eve, was the quintessential New Yorker. Eve rarely spoke about her childhood and it was difficult to imagine her living anywhere else except Manhattan, where she could be found attending Carnegie Hall and the Metropolitan Opera or inspecting a round of French triple crème at Zabar’s. After her mother passed, Julie discovered a keepsake book filled with farewell notes from friends and relatives addressed to a ten-year-old girl named Eva.

Adulthood comes all too quickly when the baker’s son sets his sights on her. Offered a blood orange, Oliva—haunted by her mother’s warning, “a girl who smiles has already said yes”—spurns the fruit. Yet, this act sets into motion an unwanted courtship that will force Oliva to fight for the right to choose her own path, even though the odds of winning are steep. While America and Europe are in the throes of social change, Sicily fiercely clings to its rigid traditions, including the custom of fuitina–by which kidnappings could be disguised as elopements–which is accepted and enshrined in law.

A la mort de sa mère, découvrant les rites funéraires de ses origines, Farida se replonge dans son enfance, si loin de sa vie d'adulte. Les mots et les souvenirs se bousculent alors qu'elle raconte pour la première fois la vie de cette famille d'immigrés algériens : les HLM misérables, les hommes brisés par l'illettrisme et la colonisation, les mères pétrifiées. Au milieu, une fratrie élevée dans une violence inouïe mais soudée par le rire et la force de vie.

With her family struggling amidst the nightly bombing raids in London’s East End, Ida Brogan is doing her very best to keep their spirits up. The Blitz has hit the Brogans hard, and rationing is more challenging than ever, but they are doing all they can to help the war effort. When Ida’s oldest friend Ellen returns to town, sick and in dire need of help, it is to Ida that she turns. But Ellen carries a secret, one that threatens not only Ida’s marriage but the entire foundation of the Brogan family. Can Ida let go of the past and see a way to forgive her friend?