World Art History

No one in history has provoked more controversy than Napoleon Bonaparte. Was he an enlightened ruler or brutal tyrant? Was he an insatiable warmonger or a defender of France against the aggression of the other great powers? Was he kind or cruel, farsighted or blinkered, a sophisticate or a philistine, a builder or a destroyer? One thing is certain, if the art of leadership is about getting what one wants, then Napoleon was among history's greatest masters.

This extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis.

It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.

Borobudur in Central Java has been described as the eighth wonder of the world. It is the world's largest Buddhist temple, built out of 1.6 million blocks of worked volcanic stone and containing three miles of relief carvings and 504 statues of Buddha. Yet for 1,000 years it lay deserted in the jungle until it was rediscovered by none other than the famous Englishman Sir Thomas Stamford Raffles.

1973 was the year rock hit its peak while splintering-just like the rest of the world. Ziggy Stardust traveled to America in David Bowie's "Aladdin Sane". The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top 10 albums, two hitting number one. FM battled AM; Motown battled Philly on the charts, as the era of protest soul gave way to disco. DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.

His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist. His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?

Going to the Frida Kahlo exhibition current at Tate Modern in London is like entering the shrine of a secular saint. The rooms are thronged. People peer closely at the paintings, many of them very small. They seem afraid to talk much above a whisper. There are a number of reasons for this reaction. One is Hayden Herrera’s highly readable biography of the artist, first published in 1983, and now established as a classic feminist text. Another is the feminist movement’s general need for heroines, which has had a similar effect on the posthumous reputation of Georgia O’Keeffe. A third, probably the most powerful, reason is Kahlo’s own personality, which combined self-assertion, defiance and masochism in almost equal proportions. In this respect Kahlo can be compared with a slightly later generation of English-language poets, male and female. Prominent among them are Robert Lowell, John Berryman, Sylvia Plath and Anne Sexton.

"Know thyself" - this fundamental imperative appeared for the first time in ancient Greece. For the Greeks, self-knowledge and identity were the basics of their civilization and their sources were to be found in where one was born and into which social group. These determined who you were and what your duties were. In this book the independent scholar Ingrid Rossellini surveys the major ideas that, from Greek and Roman antiquity through the Christian medieval era up to the dawn of modernity in the Renaissance, have guided the Western project of self-knowledge.

Svizzera, 2010. Cornelius Gurlitt, cittadino tedesco di 79 anni, sta viaggiando su un treno diretto a Monaco quando viene fermato per un controllo di routine. Agli occhi degli agenti l'uomo non è che un innocuo vecchietto, ma un'ispezione rivela che, cuciti nel risvolto della sua giacca, ci sono ben novemila euro in contanti. Una cifra importante per un pensionato, che porta la polizia ad approfondire le indagini.

En un oscuro rincón del mundo del arte, oculto tras la majestuosidad de las pinturas más famosas, se tejió una trama épica que desafiaría los límites de la creatividad y la astucia humana. En 1960, una denuncia por una estafa aparentemente insignificante desencadenó una revelación que dejaría al descubierto un entramado de plagios perfectos de los maestros consagrados: Velázquez, Zurbarán, El Greco, Mengs, Picasso, Ribera y muchos más.

Walden is a work by noted transcendentalist Henry David Thoreau. The text is a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and to some degree a manual for self-reliance. First published in 1854, Walden details Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond amid woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts.

Fruto de três anos de profundas pesquisas, História do cinema mundial traz um viés inédito para o estudo do tema: o enfoque geográfico e cultural da sétima arte.

From its humble beginnings as a discount shop on Seventh Avenue, Barneys grew into an international phenomenon, setting the tone for fashion not only in New York, but across the country and worldwide. Told with razor-sharp wit and inimitable style, They All Came to Barneys takes us on an insider’s journey as rakish, would-be rocker Gene Pressman and the global fashion industry grew up and came into their own, side by side.

منذ زمن طويل كان يراودنى حلم إصدار موسوعة عن العظماء والروَّاد، ولكنى كنت أتردد، ذلك بسبب انشغالى فى إنجاز مؤلفاتى التى صدرت تباعاً فى علم النفس والتربىة، وعندما أراد الله بدأت.

Acclaimed historian Edward J. Renehan, Jr., author of The Lion's Pride, focuses on the World War II era to craft a welcome addition to the Kennedy literature. Renehan shows how family patriarch Joseph was an ambitious but occasionally embarrassing diplomat, while wartime disaster elevated second son John to great heights. Sisters Kathleen and Rosemary also emerge as strong individuals in this compelling glimpse at the great American dynasty.

May 1945. A Soviet military patrol searches Hitler’s secret bunker in Berlin. They find bodies, documents, jewelry, paintings—and also an extensive collection of 78 rpm records. It comes as no surprise that this collection includes work by Beethoven, Wagner, and Bruckner. The same goes for a procession of other giants promoted by the Nazi regime: “It seems as if the Nazis put a steel helmet on Mozart, girded Schubert with a saber, and wrapped barbed wire around Johann Strauss’s neck,” composer Robert Stolz once said.

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000 on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World, journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution.

Five hundred and thirty years ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Sforza was a brutal and clever man who was mindful that Leonardo’s genius would not only capture Cecilia’s beguiling beauty but also reflect the grandeur of his title. But when the portrait was finished, Leonardo’s brush strokes had conveyed something deeper by revealing the essence of Cecilia’s soul.