Showing results by narrator "Orson Welles" in All Categories

Travel with Phileas Fogg, as he races against the clock to win the bet with his friends to circle the globe with his faithful manservant Passepartout!! Many people try to stop Phileas in his adventure, so listen in and enjoy the fun!! One of the classic Radio Theatre Productions you will want to listen to over and over again!

Starring Orson Welles, Anges Moorehead, and Ray Collins, The Count of Monte Cristo is a tale of revenge and retribution. Edmond Dantès, a young, energetic sailor, is falsely accused of treason on his wedding day and incarcerated in the forbidding Château d'If. His escape and ultimate revenge on those who wronged him makes this one of the most thrilling stories in French literature, as compelling now as when it was first published in 1846.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

Set in London and Paris before and during the French Revolution, A Tale of Two Cities depicts the plight of the French peasantry under the demoralization of the French aristocracy in the years leading up to the revolution, the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution, and a number of unflattering social parallels with life in London during the same time period.

The lure of the American West is in the spirit of adventure, in the majestic expanse of unconquered wilderness and in rugged individuals on a quest for identity and sometimes for survival. Owen Wister's unsmiling Virginian... Dorothy M. Johnson's, "A Man Called Horse": These are a few of the colorful, even legendary characters who populate The American West in Fiction, a collection of stories edited by Jon Tuska.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Back before television, a holiday season tradition in America was listening to A Christmas Carol by Charles Dickens as performed on radio by Lionel Barrymore and narrated by Orson Welles with the Mercury Theatre group. The music was composed and conducted by the legendary Bernard Herrmann.

Here are legendary director, producer, screenwriter, author, and actor Orson Welles' historic interpretations of excerpts from classic literature. Includes selections from Oscar Wilde's "The Happy Prince', H.G. Wells' "The Red Room", Saki's "Shredni Vashtar", Joseph Conrad's "The Secret Sharer", Rudyard Kipling's "Riki-Tikii-Tavi", Nathaniel Hawthorne's "Wakefield", Edgar Allan Poe's "The Tell Tale Heart", and Robert Louis Stevenson's "Letter to the Reverend Dr. Hyde".

This collection contains six classic Christmas radio productions from the '30s, '40s, and '50s.

One of the most memorable programs in broadcast history, the Halloween Eve 1938 broadcast of The War of the Worlds set off a nationwide panic that's almost unimaginable today. Presented by the Mercury Theatre on the Air and its creatve genius, Orson Welles, the drama based on H.G. Wells' classic novel tells the story of a Martian invasion of Earth.

Audrey Hepburn performs selections from her Grammy Award winning "Enchanted Tales" (adapted by Mary Sheldon); John Ritter tells the story of "Jack and the Beanstalk"; Sharon Stone delivers an off-the-wall rendition of "Snow White and the Seven Dwarfs" (the tale by the Brothers Grimm, retold by Richard Hack); and Orson Welles performs the all-time favorite "The Happy Prince" (by Oscar Wilde).

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

These classic Sherlock Holmes performances by Gielgud, Richardson and Welles were first broadcast in the 1950s.

This 1937 radio dramatization was written, produced, and performed by none other than the incomparable Orson Welles of War of the Worlds fame. The story of the book is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story.

Orson Welles stars in this dramatisation of Dickens' A Christmas Carol.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the The Paper Chase. After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered theirown weekly hour-long radio program over the CBS radio network.

Captain Bligh leaves London for Tahiti in charge of his crew on the Bounty. At sea he shows himself to be a brutal tyrant and cruel whilst enforcing discipline which includes flogging the men, cutting rations and over zealously working them too hard. On the return voyage, first mate Fletcher Christian, wonderfully played here by Orson Welles, leads the crew to mutiny and sets Bligh and his supporters adrift on a boat. What they did not count on is the Captain's return in this gripping tense drama.

Treasure Island, here starring Orson Welles, is the classic tale of pirates, treasure maps, danger, and buried treasure chests! Join young Jim Hawkins on his adventures on the high sea as he searches for the gold of the evil Captain Flint. Pieces of eight!! Pieces of eight!! This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....