Titres dans Théâtre

The Key and Tone Clusters are two one-act plays by 2009 Man Booker Nominee Joyce Carol Oates. The Key is a hilariously perverse encounter between a vacationing suburban housewife, recently separated from her husband, and a prosperous businessman. Tone Cluster is a chilling comedy that takes the form of an interview between a middle-aged, middle-class American couple and the media.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021.

To write for the theater, you need to know about theater. Ideas are easy to come by. Examine your background, interest, and beliefs. Examine the world around you. Exercises can help you come up with ideas. Choose the audience you want to reach, and write to that audience.

Every time you deliver a speech, give a presentation, or simply tell a good story, you are taking centre stage. Here, one of the world’s leading voice coaches introduces the simple exercises that great actors use to hold people’s attention – and reveals how anyone speaking in public can use them. Drawing on 25 years working at London’s National Theatre, Jeannette Nelson explains how to warm up your voice and body before a big speech, how focusing on your breathing can improve your clarity and pace, and much more.

A notorious author shares a train compartment with a long-time reader. But can they connect with each other through a silent tide of self-doubt and second-guessing? From the playwright of Art. Sir David Suchet and Dame Harriet Walter star in L.A. Theatre Works' performance of Yasmina Reza’s The Unexpected Man. Translated by Christopher Hampton. Directed by Gordon House.

The Disney Playbook: Lessons in Business, Branding, and Global Domination Step into the magic behind the mouse with The Disney Playbook - the ultimate guide to understanding how Disney became a global empire. This book dives deep into the business strategies, branding brilliance, and innovative mindset that transformed a cartoon mouse into an unstoppable cultural force. From billion-dollar acquisitions like Pixar, Marvel, and Lucasfilm to groundbreaking moves in streaming with Disney+, every chapter unpacks Disney’s bold decisions and secret playbook for success.

In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy.

Moving from the glamour and dysfunction of 1970s Brooklyn, to the sybaritic materialism of Reagan’s 1980s to post-9/11 New York, Lot Six offers a quintessentially American tale of an outsider striving to reshape himself in the funhouse mirror of American culture. Adjmi’s memoir is a genre-bending Künstlerroman in the spirit of Charles Dickens and Alison Bechdel, a portrait of the artist in the throes of a life and death crisis of identity.

Praised as “a breakneck, hair-raising comic tour of the contemporary American male psyche” by The New York Times, Drinking in America, is a gritty, muscular restaging with star Andre Royo (The Wire) bringing to vivid life more than a dozen colorful characters, each in the throes of intoxication. Written and originated by three-time Obie Award winner Eric Bogosian, this critically acclaimed work takes on a new persona in our present day, with terms like toxic masculinity and male fragility at the forefront of the zeitgeist.

From a breakout role in the smash-hit Glee to breaking barriers as the first nonbinary-identifying Tony Award winner for their featured performance in Shucked, Alex Newell is no stranger to the spotlight. Now, listen to the talented trailblazer as you’ve never seen them before in their intimate new show, Alex Newell and the Gospel of a Diva. Alex shares untold stories from their remarkable life and career alongside a selection of their favorite tunes.

The all-conquering King Henry V is dead, and the throne is occupied by his infant son, Henry VI. The good Duke Humphrey of Gloucester has been appointed protector, but a struggle for power soon develops between the young king's Lancastrian relatives and the powerful house of York under Richard Plantagenet. Meanwhile the French, led by Joan of Arc, the maid of Orleans, threaten to win back the territories lost to Henry V.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

Sir Laurence Olivier. Orson Welles. Vivien Leigh. Joan Plowright. Kenneth Tynan. When these champions of the theatre get together to rehearse Ionesco's Rhinoceros, mere mortals best step aside. With lightning wit and scathing insight into the true nature of genius, Austin Pendleton's new play opens the private worlds of these very public people, exposing their warmth, their egos, and their glittering madness.

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.

Ed Lowry joined the vaudeville circuit in 1910 at the age of 14. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an "artiste". Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry's long career in entertainment from the viewpoint of a foot soldier with a big dream.

Three young women share an apartment in New York during the summers of 1967 and 1968. But as the Vietnam War begins to exact its toll on their generation, they must decide whether to stand for their country or their loved ones. An L.A. Theatre Works full-cast performance featuring Barbara Bain, David Birney, Beth Broderick, Anthony Edwards, Megan Gallagher, Peter Gregory, Patricia Sill, and Wendell Sweda. Directed by Valerie Landsburg. Recorded before a live audience in November 1992.

Before "Fred and Ginger" there was "Fred and Adele", a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance. In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?