Showing results by publisher "Recorded Books" in Film & TV

Marvel Entertainment was a moribund toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. How did an upstart studio conquer the world? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole ongoing production, the Marvel Cinematic Universe.

Along the gritty terrain of the Texas- Mexico border, a respected and recently engaged lawyer throws his stakes into a cocaine trade worth millions. His hope is that it will be a one-time deal and that, afterward, he can settle into life with his beloved fiancée. But instead, the Counselor finds himself mired in a brutal and dangerous game - one that threatens to destroy everything and everyone he loves.

The man who brought the kavorka to the Seinfeld show through one of the most remarkable and beloved television characters ever invented, Kramer, shares the extraordinary life of a comedy genius—the way he came into himself as an artist, the ups and downs as a human being, the road he has traveled in search of understanding.

The Bridgertons are by far the most prolific family in the upper echelons of society, both in deed and word, and now, for the first time, their most indelible quips and barbs have been gathered here for your pleasure. From Anthony’s arrogance to Hyacinth’s hijinks, the family has long been fodder for society gossips … and indeed even for This Author, who has come out of retirement to pen thirteen new columns, each more delicious than the last.

Few could explain, let alone seek out, a career in criticism. Yet what A. O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics - himself included - can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative and urgent activities of modern existence.

In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip Little Nemo in Slumberland, itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman.

Brainstorm is an amazing five-year probe into the mysterious death of beloved movie star Natalie Wood by a real-life criminal law authority who determinedly pursued the truth in the face of Los Angeles County officials hell-bent on keeping it buried forever.

A sociological study of reality TV that explores its rise as a culture-dominating medium - and what the genre reveals about our attitudes toward race, gender, class, and sexuality.

In 1953, a young Ray Bradbury is summoned to Ireland by the brilliant but terrifying titan of cinema, John Huston. His mission: capture on paper the fiercest of all literary beasts - Moby Dick. But from the moment he sets foot on Irish soil, the author embarks on an unexpected odyssey. As Bradbury works and wrangles with the renowned director to craft a workable screenplay so filming can begin, he also develops a love affair with the beautiful, mysterious land of Ireland and its inhabitants.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

A lively and colorful biography of Hollywood's first superagent - one of the most outrageous showbiz characters of the 1960s and 1970s, whose clients included Barbra Streisand, Ryan O'Neal, Faye Dunaway, Michael Caine, and Candice Bergen. Before Sue Mengers hit the scene in the mid-1960s, talent agents remained quietly in the background. But staying in the background was not possible for Mengers.

It was the best of times and the worst of times for Hollywood before the war. The box office was booming, and the studios’ control of talent and distribution was as airtight as could be hoped. But the industry’s relationship with Washington was decidedly uneasy - hearings and investigations into allegations of corruption and racketeering were multiplying, and hanging in the air was the insinuation that the business was too foreign, too Jewish, too "un-American" in its values and causes. Could an industry this powerful in shaping America’s mind-set really be left in the hands of this crew?

Professor Joseph Luzzi, the director of Italian studies at Bard College and an award-winning author, offers a comprehensive look at Italian cinema from its inception in 1895 through its major periods and influences. Having altered the landscape of Italian art and society, as well as inspiring filmmakers the world over, Italian cinema proves a fascinating study. Major focuses of the course include neorealism, the Spaghetti Western, the Italian giallo, and Italian-style comedy.

Why does the cinema have the power to move the heart, stimulate the mind, and dazzle the imagination? How did the art of film develop from its origins to the present day? This course covers the history and aesthetics of the movies. It traces the experiments and innovations that gave rise to the modern cinema, developing a vocabulary that helps explain the variety of choices filmmakers make when they construct shots and edit them together.

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

Oscar-winning director Hayao Miyazaki is the genius behind such animated classics as Princess Mononoke, Kiki’s Delivery Service, and Nausicaä of the Valley of the Winds. His bountiful imagination and compassion have earned him accolades the world over. Until the early 1990s, Miyazaki’s work was largely unfamiliar to American audiences. But that would soon change, and now fans of all ages eagerly await new material from the master.

When a major Hollywood studio released Five Fingers of Death to thrill-seeking Times Square moviegoers on March 21, 1973, only a handful of Black and Asian American audience members knew the difference between an Iron Fist and an Eagle's Claw. That changed overnight as kung fu movies kicked off a craze that would earn millions at the box office, send TV ratings soaring, sell hundreds of thousands of video tapes, influence the birth of hip hop, reshape the style of action we see in movies today, and introduce America to some of the biggest non-White stars.

In this dazzling Hollywood memoir, Jeff Margolis takes us on the ultimate behind-the-scenes tour of television’s most memorable variety series and specials spanning the past fifty years—from the most iconic variety shows of the 1970s to the Oscars. Today, as one of the most prolific directors/producers of event television, Margolis is not only a technical ringmaster but also a confidante and sage to the stars who headline the shows. Students of television will savor the “how-to” of event television while fans will love the intimate stories of beloved stars.

In this book, horror-expert Mathias Clasen delves into the psychological science of horror cinema to bust some of the worst myths and correct the biggest misunderstandings surrounding the genre. In short and highly enjoyable chapters peppered with vivid anecdotes and examples, he addresses the nervous person's most pressing questions: What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents?

In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers.