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In this carefully curated selection of everyday reflections, Richard Wagamese finds lessons in both the mundane and sublime as he muses on the universe, drawing inspiration from working in the bush-sawing and cutting and stacking wood for winter as well as the smudge ceremony to bring him closer to the Creator. Embers is perhaps Richard Wagamese's most personal volume to date. Honest, evocative, and articulate, he explores the various manifestations of grief, joy, recovery, beauty, gratitude, physicality, and spirituality-concepts many find hard to express.

Staring the modern world in the eye, Richard Wagamese confronts its snares and perils. He sees people coveting without knowing why, looking for roots without understanding what constitutes home, searching for acceptance without extending reciprocal respect, and longing for love without knowing how to offer it. He sees this because he lived it. For Joshua is Wagamese's love letter to his estranged son. Ojibway tradition calls for fathers to walk their children through the world and teach them their place in it. To teach them they belong.

Saul Indian Horse is in critical condition. Sitting feeble in an alcoholism treatment facility, he is told that sharing his story will help relieve his agony. Though skeptical, he embarks on a heartbreaking journey from the present - and into the woods of Northern Ontario, where his life began in a snowy Ojibway camp. The tale that follows is one of great pain and great determination from Richard Wagamese, an author who "never seems to waste a shot" ( New York Times).

Franklin Starlight is called to visit his father, Eldon. He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner. What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end.

When Garnet Raven was three years old, he was taken from his home on an Ojibway Indian reserve and placed in a series of foster homes. Having reached his mid-teens, he escapes at the first available opportunity, only to find himself cast adrift on the streets of the big city. Having skirted the urban underbelly once too often by age 20, he finds himself thrown in jail. While there, he gets a surprise letter from his long-forgotten native family. The sudden communication from his past spurs him to return to the reserve following his release from jail.

Four chronically homeless people - Amelia One Sky, Timber, Double Dick and Digger - seek refuge in a warm movie theater when a severe Arctic front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world and, once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favor of the escapist qualities of film, and an unlikely friendship is struck.

À une autre époque, Saul Cheval Indien, fils de la nation ojibwée, était un joueur étoile, un phénomène sur les patinoires de hockey. Mais, au moment où il amorce l’écriture de ce récit, enfermé dans un centre de désintoxication, il touche le fond. Expliquer dans le cercle de partage les détours qu’a pris sa vie est trop dur, trop compliqué. C’est donc sur papier qu’il se raconte: son enfance dans les forêts du Nord, puis les horreurs des pensionnats autochtones, mais aussi l’exaltation vécue sur la glace des arénas.

Best-selling author Richard Wagamese again invites listeners to accompany him on his travels. This time his focus is on stories: how they shape us, how they empower us, and how they change our lives. Ancient and contemporary, cultural and spiritual, funny and sad, the tales are grouped according to the four essential principles Ojibway traditional teachers sought to impart: humility, trust, introspection, and wisdom.

One Drum draws from the foundational teachings of Ojibway tradition, the Grandfather Teachings. Focusing specifically on the lessons of humility, respect, and courage, the volume contains simple ceremonies that anyone anywhere can do, alone or in a group, to foster harmony and connection. Wagamese believed that there is a shaman in each of us, that we are all teachers, and in the world of the spirit, there is no right way or wrong way.

Richard Wagamese, one of Canada’s most celebrated Indigenous authors and storytellers, was a writer of breathtaking honesty and inspiration. Always striving to be a better, stronger person, Wagamese shared his journey through writing, encouraging others to do the same. Following the success of Embers, this new collection of Wagamese’s nonfiction works, curated by editor Drew Hayden Taylor, brings together more of the prolific author’s short writings - many for the first time in print - and celebrates his ability to inspire.

The final novel from Richard Wagamese, the best-selling and beloved author of Indian Horse and Medicine Walk, centres on an abused woman on the run who finds refuge on a farm owned by an Indigenous man with wounds of his own. A profoundly moving novel about the redemptive power of love, mercy, and compassion - and the land's ability to heal us.

Rodeo cowboy Joe Willie Wolfchild, riding an explosive bull called See Four and moments away from becoming World Champion, suffers a devastating accident. His parents and grandparents use all their native wisdom to ease him out of his subsequent bitter depression, but without success. Meanwhile, in a distant city, a troubled young kid named Aiden plans a holdup that goes wrong and lands himself in jail.

One Native Life is a look back down the road Richard Wagamese has traveled - from childhood abuse to adult alcoholism - in reclaiming his identity. It's about what he has learned as a human being, a man, and an Ojibway in his 52 years on Earth. Whether he's writing about playing baseball, running away with the circus, making bannock, or attending a sacred bundle ceremony, these are stories told in a healing spirit. Through them, Wagamese reveals to listeners how to appreciate life for the journey it is.

When Lucas Smoke learns the Ojibway art of carving from his grandfather, he proves to be a natural. He can literally make people come to life in wood. Then Lucas’s growing reputation attracts a mysterious stranger, who offers him a large advance to carve a spirit mask. This mask is to represent the master, but Lucas must find its face in his dreams. As his dreams become more and more disturbing, he feels himself changing. And the mask takes control of his life. Then an encounter with an old woman introduces him to the identity of the master: an ancient sorcerer named Him Standing.

Having developed an impressive reputation for his many novels and non-fiction works, Richard Wagamese now presents a collection of stunning poems ranging over a broad landscape. These are Medicine teachings told from the experience of one who lived and still lives them. He also describes his life on the road when he repeatedly ran away at an early age, and the beatings he received when the authorities tried “to beat the Indian right out of me.” Yet even in the most desperate situations, Wagamese shows us Canada as seen through the eyes and soul of a well-worn traveler.

Cree Thunderboy wants nothing less than to be the next great blues man. But playing to tiny audiences in shabby rooms like Shelly’s Crab Shack, his career is stalled. Then at the race track he meets Win Hardy, a charming rogue who spots Cree’s knack for picking winning horses. He offers to record his first CD and send him on tour, as long as Cree can keep coming up with the hot tips at the track. Then Cree discovers Win’s mob connections. When things inevitably go bad, Cree discovers that in life and in gambling, there is never really the next sure thing.