Showing results by publisher "Anansi Audio" in All Categories

Enchantment. By Dr. Sharon Blackie’s definition, a vivid sense of belongingness to a rich and many-layered world, a profound and whole-hearted participation in the adventure of life. Enchantment is a natural, spontaneous human tendency - one we possess as children, but lose, through social and cultural pressures, as we grow older. It is an attitude of mind which can be cultivated: the enchanted life is possible for anyone. It is intuitive, embraces wonder, and fully engages the mythic imagination - but it is also deeply embodied in ecology, grounded in place and community.

In 1966, 12-year-old Chanie Wenjack froze to death on the railway tracks after running away from residential school. An inquest was called, and four recommendations were made to prevent another tragedy. None of those recommendations were applied. More than a quarter of a century later, from 2000 to 2011, seven Indigenous high school students died in Thunder Bay, Ontario. The seven were hundreds of miles away from their families, forced to leave home and live in a foreign and unwelcoming city.

After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family’s story.

When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break - a barren field on an isolated strip of land outside her house - she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim - police, family, and friends - tell their personal stories leading up to that fateful night.

As the snowstorm of the century rages toward Newfoundland, twenty-one-year-old Xavier is beaten and stabbed in a vicious attack. His mother, Jules, must fight her way through the shuttered streets of St John’s to reach the hospital where Xavier lies unconscious. When a video of the attack surfaces, Jules struggles to make sense of what she sees in the footage—and of what she can’t quite make out. While Xavier’s story unfolds, so, too, do the stories that brought him there.

In 1903 a mysterious, desperate young woman flees alone across the west, one quick step ahead of the law. She has just become a widow by her own hand. Two vengeful brothers and a pack of bloodhounds track her across the western wilderness. She is 19 years old and half mad. Gil Adamson's extraordinary novel opens in heart-pounding midflight and propels the listener through a gripping road trip with a twist - the steely outlaw in this story is a grief-struck young woman.

In 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland during a Valentine's Day storm. All 84 men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns on the rig. It begins in the present day, more than 25 years later, but spirals back again and again to the "February" that persists in Helen's mind and heart. 

Fay Morgan and Nelson Nilsson have each arrived in Inuvik, Canada, about 120 miles north of the Arctic Circle. Both are in search of answers about a family member: Nelson for his estranged older brother, and Fay for her vanished grandfather. Driving Fay into town from the airport on a freezing January night, Nelson reveals a folder left behind by his brother. An image catches Fay's eye: a clock she has seen before. Soon Fay and Nelson realize that their relatives have an extraordinary and historic connection - a secret share in one of the greatest mysteries of polar expedition.

Kara Davis is a girl caught in the middle - of her Canadian nationality and her desire to be a “true” Jamaican, of her mother and grandmother’s rages and life lessons, of having to avoid being thought of as too “faas” or too “quiet” or too “bold” or too “soft”. In “Little Jamaica”, Toronto’s Eglinton West neighbourhood, Kara moves from girlhood to the threshold of adulthood, from elementary school to high school graduation, in these 12 interconnected stories.

February in Newfoundland is the longest month of the year. Another blizzard is threatening to tear a strip off downtown St. John’s, while inside The Hazel restaurant, a storm system of sex, betrayal, addiction and hurt is breaking overhead.

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics.

A poet and journalist looks back on a remarkable journey from Turkey to Nepal in 1978, when the region was on the brink of massive transformation.

For 12-year-old Diego and his family, home is a prison in Cochabamba, Bolivia. His parents farmed coca, a traditional Bolivian medicinal plant, until they got caught in the middle of the government's war on drugs and were mistakenly convicted of drug possession. Diego's parents are locked up, but he can come and go: to school, to the market to sell his mother's handknitted goods and to work as a "taxi", running errands for other prisoners. But then his little sister temporarily runs off while under his watch, earning his mother a heavy fine. 

Two tales, set in a time “when animals and human beings still talked to each other”, display Thomas King’s cheeky humor and master storytelling skills. Freshly reissued as an early chapter book, these stories are perfect for newly independent readers.

Brandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, Our Voice of Fire chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism.

This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization.

Woodland, moorland, sea ... Great Britain is home to vast array of beautiful natural settings, each with its own unique sounds. The award-winning audiobook for The Lost Words and its sister, The Lost Spells, showcased the immersive power of a natural soundscape. Compiled by renowned wildlife recordist Chris Watson, these soundscapes acted as the backdrop and setting for beautiful spells, whilst possessing an energy and life of their own.

The follow-up to the internationally best-selling sensation The Lost Words, The Lost Spells is an audio treasure that evokes the magic of the everyday natural world.

As a part of the launch of the new A-List series, a curated selection of titles from Anansi's backlist featuring handsome new cover illustrations and introductions by well-known Canadian writers, comes Rawi Hage's De Niro's Game, with a new introduction. There is but one truly serious philosophical problem, and that is suicide. In Rawi Hage's unforgettable novel, winner of the 2008 IMPAC Prize, this famous quote by Camus becomes a touchstone for two young men caught in Lebanon's civil war.

Winner of the Victorian Prize for Literature, Australia’s richest literary award, No Friend but the Mountains is Kurdish Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison - a work that represents the harrowing experience of the many stateless and imprisoned refugees and migrants around the world.