Résultats de "Jack Kerouac" dans Toutes les catégories

""Avec l'arrivée de Neal a commencé cette partie de ma vie qu'on pourrait appeler ma vie sur la route. [...] Neal, c'est le type idéal, pour la route, parce que lui, il y est né, sur la route..." Neal Cassady, chauffard génial, prophète gigolo à la bisexualité triomphale, pique-assiette inspiré et vagabond mystique, est assurément la plus grande rencontre de Jack Kerouac, avec Allen Ginsberg et William Burroughs, autres compagnons d'équipées qui apparaissent ici sous leurs vrais noms."

Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West 20th Street in Manhattan, that he wrote the first full draft that was satisfactory to him.

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

First published in 1958, a year after On the Road put the Beat Generation on the map, The Dharma Bums stands as one of Jack Kerouac's most powerful and influential novels. The story focuses on two ebullient young Americans - mountaineer, poet, and Zen Buddhist Japhy Ryder, and Ray Smith, a zestful, innocent writer - whose quest for Truth leads them on a heroic odyssey, from marathon parties and poetry jam sessions in San Francisco's Bohemia to solitude and mountain climbing in the High Sierras.

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

On the Road is the classic story of two such characters: Sal Paradise and Dean Moriarty, who set off on an odyssey through mid-century underground America, fueled by jazz, sex, drugs, mystical philosophy, and a limitless passion for experience.

In this 1962 novel, Kerouac's alter ego, Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion".

Originally written in 1955 and now published for the first time in audiobook form, Wake Up is Kerouac's retelling of the life of Prince Siddartha Gotama, who as a young man abandoned his wealthy family and comfortable home for a lifelong searchfor Enlightenment. Distilled from a wide variety of canonical scriptures, Wake Up serves as both a penetrating account of the Buddha's life and a concise primer on the principal teachings of Buddhism.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

Jack Kerouac wrote The Haunted Life in 1944 when he was 22 years old and attending Columbia University. Originally intended as a three-part novel, only this first 20,000-word section was ever finished. Upon its completion, Kerouac promptly lost his only hand-written final draft in a New York taxi cab, remaining unknown to the public until its appearance at Christies about ten years ago. Kerouac’s family has now decided to share this manuscript with the world.

Two friends in 1950s San Francisco Bohemia explore Buddhism Zen - hipster style. On the road to finding Dharma, or truth, the story's narrator, Raymond Smith comes to a spiritual roadblock. Smith, based on Kerouac himself, discovers a role model in his friend Japhy Ryder, modeled after the real poet-Buddhist Gary Snyder. This autobiographical novel is one of Kerouac's most popular, and has served as an inspiration to the beat culture, hippies, and dharma seekers since the 1950s.

Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac’s early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America’s field of vision.

An underground legend by the time it was finally published in 1972, Visions of Cody captures the members of the Beat Generation in the years before any label had been affixed to them, with Kerouac's trademark appreciation for the ecstatic and ephemeral moments of life.

Arguably his finest post- On the Road novel, Big Sur captures Kerouac (here named Jack Duluoz) trying to escape the clamor of beatnik adulation by retreating to Lawrence Ferlinghetti's peaceful cabin in Big Sur. What begins as a pastoral regeneration descends into a personal hell when Kerouac suffers an alcoholic breakdown.

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

Maggie Cassidy is one of Kerouac's most nostalgic recollections of his past, focusing on his first true love when he was a high school senior and a local star athlete. Filled with the sweet innocence of youth and the daily heartbreak of quarrels and unfulfilled sexual yearnings, Kerouac employs his stylishly Beat observations toward the bygone era of pre-World War II Lowell, Massachusetts, when he was torn between the companionship of his gang of buddies and the sirens' call of the opposite sex.

Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences. Listeners will also find in these works the source of Kerouac’s spontaneous prose style.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.