Résultats Éditeur "Tantor Audio" dans Art et littérature

Jonathan Franzen's work raises major questions about the possibilities of contemporary fiction: How does one appeal to a broad mass of mainstream readers on the one hand while persuading connoisseurs, on the other, that one's fiction has is high art? Even more acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the two later novels, on which his reputation rests?

When 28-year-old San Francisco Daily Morning Call reporter Mark Twain met Tom Sawyer at a local bathhouse in 1863, he was seeking a subject for his first novel. As Twain steamed, played cards, and drank beer with Sawyer (a volunteer firefighter, customs inspector, and local hero responsible for having saved 90 lives at sea), he had second thoughts about Shirley Tempest, his proposed book about a local girl firefighter, and began to envision a novel of wider scope.

From top CNN anchor and special correspondent Soledad O'Brien comes a highly personal look at her biggest reporting moments, from Hurricane Katrina, the tsunami in Southeast Asia, and the devastating Haiti earthquake to historic elections and high-profile interviews with everyday Americans. Drawing on her own unique background and consciousness as well as her experiences as a journalist at the front lines of the most provocative issues in today's society.

A major, best-selling novelist and former magazine editor, long married to a handsome and successful stockbroker with whom she has a beautiful daughter and son, Benilde Little once had every reason to feel on top of the world. But as illness, the aging of her parents, and other hurdles interrupted her seemingly perfect life, she took a tailspin into a pit of clinical depression. Told in her own fearless and wise voice, Welcome to My Breakdown chronicles a cavern of depression so dark that Benilde didn't know if she'd ever recover.

When Andrew Offutt died, his son, Chris, inherited a desk, a rifle, and 1,800 pounds of pornographic fiction. Andrew had been considered the "king of 20th-century smut", with a writing career that began as a strategy to pay for his son's orthodontic needs and soon took on a life of its own, peaking during the 1970s, when the commercial popularity of the erotic novel reached its height. With his dutiful wife serving as typist, Andrew wrote from their home in the Kentucky hills, locked away in an office no one dared intrude upon.

Throughout her life, Alexandra Penney's worst fear was becoming a bag lady. Even as she worked several jobs while raising a son as a single mother, wrote a multimillion-dollar best-selling advice book, and became editor in chief of Self magazine, she was haunted by the image of herself alone, bankrupt, and living on the street. And then, one day, that's exactly what happened.

Julia Ward (1819-1910) was an heiress and aspiring poet when she married Dr. Samuel Gridley Howe, an internationally acclaimed pioneer in the education of the blind. Together the Howes knew many of the key figures of their era, from Charles Dickens to John Brown. But Samuel also wasted Julia's inheritance, isolated and discouraged her, and opposed her literary ambitions. Julia persisted and continued to publish poems and plays while raising six children.

In 1940 Edmund Wilson was the undisputed big dog of American letters. Vladimir Nabokov was a near-penniless Russian exile seeking asylum in the States. Wilson became a mentor to Nabokov, introducing him to every editor of note, assigning to him book reviews for the New Republic, engineering a Guggenheim. Their intimate friendship blossomed over a shared interest in all things Russian, ruffled a bit by political disagreements. But then came Lolita, and suddenly Nabokov was the big (and very rich) dog.

When even his friends refer to him in print as "a balding, bug-eyed opportunist with the looks of a beach ball, the charisma of a glove-puppet, and an ego the size of a Hercules supply plane", the odds of Toby Young scoring, in any sense, appear to be slim. But then How to Lose Friends and Alienate People, his account of the five years he spent trying (and failing) to take Manhattan, improbably catapults Toby to best sellerdom, and his book is translated into 12 languages, including American.

Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for storytelling, she brings to life the charming young Irishman who set out to captivate the US and Britain with his words.

Anya Seton was the best-selling author of ten historical novels, including the masterpieces Katherine and The Winthrop Woman, which are still widely beloved over 60 years after their publication; yet there has never before been a book-length biography about this great American writer. Ann Seton was born in 1904 the daughter of two celebrity writers: Ernest Thompson Seton and Grace Gallatin Seton. At age 36 and self-renamed Anya, she placed her first novel with a major publisher.

To his New York intellectual peers, Lionel Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. In Life in Culture, edited by Adam Kirsch, Trilling's letters add up to an intimate portrait of a great critic and of America's intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.

Three simple words that provided Kathryn Johnson, a reporter for The Associated Press' Atlanta bureau, unprecedented access to the grieving widow in the days following her husband's death. Johnson was on her way to a movie date when word came from Memphis that Martin Luther King Jr. had been assassinated. She immediately headed for the King home where, despite resistance from authorities on the scene, she was the only reporter allowed inside.

There's No Crying in Newsrooms tells the stories of remarkable women who broke through barrier after barrier at media organizations around the country over the past four decades. They started out as editorial assistants, fact checkers, and news secretaries and ended up running multi-million-dollar news operations that determine a large part of what Americans read, view, and think about the world.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

The bookshop is, and will always be, the soul of the trade. What happens there does not happen elsewhere. The multifariousness of human nature is more on show there than anywhere else, and I think it's because of books, what they are, what they release in ourselves, and what they become when we make them magnets to our desires. A memoir of a life in the antiquarian book trade, A Factotum in the Book Trade is a journey between the shelves—and then behind the counter, into the overstuffed basement, and up the spine-stacked attic stairs of your favorite neighborhood bookshop.

Behind every acclaimed work of literature is a trove of heartfelt decisions. The best authors put painstaking - sometimes obsessive - effort into each element of their stories, from plot and character development to dialogue and point of view. Veteran editor and teacher Richard Cohen draws on his vast reservoir of a lifetime's reading and his insight into what makes good prose soar.

A Times former White House and investigative correspondent, Robert M. Smith, discloses how some stories make it to print, some do not, how the filters work, and how the paper may have suppressed the most important US political story of the day - Watergate. Smith shows how the paper stepped into the ring and begun slugging it out with President Trump, instead of staying outside the ring and neutrally reporting what it saw. The book argues that the paper would have been far more effective in countering and exposing the president if it had remained neutral.

The plan was as idealistic as it was audacious - and utterly unprecedented. Take thousands of broke writers and put them to work charting a country on the brink of social and economic collapse, with the aim of producing a rich and beguiling series of guidebooks to the 48 states. All this fell within the singular purview of the Federal Writers' Project - a division of the Works Progress Administration founded to employ jobless writers, from best-selling novelists and acclaimed poets to the more dubiously qualified.

Ernest Hemingway's passion was writing, and he was inspired by a lifetime of daring adventures and encouraged by the many women in his life. His masculine, adventurous spirit appealed to women of all ages, including four wives and a long list of legendary actresses, and he frequently transformed the women in his life into memorable fictional characters.