Résultats Éditeur "HighBridge, a Division of Recorded Books" dans Littérature et fiction

Every summer the peaches ripen in Port Peter, and the tourists arrive to gorge themselves on fruit and sun. They don't see the bird women, who cavort on the cliffs and live in a meadow beneath the lake. But when summer ends and the visitors go back home, every pregnant Port Peter girl knows what she needs to do: deliver her child to the Birds in a laundry basket on those same lakeside cliffs. But the Birds don't want Georgia Jackson.

On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the US and the Middle East, we trace her progress from blushing teen to sought-after DJ and aspiring writer.

It is 1969 and Glasgow is in the grip of the worst winter in decades, yet it is something else that has Glaswegians on edge: a serial killer whose name alone is enough to make them tremble with fear. The Quaker has killed another victim, snatching a young woman from a nightclub and dumping her body like trash in the back of a cold-water tenement. He leaves no clues, and the investigation has led police down one blind alley after another.

When A Single Man was originally published, it shocked many by its frank, sympathetic, and moving portrayal of a gay man in midlife. George, the protagonist, is adjusting to life on his own after the sudden death of his partner, and determines to persist in the routines of his daily life; the course of A Single Man spans 24 hours in an ordinary day.

Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What's more, they saw the sickness at the heart of their mother's Protectorate.

When John Rechy's explosive first novel appeared in 1963, it marked a radical departure in fiction, and gave voice to a subculture that had never before been revealed with such acuity. It earned comparisons to Genet and Kerouac, even as Rechy was personally attacked by scandalized reviewers. Nevertheless, the book became an international best seller, and 50 years later, it has become a classic. Bold and inventive in style, Rechy is unflinching in his portrayal of one hustling "youngman" and his search for self-knowledge.

Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance and have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay.

Meet seventeen-year-old Noah York, the narrator of Bart Yates's astonishing debut novel. With a mouth like a truck driver and eyes that see through the lies of the world, Noah is heading into a life that's only getting more complicated by the day. His dead father is fading into a snapshot memory. His mother, the famous psycho-poet, has relocated them from Chicago to a rural New England town that looks like a bad advertisement for small-town America. And now, the very house he lives in is coming apart at the seams—literally—torn down bit by bit as he and his mother renovate the old Victorian.

A nonbinary writer on the eve of top surgery enters into a risky affair during the height of COVID. A lesbian couple enlists a close friend as a sperm donor, plying him with a potent cocktail. A lonely office worker struggling with their gender identity chaperones their nephew to a trans YouTube convention. And in the depths of a Midwestern winter, a sex-addicted librarian relies on her pet ferrets to help resist a relapse at a wild college fair. Capturing both the dark and lovable sides of the human experience, Rainbow Rainbow establishes Lydia Conklin as a fearless new voice.

At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman.

On an Ojibwe reservation called Languille Lake, within the small town of Geshig at the hub of the rez, two men enter into a secret romance. Marion Lafournier, a mid-20s gay Ojibwe man, begins a relationship with his former classmate Shannon, a heavily closeted white man. While Marion is far more open about his sexuality, neither is immune to the realities of the lives of gay men in small towns and closed societies. Then one night, while roaming the dark streets of Geshig, Marion unknowingly brings to life the spirit of a dog from beneath the elementary school playground.

Jericho Brown's daring book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive.

Recently jilted and increasingly unhinged, Dr. Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary 18th-century thief. No one knows Jack's true story - his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled "Confessions of the Fox". Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at 12, P struggles for years with her desire to live as "Jack".

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy's plans don't include her overzealous, evangelical mother - or even her five-year-old daughter, Tru. Patsy gives voice to a woman who looks to America for the opportunity to choose herself first.

For Hala Alyan, 29 is a year of transformation and upheaval, a year in which the past - memories of family members, old friends and past lovers, the heat of another land, another language, a different faith - winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Welcome to Heaven, a 30-year-old slum hidden between brand-new high-rise apartment buildings and technology incubators in contemporary Bangalore, one of India's fastest-growing cities. In Heaven, you will come to know a community of people living hand-to-mouth and constantly struggling against the city government who wants to bulldoze their homes and build yet more glass high-rises. These families, men and women, young and old, gladly support one another, sharing whatever they can.

In Ten Bridges I've Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. The thirty-eight autobiographical pieces pulsing in Ten Bridges I've Burnt find Purnell at his no-holds-barred best.

Working as a consultant for Kamala Harris' attorney general campaign in Obama-era San Francisco, Seema has constructed a successful life for herself in the West, despite still struggling with her father's long-ago decision to exile her from the family after she came out as lesbian. Now, nine months pregnant and estranged from the Black father of her unborn son, Seema seeks solace in the company of those she once thought lost to her.