Résultats Éditeur "Penguin Audio" dans Littérature mondiale

In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself when confronted by the urgent uncertainties of experience.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

The first book of its kind, The Penguin Book of Latina Writings shines a light on a robust community of U.S.-based Latina voices that have been historically overlooked and underrepresented in literature, and demonstrates the valuable contributions Latina writers have made to the literary and intellectual community. The curated selections in this unique anthology elucidate U.S. Latina writers' intersectionality and give readers an understanding of the various positions they are writing to and from.

Language and lore are at the core of The Symmetry of Fish, a moving debut about coming-of-age in the middle of nowhere. With striking and tender insight, it seeks to give voice to those who have been denied their stories, and examines the way phrases and narratives are passed down through immigrant families—not diluted over time, but distilled into potency over generations.

Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth.

At 16, Nancy, the only member of her family to survive the Great Famine, leaves her small island for the mainland. Finding work in a grand house on the edge of Cork City, she feels irrepressibly drawn to the charismatic gardener Michael Egan, sparking a love affair that soon throws her into a fight for her life. In 1920, Nancy's son Jer has lived through battles of his own as a soldier in the Great War. Now drunk in a jail cell, he struggles to piece together where he has come from and who he wants to be.

Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying—from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other—O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith.

Morgan and Riley Brighton are joint heirs to Kaleidoscope: a glittering, ‘global bohemian’ shopping empire—created in sleepy Oregon and catapulted into haute New York—sourcing luxury goods from around the world. Morgan, statuesque beauty and Kaleidoscope’s talented designer, is adored by all, especially by the Brighton parents. Yet no one loves her more than Riley, whose shy and adventurous spirit is exalted by her sister.

Over the course of his career, Robert Wrigley has won acclaim for the emotional toughness, sonic richness, and lucid style of his poems, and for his ability to fuse narrative and lyrical impulses. In his new collection, Wrigley means to use poetry to capture the primal conversation between human beings and the perilously threatened planet on which they love and live.

Having fled Japanese-occupied Korea for the gleaming promise of the United States with nothing but four dollars and a suitcase full of Shakespeare to his name, the young, idealistic Chungpa Han arrives in a New York teeming with expatriates, businessmen, students, scholars, and indigents. Struggling to support his studies, he becomes a traveling salesman, a domestic worker, and a farmer, and observing along the way the idealism, greed, and shifting values of the industrializing 20th century. East Goes West casts a sharply satirical eye on the demands and perils of assimilation.

The work of Carl Dennis has won praise for its “integrity, its substance, and its seemingly effortless craft; and for its embodiment of passionate inquiry” (Times Literary Supplement). The title of his new collection, Earthborn, helps to point the way to its two central concerns: how to find meaning, as creatures of the earth, in lives that are short and frail and destined to be forgotten; and how, as stewards of the earth, to address the need to protect our home from ourselves, from the menace to life posed by our own species.

Descriptive copy is not yet available from the publisher.

The Vita nuova is elaborately and symbolically patterned, consisting of a selection of Dante's early poems interspersed with his own prose commentary. The poems themselves tell the story of his love for Beatrice, from their first meeting at a May Day party in her father's house, through Dante's sufferings and his attempts to conceal the true object of his devotion by the use of "screen-loves", to his overwhelming grief at her death, ending with the transformative vision of her in heaven.

The characters in Songs for the Flames are men and women touched by violence - sometimes directly, sometimes only in passing - but whose lives are changed forever, consumed by fire and by unexpected encounters and unyielding forces. A photographer becomes obsessed with the traumatic past that an elegant woman, a fellow guest staying at a countryside ranch, would rather leave behind. A military reunion forces a soldier to confront a troubling history, both personal and on a larger scale....

Michael Robbins' first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.

The poems in Adrian Matejka's newest and fifth collection, Somebody Else Sold the World, meditate on the ways we exist in an uncontrollable world: in love and its aftermaths, in families that divide themselves, in protest-filled streets, in isolation as routines become obsolete because of lockdown orders and curfews. Somebody Else uses past and future touchstones like pop songs, love notes, and imaginary gossip to illuminate those moments of splendor that persist even in exhaustion.

Once upon a time, Rudyard Kipling's Just So Stories - fantastical yarns of wondrous creatures in faraway places-bewitched children across the world. But times change. Today, Kipling's writing tells us a different tale; of a love of Empire, and the troubling legacy of British colonialism. In Not So Stories, writers of colour from around the world reclaim these stories and remake them into something new. Something different.

In a new collection that is "a force of nature" (Amy Gerstler), renowned Native poet Heid E. Erdrich applies her rich inventive voice and fierce wit to the deforming effects of harassment and oppression.

From the outside, the Chengs seem like so-called model immigrants. Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn’t this what they sacrificed so much for? But then little Annabel begins to sleepwalk at night, putting into motion a string of misunderstandings that not only threaten to set their community against them but force to the surface the secrets that have made them fear one another.

Twelve-year-old Marwand's memories from his previous visit to Afghanistan six years ago center on his contentious relationship with Budabash, the terrifying but beloved dog who guards his extended family's compound in the rural village of Logar. But eager for an ally in this place that is meant to be "home", Marwand misreads his reunion with the dog and approaches Budabash the way he would any pet on his American suburban block—and the results are disastrous: Marwand loses a finger, and Budabash escapes into the night.