Titres dans Questions de genre

Studying zoology made Lucy Cooke feel like a sad freak. Not because she loved spiders or would root around in animal feces: All her friends shared the same curious kinks. The problem was her sex. Being female meant she was, by nature, a loser. Since Charles Darwin, evolutionary biologists have been convinced that the males of the animal kingdom are the interesting ones—dominating and promiscuous, while females are dull, passive, and devoted. But Cooke tells a new story.

Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

Women Living Deliciously wants us to fall in love with our lives. It will help women uncover the sense of awe and wonder that has been buried by the layers of shame, perfectionism and self-objectification that get piled on us by the patriarchy. For too long we have internalized the belief that our bodies are things to be looked at—instead of lived in. That it’s embarrassing to fully express ourselves. That we cannot trust the parts of ourselves that are so full of desire.

When Ada Calhoun found herself in the throes of a midlife crisis, she thought that she had no right to complain. She was married with children and a good career. So why did she feel miserable? And why did it seem that other Generation X women were miserable, too? Calhoun decided to find some answers. She looked into housing costs, HR trends, credit card debt averages, and divorce data. At every turn, she saw a pattern: sandwiched between the Boomers and Millennials, Gen X women were facing new problems as they entered middle age, problems that were being largely overlooked.

Growing up in West Texas, Jane Little Botkin didn't have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso's Richard Guy and Rex Holt, known as the "Kings of Beauty"—just as the 1970's counterculture movement began to take off.

Celebrating a decade of Columbia Global Reports, the Forerunners series revives groundbreaking works of investigative journalism and incisive analysis published a century before CGR’s founding. These texts, once forgotten or underexplored, reflect CGR’s core mission: fearless reporting, global perspective, and intellectual rigor. Each selection remains strikingly relevant today, offering historical insights that challenge contemporary perspectives and reaffirm the power of journalism to shape the world.

A tender, moving, and insightful account of queer motherhood and an interrogation of life on the margins of American culture as a self-described “ugly” woman Ugly is a word with fangs that can kill a woman’s self-esteem in one bite. Edicts about how women should look, behave, and think are the brutal forge through which they are made — not born. And to defy the pretty imperative is to become invisible. It can be a hard thing to admit to yourself, let alone to your child— to say the words, “I am ugly,” or “I am seen as ugly.”

Entering your 40s can feel like navigating a relentless wave of societal pressure, self-doubt, and expectations. Questions like "Am I where I 'should' be?", "Should I marry?", "Have kids?", "Switch careers?", "Worry about my finances?", and "Ask my doctor about perimenopause?" often dominate our thoughts. For generations, women have been fed a narrow narrative about midlife—one of stability and monotony. Yet, today's societal and economic pressures have reshaped this decade into something far more dynamic and unexpected.

Norah Vincent became an instant media sensation with the publication of Self-Made Man, her take on just how hard it is to be a man, even in a man’s world. Following in the tradition of John Howard Griffin (Black Like Me), Vincent spent a year and a half disguised as her male alter ego, Ned, exploring what men are like when women aren’t around. As Ned, she joined a bowling team, took a high-octane sales job, went on dates with women (and men), visited strip clubs, and even managed to infiltrate a monastery and a men’s therapy group.

As the founders of Race2Dinner, an organization which facilitates conversations between white women about racism and white supremacy, Regina Jackson and Saira Rao have noticed white women's tendency to maintain a veneer of niceness, and strive for perfection, even at the expense of anti-racism work.

There is an obesity epidemic in this country, and poor Black women are particularly stigmatized as "diseased" and a burden on the public health-care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than 200 years ago.

We call it domestic violence. We call it private violence. Sometimes we call it intimate terrorism. But whatever we call it, we generally do not believe it has anything at all to do with us, despite the World Health Organization deeming it a 'global epidemic'. In No Visible Bruises, journalist Rachel Louise Snyder gives context for what we don't know we're seeing. She frames this urgent and immersive account of the scale of domestic violence in our country around key stories that explode the common myths....

Get ready to encounter a book that will change your experience as a woman in a powerful new way. Author, educator, and School of Womanly Arts founder Regena Thomashauer has been working with women for the past 25 years, and what began as just a few women in her living room has since grown into a global movement with thousands of graduates worldwide.

What if every time you had a self-critical thought, you heard it in a man’s voice? The truth is not far off. Living in a patriarchy, women absorb a lifetime of messages that say your worth is defined by your looks, your accomplishments, and how well you take care of everyone around you. In fact, these messages are so pervasive that, even knowing they exist, they still manage to program themselves into our brains. The result is that women end up feeling anxious, guilty, and vaguely ashamed of themselves no matter how much they do for others or achieve for themselves.

Women in War is a stirring, raw, and profoundly inspiring collection of over twenty true stories about the brave women who served and fought throughout history. Narrated by Julia Whelan, who provided the voice for NY Times best-selling book, The Women by Kristin Hannah.

There is a war on masculinity, and everywhere we look—on every front we hold sacred—we can see the painful reminders of this collapsing order. The chaos and crisis we are experiencing today should be a signal for men everywhere to rise up; to fight to preserve our way of life by once again walking the ancient paths. But this isn’t a journey that need be taken alone.

Innovative, powerful, and eminently helpful, How Can I Get Through to You? is the book that every couple has been waiting for - and our culture needs. In it, Terrence Real offers a radical new vision of love and the practical tools with which to achieve it.

Why do women keep themselves small and quiet? Why do they hold back professionally and personally? What fuels the uncertainty and lack of confidence so many women often feel? In this paradigm-shifting book, leading feminist thinker Bethany Webster identifies the source of women’s trauma. She calls it the Mother Wound - the systemic disenfranchisement of women by the patriarchy - and reveals how this cycle is perpetuated by wounded mothers who unconsciously pass on damaging beliefs and behaviors to their daughters.

Everything that thousands of men who started in dead bedrooms and lackluster relationships have learned and refined over the years, distilled into a single series of pro-man concepts. Dread is more than taking back your masculinity, but thriving in a society increasingly hostile towards men. Nothing gets soccer moms, feminists, and traditionally conservative wives angrier than watching men thrive in a way that may not necessarily benefit them (though it does if she's a value add to a relationship).