Chinese Literature Fiction

Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together. But when a mysterious SUV pulls up beside her, revealing Chinese cinema's golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in.

For Dee Kwan, every day is the perfect day. No, really. She has a house she loves, a job she adores, and a ridiculously attractive “nemesis” who never seems to mind when she wins their favorite online game. How can life possibly get better? (It can’t, obviously. It can only get much, much worse.) Soon Dee is forced to share her adorably cozy home with her parents and estranged grandmother. Then she’s tossed into the deep end at work, tasked with cleaning up a scandal for the intimidatingly chic luxury fashion firm Celeste. If that weren’t enough, she discovers her hot nemesis works there, too.

San Kuo: Or Romance of the Three Kingdoms is a historical novel attributed to Luo Guanzhong, set during the turbulent final years of the Eastern Han Dynasty and the Three Kingdoms period (circa 184–280 AD). Widely regarded as one of the Four Great Classical Novels of Chinese literature, it combines history, legend, and myth to depict the power struggles and heroic exploits of the era.

According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient.

In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flower beds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee - whether to a mysterious gambling bordello or to ancestral homes that can be reached only underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by secrets and transcendent delusions.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

In the opening pages of Jamie Ford's stunning debut, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle's Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol.

A Chinese mother and daughter wrestle with the demons of their past. Lemei, once a student Red Guard leader in 1960s Shanghai and a journalist at a state newspaper, was involved in a brutal act of violence during the Tiananmen Square protests and lost all hope for her country. Her daughter, Lin, is a student at an American university, executing her mother's grand plan for her to become a true Westerner. Following China's meteoric rise, Lemei is slowly dragged into a nationalistic perspective that stuns Lin, leading to grave conflicts.

The Water Margin is one of the most popular classics of early Chinese literature. It tells the vigorous story of 108 characters who, falling foul of the established state authorities, are forced to become outlaws. They form a bandit community in Liangshan Marsh, becoming such a formidable force in their own right that they threaten the power of government itself.

The one good thing in Bosch's life, the person he holds most dear, is taken from him and Bosch travels to Hong Kong in an all-or-nothing bid to regain what he's lost. In a place known as Nine Dragons, as the city's Hungry Ghosts festival burns around him, Bosch puts aside everything he knows and risks everything he has in a desperate bid to outmatch the triad's ferocity.

After winning her mother’s freedom from the Celestial Emperor, Xingyin thrives in the enchanting tranquility of her home. But her fragile peace is threatened by the discovery of a strange magic on the moon and the unsettling changes in the Celestial Kingdom as the emperor tightens his grip on power. While Xingyin is determined to keep clear of the rising danger, the discovery of a shocking truth spurs her into a perilous confrontation.

With the arrival of winter, Lu Jie’s workload has continued to increase. Now in charge of an entire sect, and mired in politics, he’d been expecting constant pushback from demonic beasts and yet … the demons seem to have vanished without a trace. Left with a foreboding feeling, Lu Jie’s problems still haven’t solved themselves. The Alchemy Halls continue to put pressure and threaten him, all the while an invite has arrived from the Jade Court, calling him to Azure city. But Lu Jie has a plan, one that can not only protect him, but change the very course of history forever.

His victims are young, beautiful, and coldly mutilated. He calls himself the Beijing Ripper. Li Yan, head of Beijing's serious crime squad, must stop him. Just as pathologist Margaret Campbell finds an insight into the killer's cruel signature, Li receives a letter from the killer, betraying his cruel intentions. There's no way Li can misinterpret the Ripper's motives: He wants to tear Li and Campbell's lives apart, and write the darkest chapter in Beijing's history.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

血液为什么是红色的？萤火虫为什么会发光？泪水为什么会是咸的？十万个为什么，探索未知，打开通向知识世界的大门。…… 血液為什麼是紅色的？螢火蟲為什麼會發光？淚水為什麼會是鹹的？十萬個為什麼，探索未知，打開通向知識世界的大門。

The Duanwu Festival is just around the corner, and Mulan's favorite part is the Dragon Boat Race. Listen along as Mulan's village enters the race for the first time!

Girls of Paper and Fire meets A Song of Wraiths and Ruin in June CL Tan’s stunning debut, where ferocious action, shadowy intrigue, rich magic, and a captivating slow-burn romance collide.

These 11 stories, including five Chinese Galaxy Award winners, are a blazingly original ode to planet Earth, its pasts, and its futures. Liu's fiction takes the listener to the edge of the universe and the end of time, to meet stranger fates than we could have ever imagined. With a melancholic and keen understanding of human nature, Liu's stories show humanity's attempts to reason, navigate, and above all, survive in a desolate cosmos.