Horror Fiction Fantasy

Darlene Bobich, the zombie killer, is on a mission to save her family. Can she succeed, even as more obstacles are thrown in her way: survivors bent on their own selfish needs, evolving zombies, and the rotting world around her?

With Dying Days 4, Armand Rosamilia continues to carve his own glorious path through the zombie apocalypse. His unique blend of sex and violence; well-rendered melancholy; and tough-as-nails, pedal-to-the-metal, can-do attitude makes for a story that gets it all just right.

Afin d’accéder à une magie supérieure et éviter que son histoire familiale ne se répète, Diana Bishop va devoir se défaire de ses peurs et libérer toute l’ampleur de ses pouvoirs. Le grand retour d’une héroïne puissante et fascinante.

For his entire life, Charley Sutherland has concealed a magical ability he can't quite control: He can bring characters from books into the real world. His older brother, Rob - a young lawyer with a normal house, a normal fiancee, and an utterly normal life - hopes that this strange family secret will disappear with disuse, and he will be discharged from his life's duty of protecting Charley and the real world from each other. But then, literary characters start causing trouble in their city, making threats about destroying the world...and for once, it isn't Charley's doing.

Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago.

Alicia beginnt, die Stimme ihrer toten Mutter zu hören–ein Flüstern, das anklagt, verführt und droht, sie in die Dunkelheit zu ziehen. Fritz, verzehrt von den Stimmen in seinem eigenen Kopf, wird zu einer Gefahr für alle um ihn herum. Camilla kämpft darum, ihr Neugeborenes zu schützen, während sie erkennt, dass die Menschen, denen sie vertraut, vielleicht schon längst nicht mehr sie selbst sind. Und Mark, gefangen und auf einen Tisch geschnallt, steht der grausamen Realität gegenüber: staatliche Experimente, die den Riss als Waffe einsetzen.

After nearly four years, the zombie epidemic has almost burned itself out. Once a lone survivor on the brink of insanity, Gus Berry has a new life on a communal farm, his daily routine of policing the fields only rarely disrupted by straying undead. Gus’s drinking binges are over, and the dark days of Annapolis are soon to be a distant memory. But his troubles are far from over . . .

Heather Morell is haunted. Otherworldly nightmares and monstrous hallucinations lurk around every corner, relics of childhood bereavement and schizophrenia. Until she meets Evelyn and Raine—a bad-tempered mage and her self-proclaimed bodyguard—and learns that she’s not insane after all. The monsters she sees are all too real, the god-thing in her nightmares is teaching her the secrets of creation, and her twin sister—the lost girl who supposedly never existed—might still be clinging on, a dwindling soul somewhere beyond the walls of reality, Outside.

Felix Castor is a freelance exorcist, and London is his stomping ground. It may seem like a good ghostbuster can charge what he likes and enjoy a hell of a lifestyle, but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. When Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London, what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize.

Walter was a petty crook, struggling to make ends meet, when he was suddenly abducted to another world. One of many people from Earth drafted by aliens to participate in "the trials" in order to gain "ascension," he must now endure hazardous environments and hostile creatures, strengthening his physical and mental skills to superhuman levels.

Anne Rice continues her astonishing Vampire Chronicles in a new novel that begins where Blackwood Farm left off—and tells the story of Lestat’s quest for redemption, goodness, and the love of Rowan Mayfair.

From the cramped bowels of a dimly lit radio station, Ghost Radio is beamed onto the airwaves. More than a call-in show to tell scary stories, Ghost Radio is a sanctuary for those sleepless denizens of the night, lost halfway between this world and the next. Joaquin, the host, slowly he finds himself unable to distinguish between the real world and the world populated by the nightmares on Ghost Radio.

In the aftermath of the zombie pandemic Keith Taylor, noted pre-war author of post-apocalyptic fiction, traveled the world to interview survivors from every walk of life, culture and stratum of society, ranging from American political leaders to Scottish oil rig workers, from Mongolian miners to members of India's homeless underclass, each with their own tale of survival against an enemy that feels no remorse, fatigue, fear or mercy; only insatiable hunger.

The supernatural, the surreal, and the all-too real . . . tales of the dark. Such stories have always fascinated us, and modern authors carry on the disquieting traditions of the past while inventing imaginative new ways to unsettle us. Chosen from a wide variety of venues, these stories are as eclectic and varied as shadows. This volume of The Year's Best Dark Fantasy and Horror offers tales from some of today's finest writers of the fantastique. Sure to delight as well as disturb!

A young girl called Tozi stands at the bottom of a pyramid, waiting to be led to the top where her heart will be cut out.... Pepillo, a Spanish orphan who serves a sadistic Dominican friar, is aboard the Spanish fleet as it sails towards Mexico.... This is the epic story of the clash of two empires, two armies and two gods of war. Five hundred desperate adventurers are about to pit themselves against the most brutal armies of the ancient Americas, armies hundreds of thousands strong.

Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world - and exploring the profound and overwhelming terror that results. With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, Weaveworld is an epic work of dark fantasy and horror - a tour de force from one of today's most forceful and imaginative artists.

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms.

Once a sworn enemy of all monsters, Anita is now the human consort of both Jean-Claude, the master vampire, and Micah, the leopard shape-shifter. Not quite as human as she once was, she is consumed by both their hungers - desires that must be sated time and time again. When a centuries-old vampire targets Jean-Claude and his clan, Anita finds herself tested as never before - needing all the dark forces her passion can muster to save the ones she loves the most....

Good things come to those who wait. Damien Vale didn’t, and he ended up bound to an Eldritch creature from beyond the reaches of space. It has lived since the dawn of time, seen the world born and destroyed countless times, and wants to be called Henry. Unusual companion or not, Damien was still determined to go to a mage college and study magic. He wants nothing more than to live normal life as a researcher, but if Henry’s true nature is revealed, he’ll be killed.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?