Literary Life

Yejide and Akin have been married since they met and fell in love at university. Though many expected Akin to take several wives, he and Yejide have always agreed: Polygamy is not for them. But four years into their marriage - after consulting fertility doctors and healers, trying strange teas and unlikely cures - Yejide is still not pregnant. She assumes she still has time - until her family arrives on her doorstep with a young woman they introduce as Akin's second wife.

The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.

The final, haunting novel, in the extraordinary story that has enthralled millions! The horror began with Flowers in the Attic, the terrifying tale of four innocent children locked away from the world by a cruel mother. The shocking fury continued with Petals on the Wind and If There be Thorns. Now V.C. Andrews has created the last dark chapter in the strange, chilling tale of passion and peril.

David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen - a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream.

Ingrid is desperate to sell up and move on. Recently widowed, she no longer needs the large house or the treasures (and tat) collected by her late husband, Tommy, an auctioneer. Then there’s the debt he left her with, too. So, she jumps at the chance to downsize and move to Willowbrook on a temporary lease. She’ll open a pop-up shop for just one year – to dispose of Tommy’s accumulated goods – and then move on. No getting embroiled in village life. But Ingrid hasn’t reckoned on Willowbrook’s extrovert local ladies. Or handsome local craftsman Joel, with whom there’s a definite attraction.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe.

Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Even Kitty, Esme's beloved sister, is beginning to lose patience. Something will have to be done.

Elizabeth Gaskell's remarkable first novel, Mary Barton: A Tale of Manchester Life portrays a love that defies the rigid boundaries of class with tragic consequences.

1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life - someone who will help her to heal....

Frances Price - tart widow, possessive mother, and Upper East Side force of nature - is in dire straits, beset by scandal and impending bankruptcy. Her adult son Malcolm is no help, mired in a permanent state of arrested development. And then there’s the Price’s aging cat, Small Frank, who Frances believes houses the spirit of her late husband, an infamously immoral litigator and world-class cad whose gruesome tabloid death rendered Frances and Malcolm social outcasts. Putting penury and pariahdom behind them, the family decides to cut their losses and head for the exit.

Howards End is the story of the liberal Schlegel sisters and their struggle to come to terms with social class and their German heritage in Edwardian England. Their lives are intertwined with those of the wealthy and pragmatic Wilcox family and their country house, Howards End, as well as the lower-middle-class Basts. When Helen Schlegel and Paul Wilcox's brief romance ends badly the Schlegels hope to never see the Wilcoxes again.

In the wild, when a wolf knows its time is over, when it knows it is of no more use to its pack, it may sometimes choose to slip away. Dying apart from its family, it stays proud and true to its nature. Humans aren’t so lucky. Luke Warren has spent his life researching wolves. He has written about them, studied their habits intensively, and even lived with them for extended periods of time.

You know the future that people in the 1950s imagined we'd have? Well, it happened. In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed...because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down.

Fans of Taylor's bestselling Irish Country novels know Dr. Fingal Flahertie O'Reilly as the irascible senior partner of a general practice in the colorful Irish village of Ballybucklebo. Newly married to his once long-lost sweetheart, he's ready to settle into domestic bliss, but there's always something requiring his attention, be it a riding accident, a difficult patient with a worrisome heart condition, a spot of grouse-hunting, or even some tricky shenanigans at the local dog races.

Fred Scully waits at the arrival gate of an international airport, anxious to see his wife and daughter. After two years in Europe, they are finally settling down. He sees a new life before them, a stable outlook again, a fresh start, a cottage in the Irish countryside that he's renovated by hand. He's waited, sweated on this reunion. He does not like to be alone—he's that kind of man.The flight lands, the doors at the airport hiss open...Scully's life falls apart.

Fourteen-year-old Trixie Stone is in love for the first time. She's also the light of her father Daniel's life - a straight-A student; a pretty, popular freshman in high school; a girl who's always seen her father as a hero. That is until her world is turned upside down with a single act of violence. Suddenly everything Trixie has believed about her family - and herself - seems to be a lie. Could the boyfriend who once made Trixie wild with happiness have been the one to end her childhood forever?

As a child, Charley "Chick" Benetto was told by his father, "You can be a mama's boy or a daddy's boy, but you can't be both." So he chooses his father, only to see the man disappear when Charley is on the verge of adolescence. Decades later, Charley is a broken man. His life has been crumbled by alcohol and regret. He loses his job. He leaves his family. He hits bottom after discovering his only daughter has shut him out of her wedding. And he decides to take his own life.

Perhaps Frank and April Wheeler married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is about to unravel. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

Wyoming, 1876. For as long as they have lived on the frontier, the Bemis and Webber families have relied on each other. With no other settlers for miles, it is a matter of survival. But when Ernest Bemis finds his wife, Cora, in a compromising situation with their neighbor, he doesn’t think of survival. In one impulsive moment, a man is dead, Ernest is off to prison, and the women left behind are divided by rage and remorse.