Psychological Domestic Mystery Thriller

Olivia Hart thought landing a job at Sterling Enterprises was her big break. But when a routine audit uncovers financial irregularities, she finds herself caught in a web of deceit and conflicting desires. Ethan Sterling, the charismatic billionaire heir, becomes fixated on making Olivia his own, his intensity both frightening and oddly compelling. As his pursuit escalates, the lines between professional and personal blur dangerously. Torn between her seemingly devoted husband and a man who won't take no for an answer, Olivia must navigate an increasingly treacherous path.

On a humid summer day in Alabama, a mayor’s wife turns up brutally murdered under a railroad bridge. Standing next to her body is fourteen-year-old Mason Hill, the autistic son of former Miss USA Genevieve Hill. The locals are quick to level their verdict on young Mason: he did it. The town detective calls in local autism expert Casey Walker to consult on the case. At first, Casey tries to keep an open mind. But the more time she spends with Genevieve, the more her unease grows, and she suspects that Genevieve is doing more than just protecting her son.

On the night when Caitlin and Olivia's parents leave them to go to a dinner party both girls are full of excitement about being old enough to stay home alone. What they don't see is the figure watching them through the open window. Who, after the girls have fallen asleep, will turn the handle of the unlocked back door. When their parents return, they will find Olivia's bed empty. Their eldest daughter gone. Never to return. Until now. But is the woman who claims to be Olivia really all she seems? And is everything Caitlin said she saw that night really the whole truth?

For fans of the compulsive psychological suspense of Ruth Ware and Tana French, a mother daughter story—one running from a horrible truth, and the other fighting to reveal it—that twists and turns in shocking ways, from the internationally bestselling author of The Scholar and The Ruin.

He is her husband. She is his captive. Her husband calls her Jane. That is not her name. She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows she is there. Visitors rarely come to the farm; if they do, she is never seen.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Kit Darling is a maid with a snooping problem. She’s the “invisible girl,” compelled to poke into her wealthy clients’ closely guarded lives. It’s a harmless hobby until Kit sees something she can’t unsee in the home of her brand-new clients: a secret so dark it could destroy the privileged couple expecting their first child. This makes Kit dangerous to the couple. In turn, it makes the couple—who might kill to keep their secret—dangerous to Kit.

Sheila O'Rourke has always known her husband isn't perfect. Who is? But things have been better since they moved to Seattle to make a fresh start. So much so that when 16-year-old Eden turns up, claiming to be Dylan's child by another woman, Sheila tries to be welcoming.

Grace Holloway keeps to herself. Since narrowly escaping death at the hands of the man who kidnapped her, she’s thrown herself into the small inn she runs in Rock Harbor, Maine. It’s quiet, quaint and, in the off-season, completely isolated—the perfect place for Grace to keep her own secrets. But Grace isn’t the only one with something to hide, and Rock Harbor isn’t just a sleepy vacation town. Someone is taking young women—girls who look an awful lot like Grace did when she was kidnapped so many years ago.

Natalie thought she had it all: a loving husband, a cozy home, and a thriving career as a freelance editor. But when her biggest client vanishes without a trace, her carefully constructed world begins to unravel. Left with mounting debt and shattered confidence, Natalie clings to David, her charming and supportive husband, for strength.

Foster sisters Krystal and Nichole have always been there for each other, so when Nichole is committed to a psychiatric hospital after trying to kill her husband, Krystal drops everything to defend her. Scarred by a hard upbringing, Nichole and Krystal managed to construct comfortable lives for themselves. Krystal became a respected lawyer, and Nichole was happily married to an architect - until Nichole starts raving that her husband isn’t her husband, believing that he’s an imposter.

The site of the old campus bungalow where two girls were brutally slain is now a flower patch covered with chrysanthemums. It's been 50 years since the Immaculate Conception Murders. Three more students and a teacher were killed in a sickening spree that many have forgotten. But there is one person who knows every twisted detail... Hannah O'Rourke and her volatile half-sister, Eden, have little in common except a parent. Yet they've ended up at the same small college outside Chicago, sharing a bungalow with another girl.

Nora Holliday is not that kind of woman. Not the kind who has an illicit affair with a married man. But Josh Landon is everything Nora’s alcoholic husband isn’t. And now she and Josh are so infatuated, they can’t stay away from one another. Abby Landon, Josh’s daughter, is home from college nursing a broken heart. She’s seeking solace, not more scandal, so when she catches her dad kissing Nora, she vows to take the homewrecker down.

Melville Heights is one of the nicest neighborhoods in Bristol, England. It’s the sort of place where doctors and lawyers and old-money academics live. It’s not the sort of place where people get stabbed in the back 30 times with a kitchen knife in their own homes. Someone must have seen something. Newlywed Joey Mullen, for example, recently returned from four years of working in Ibiza. She and her husband, Alfie, are eager to find a place of their own in her hometown. But Joey finds herself distracted by the man next door, Tom Fitzwilliam.

Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

You’ve never met the other wives. None of you know each other, and because of this unconventional arrangement, you can see your husband only one day a week. But you love him so much you don’t care. Or at least that’s what you’ve told yourself. But one day, while you’re doing laundry, you find a scrap of paper in his pocket—an appointment reminder for a woman named Hannah, and you just know it’s another of the wives.

Blythe Connor is determined that she will be the warm, supportive mother she never had to her new baby Violet. But in the thick of motherhood's exhausting early days, Blythe doesn't find the connection with her daughter she expected. She's convinced that something is wrong with Violet—the little girl is distant, rejects affection, and becomes increasingly disruptive at preschool. Or is it all in Blythe's head?

Talia Kemper is on death row for murdering her husband. She had an alibi and no known motive, yet Talia’s unwavering protestations of innocence have always been ignored. Then one day in the visiting area, she sees a recognizable stranger she’s certain is her husband. It turns out the man she’s been convicted of killing may not be dead after all. But as the days tick away toward Talia’s execution, what will it take for her to be believed?

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.