One day, a woman turns up in a remote coastal village. She's bought a crumbling, long-vacant cottage and calls herself Charlie Miller. Charlie keeps to herself, reluctant to integrate with the locals. If they ever find out who she really is, and what she's done, she'll lose what little she has left. Charlie served two years in prison for providing a false alibi for a murderer. It was the mistake of a woman in love, a woman who couldn't believe her boyfriend was guilty - or lying to her. All she desperately wants now is a fresh start.

Addison’s about to get married, but she’s not looking forward to the big day. It’s not her fiancé; he’s a wonderful man. It’s because Addison doesn't know who she really is. A few years ago, a kind driver found her bleeding next to a New Jersey highway and rescued her. While her physical wounds healed, Addison’s memory never returned. She doesn’t know her real name. Or how she ended up injured on the side of a road. Or why she can’t shake the notion that she may have done something very, very bad.

In the vein of Big Little Lies and Reconstructing Amelia comes an emotionally charged domestic suspense novel about a mother unraveling the truth behind how her daughter became brain-dead. And pregnant.

Julie is missing, and no one believes she will ever return - except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong - she’s emaciated, with sallow skin and odd appetites.

Detective P.T. Marsh was a rising star on the police force of Mason Falls, Georgia - until his wife and young son died in an accident. Since that night, he's lost the ability to see the line between smart moves and disastrous decisions. Such as when he agrees to help out a woman by confronting her abusive boyfriend. When the next morning he gets called to the scene of his newest murder case, he is stunned to arrive at the house of the very man he beat up the night before. He could swear the guy was alive when he left, but can he be sure?

Following a traumatic event in London, Kirsty Woodhouse packs up her family and moves back to her native Wales. There she sets up her new home with her husband and two young daughters, and goes into business with her difficult mother managing a guesthouse in the Brecon Beacons. But when the guesthouse is ready to be occupied, Kirsty encounters the last person she ever expected to see: her estranged cousin Selena. It has been seventeen years since they last talked—when Selena tore everything apart between them. Why has she chosen now to walk back into Kirsty's life?

When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering human remains. The remains of two bodies, in fact.

Laura has returned to work at Morris and Wood after her maternity leave, only to discover that the woman she brought in to cover for her isn’t going anywhere. Despite her close relationship with the agency’s powerful CEO, she feels sidelined - and outmaneuvered - as she struggles to balance the demands of work and motherhood.

A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls - anxious, desperate, and willing to do whatever it takes to make it.

Lost. Missing. Murdered? How do you find a woman who didn’t exist? It's a case that has gripped a nation: A woman with a shocking secret is missing, presumed dead. And her two husbands are suspects in her murder. DCI Clements knows the dark side of human nature and that love can make people do treacherous things. You can’t presume anything when it comes to crimes of the heart. Until a body is found, this scandalous and sad case remains wide open.

After a tragic chain of events led to the deaths of their spouses two years ago, D.C. philanthropist Sloane Chase and Senator Whit Montgomery are finally starting to move on. The horrifying ordeal drew them together, and now they’re ready to settle down again—with each other. As Sloane returns to the world of White House dinners and political small talk, this time with her new husband, she’s also preparing for an upcoming hip replacement—the latest reminder of the lupus she’s managed since her twenties.

Joe never wanted to come back to Arnhill. After the way things ended with his old gang - the betrayal, the suicide - and what happened when his sister went missing, the last thing he wanted to do was return to his hometown. But Joe doesn’t have a choice, not after a chilling email surfaces in his inbox: I know what happened to your sister. It’s happening again....

For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in.

When Boady Sanden first receives the case of Elijah Matthews, he’s certain there’s not much he can do. Elijah, who believes himself to be a prophet, has been locked up in a psychiatric hospital for the past four years, convicted of brutally murdering the pastor of a megachurch. But as a law professor working for the Innocence Project, Boady agrees to look into Elijah’s file. When he does, he is alarmed to find threads that lead back to the death of his colleague and friend, Ben Pruitt, a man shot to death four years earlier in Boady’s own home.

For two years Lucy and Sam renovated their beautiful Victorian home but spiraling debts are forcing them to sell. The agreement with their real estate agent is that they won’t be home for viewings, but when Lucy gets a voicemail saying the Agent is running late, she realizes she will have to show the prospective buyer around herself. Suffering from extreme anxiety and claustrophobia, Lucy watches the stranger on their doorstep waiting to be let in.