Showing results by publisher "University Press Audiobooks" in Genre Fiction

When Blue Bird and her grandmother leave their family's camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria's tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria's death and viewed as the masterpiece of her career, offers a captivating glimpse.

Gene Logsdon's The Man Who Created Paradise is a message of hope at a time when the very concept of earth stewardship is under attack. The fable, inspired by a true story, tells how Wally Spero looked at one of the bleakest places in America -- a raw and barren strip-mined landscape -- and saw in it his escape from the drudgery of his factory job. He bought an old bulldozer and used the machine to carve patiently, acre by acre, a beautiful little farm out of a seemingly worthless wasteland.

In this exhilarating book, we accompany Umberto Eco as he explores the intricacies of fictional form and method. Using examples ranging from fairy tales and Flaubert, Poe and Mickey Spillane, Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms.

Finally, the truth about vampires.Vampires are the most fearsome and fascinating of all creatures of folklore. For the first time, detailed accounts of the vampire and how its tradition developed in different cultures are gathered in one volume by eminent folklorist Alan Dundes.

Many authors have been accused of betraying their loved ones by turning them into fictional characters. In The Treacherous Imagination, Robert McGill examines the ethics of writing such stories. He argues that while fiction has long appealed to audiences with its narratives of private life, contemporary autobiographical fiction channels a widespread ambivalence about the value of telling all in a confessional age - an age in which fiction has an unprecedented power to leave people feeling libeled or exposed when they recognize themselves in it.

The Five is an captivating novel of the decadent fin-de-siècle written by Vladimir Jabotinsky (1880–1940), a controversial leader in the Zionist movement whose literary talents, until now, have largely gone unrecognized by Western readers/listeners. The author deftly paints a picture of Russia's decay and decline—a world permeated with sexuality, mystery, and intrigue. Michael R. Katz has crafted the first English-language translation of this important novel, which was written in Russian in 1935 and published a year later in Paris under the title Pyatero.

It's 1958 in rural Connecticut, and three boys between 10 and 11 years old - Tommy (from a stable, "normal" family), Jose (Hispanic, Catholic), and Jimmy (underfed child of a poor single alcoholic mother, has a severely retarded sister) - have been pals since first grade. But it's September, and the safe, cozy innocence of elementary school is behind them. Now they must enter the scary, new world of junior high school.

Underscored by his original piano compositions, Todd Walton's dramatic reading of his novel brings to life the inviting and mysterious world of a one-of-a-kind bookstore, haven to a fascinating family of social outcasts, visionaries, and cutting edge artists. This mythically real bookstore is both community center and grand experiment in pragmatic mysticism.

Geoff Schmidt's debut collection, Out of Time, is a meditation on meaning and mortality, and the ways that story and the imagined life can sustain us. In these stories, vengeful infants destroy and rebuild the world, rivalrous siblings and their mother encounter witches and ghosts and the possessed, Barack Obama and Keith Richards smoke their last cigarettes, men and women with cancer variously don gorilla suits or experience all time simultaneously.

The small plains town of Ingleside, Nebraska, is populated by down-on-their-luck ranchers and new money, ghosts and seers, drugs and greed, the haves and the have-nots. Lives ripple through each other to surprising effect, though the connections fluctuate between divisive gulfs and the most intimate closeness. At the center of this novel is the story of Teensy and his daughter, Luann, who face the loss of their land even as they mourn the death of Luann’s mother.  

Ruby & Spear is told by Vic Worsley, a razor-tongued newspaper columnist on the verge of a nervous breakdown. As the story begins, Vic's solitary life is dramatically altered by a visit from an elderly woman named Ruby Carmichael bearing a photograph of her formidable child Spear Rashan Benedentes. Vic's love affair with the bewitching Greta Eagleheart ensues immediately thereafter, as Vic embarks on an amazing journey from his genteel life in San Francisco to the mean streets of Oakland.

After losing her husband and daughter in an auto accident, 42-year-old Emma flies to Paris, discovers she has a twin brother whose existence she had not known about, and learns that her birth parents weren't the Americans who raised her, but a White Russian film star of the 1920s and a French Stalinist.

Louie Cameron, once a successful architect and musician, now a vagabond, is wounded while defending a damsel in distress, which leads him to become entangled in the lives of Andrea, an artist and professor, and her parents, habitués of a remote beach house in northern California. The blossoming of deep love between Louie and Andrea gives Louie the courage to return to Santa Cruz to make peace with Marie, the former love of his life, with unforeseen and startling consequences.

Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as “Theory of Mind” and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson's Clarissa, Dostoyevsky's Crime and Punishment, and Austen's Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett's The Maltese Falcon.

In the nine stories of Let's Do, various calamities strike ordinary Midwesterners, who cope with a mixture of good intentions and ineptitude. Balancing humor with painful clarity, author Rebecca Meacham pulls listeners into the lives of characters who struggle with and more often against - change.

Most of the nine stories in Last Known Position were written upon James Mathews' return from combat deployment to the Middle East with the D.C. Air National Guard. Life under fire provided the author with both dramatic events and a heightened sense of observation, allowing him to suggest the stress of combat as the driving factor behind extreme yet believable characterization and action.

Matt Debenham's stories are for people who think they don't like short stories. These stories don't leave off in mid-breath; instead, they feature characters who seem to live on even after their closing pages. The humor in The Book of Right and Wrong makes the jarring moments that much more jarring, and the tender moments that much more tender. At once heartbreaking and hilarious, the 11 stories in The Book of Right and Wrong capture their characters at the defining moments of their lives.

Largely set in the South, the 11 stories of Body Language guide us into the hidden worlds of the culture wars. The people in these stories belong to the fringes of society, struggling for an identity and a place to belong.

In 1944, Italian officer Captain Francesco Verdi is captured by Allied forces in North Africa and shipped to a POW camp in Michigan's Upper Peninsula, where the senior POW, the ruthless Kommandant Vogel, demands that all prisoners adhere to his Nazi dictates. His life threatened, Verdi escapes from the camp and meets up with an American woman, Chiara Frangiapani, who helps him elude capture as they flee to the Lower Peninsula.

Out of the Girls' Room and into the Night is a spirited, offbeat collection of stories, elongated riffs on that thing we call...love. All manner of love stories: thwarted love stories, imaginary love stories, love stories offhand and obsessive, philosophical love stories, erudite and amusing love stories. Quirky, real, idealistic, deluded, bohemian, and true, these are people who can - and often do - fall in love with a pair of ears, August afternoons, saucers of vitamins, New Age carpenters, and dead bumblebees.