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In this 1962 novel, Kerouac's alter ego, Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion".

First published in 1958, a year after On the Road put the Beat Generation on the map, The Dharma Bums stands as one of Jack Kerouac's most powerful and influential novels. The story focuses on two ebullient young Americans - mountaineer, poet, and Zen Buddhist Japhy Ryder, and Ray Smith, a zestful, innocent writer - whose quest for Truth leads them on a heroic odyssey, from marathon parties and poetry jam sessions in San Francisco's Bohemia to solitude and mountain climbing in the High Sierras.

Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West 20th Street in Manhattan, that he wrote the first full draft that was satisfactory to him.

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

""Avec l'arrivée de Neal a commencé cette partie de ma vie qu'on pourrait appeler ma vie sur la route. [...] Neal, c'est le type idéal, pour la route, parce que lui, il y est né, sur la route..." Neal Cassady, chauffard génial, prophète gigolo à la bisexualité triomphale, pique-assiette inspiré et vagabond mystique, est assurément la plus grande rencontre de Jack Kerouac, avec Allen Ginsberg et William Burroughs, autres compagnons d'équipées qui apparaissent ici sous leurs vrais noms."

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

On the Road chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience.

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

Dive into Big Sur, a timeless classic from the iconic bohemian traveler, Jack Kerouac. The narrative, told through the eyes of Jack Dulouz - a character largely inspired by Kerouac himself, orbits around his struggle to balance the unexpected fame from his successful writing career and his personal battle with alcoholism. The backdrop for this introspective journey is the serene and isolated cabin in the heart of Big Sur, California. (Narration by Ben Tucker)

Kerouac examines his own New York life in a collection of colorful essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work. Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

This book presents the formative years in the life of Jack Duluoz—Kerouac’s alter ego—beginning with his high school experiences as a sporting jock in small-town New England and his time at Columbia University on a football scholarship. Just as Jack’s glamorous new adult life begins, so does World War II, and he joins the US Navy to travel the world. The more he experiences, the more he realizes the limits of his former plans and decides to and return to New York, where he collides with the start of the Beat movement—and a riot of drugs, sex, and writing.

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.

This is a story of philosophy, identity, and the powerful grip of travel, written by an iconic American author at the height of his fame, after spending ten days in France searching for his French heritage. Was the satori handed to him by a taxi driver, a waiter, a monsieur with a dazzlingly beautiful secretary, or while feeling fearful in the foggy streets at 3:00 a.m.? Or was it when hearing a requiem by Mozart in an old church, seeing trees in the Tuileries Garden, or while walking on a bridge over the River Seine?

While his masterpiece On the Road languished on the desks of unresponsive editors, Kerouac turned to Buddhism, and in 1953 began writing reading notes on the subject intended for his friend Allen Ginsberg.

Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac’s early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America’s field of vision.

Ray Smith is a young man seeking a life of simplicity and truth. Another young man, Japhy Rhyder, becomes instrumental in leading Ray to Buddhism as they embark upon a spiritual quest. Their journey takes them from the Bohemian parties of San Francisco to the natural beauty of the High Sierra mountains. Through such books as Doctor Sax and The Subterraneans, Jack Kerouac was an inspiration to the beat culture, hippies, and dharma seekers of the 1950s and 60s.

Jack Duluoz (Kerouac) ha publicado una novela ( En el camino ) que ha alcanzado un gran éxito, pero la fama es como una fiera que lo devora. Huyendo de la imagen que los críticos y los lectores se han forjado de él, en junio de 1960 se refugia en una cabaña que su amigo Lorenzo Monsanto (Lawrence Ferlinghetti en la vida real) tiene en la costa californiana de Big Sur, entre San Francisco y Los Ángeles, donde medita, sufre alucinaciones, escribe poemas místicos, bebe como un cosaco, recibe visitas, se droga y evoca el pasado.