Horror Culture

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

Nell Martin is moving again, this time to the Winslow Grand Hotel, built in 1878. As Nell is settling in, strange things begin to happen. Doors lock of their own accord, writing appears on bathroom walls - and most horrifying of all - visions of a dead boy permeate her waking life. Thinking it was her mind playing tricks on her, she soon finds the past and the present colliding as she learns horrific details of a murder that happened at the hotel in 1907 involving a girl named Lea.

Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they're delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly. But then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship.

In the shocking finale to the best-selling series that began with Stalking Jack the Ripper, Audrey Rose and Thomas are on the hunt for the depraved, elusive killer known as the White City Devil. A deadly game of cat-and-mouse has them fighting to stay one step ahead of the brilliant serial killer - or see their fateful romance cut short by unspeakable tragedy.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales - both never-before-published in print or audio - that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul.

After the horrifying explosion that claimed one of their own, the Diviners find themselves wanted by the US government, and on the brink of war with the King of Crows. While Memphis and Isaiah run for their lives from the mysterious Shadow Men, Isaiah receives a startling vision of a girl, Sarah Beth Olson, who could shift the balance in their struggle for peace. Sarah Beth says she knows how to stop the King of Crows - but, she will need the Diviners' help to do it.

A ghostly witch named Bathsheba led the haunting of the Perron family, physically and psychologically tormenting them. This legendary ghost story eventually became the subject of the movie The Conjuring, and continued to haunt the Perron family for years to come.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

It is 1659 and Mary Newbury, theyoung granddaughter of a witch, sees her wise and beloved grandmother tortured and hanged as a servant of the Devil. Then a stranger with hauntingly familiar eyes approaches her with an opportunity - safe passage to America. But the difficult ocean voyage only leads her to a community of inflexible, fearful grownups who try to decide for her who and what she will be. Mary must disguise herself as a pious Puritan girl, hiding her true nature, or else face terrible danger once again.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Sixteen-year-old photography enthusiast Zoey has been fascinated by the haunted, burnt-out ruins of Medwyn Mill House for as long as she can remember - so she and her best friend, Poulton, run away from home to explore them. In 1851, 17-year-old Roan arrives at the Mill House as a ward - one of three, all with something to hide from their new guardian. 1583. Hermione, a new young bride, accompanies her husband to the wilds of North Wales where he plans to build the largest water mill and mansion in the area.

At the end of Maureen Johnson's New York Times bestselling novel, The Madness Underneath, Rory, Callum and Boo are reeling from the sudden and tragic death of their friend and squad leader, Stephen. The Shadow Cabinet picks up where listeners left off, and now Rory is convinced there must be a way to bring Stephen back. Meanwhile, new dangers arise: Rory's classmate Charlotte is missing, and Jane and her nefarious organization are clearly planning something big.

Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.

My life had always been blissfully, wonderfully normal. But it only took one moment to change everything. Suddenly, my sister, Georgia, and I were orphans. We put our lives into storage and moved to Paris to live with my grandparents. And I knew my shattered heart, my shattered life, would never feel normal again. Then I met Vincent. Mysterious, sexy, and unnervingly charming, Vincent Delacroix appeared out of nowhere and swept me off my feet. Just like that, I was in danger of losing my heart all over again. But I was ready to let it happen.

Sixteen-year-old Juliet Moreau has built a life for herself in London - working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father's gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true. Accompanied by her father's handsome young assistant, Montgomery, and an enigmatic castaway, Edward - both of whom she is deeply drawn to - Juliet travels to the island, only to discover the depths of her father's madness.

In 17th-century Hungary, Anna Darvulia has just begun working as a scullery maid for the young and glamorous Countess Elizabeth Báthory. When Elizabeth takes a liking to Anna, she’s vaulted to the dream role of chambermaid, a far cry from the filthy servants’ quarters below. She receives wages generous enough to provide for her family, and the Countess begins to groom Anna as her friend and confidante. It’s not long before Anna falls completely under the Countess’s spell - and the Countess takes full advantage.

The Second World War is regarded as one of the most brutal conflicts of the modern era. This book investigates what war can do to one's identity, character, and culture. The Imperial Japanese soldiers from New Guinea, Chichijima, and other Asia Pacific Islands ate the flesh of prisoners of war and slave laborers, sometimes stripping the meat from live men. Who is to blame? Cannibalism Culture: The Bushido Horror in World War II uncovers the hidden causes of horror in war.
 

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.