Résultats Éditeur "Doubleday Canada" dans Toutes les catégories

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight into the ongoing legacy of colonialism. She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing, and representation.

In this deeply personal audiobook, winner of the 2017 Hilary Weston Writers' Trust Prize for Nonfiction, humanitarian doctor and activist James Maskalyk reflects upon his extensive experience in emergency medicine. Splitting his time between a trauma centre in Toronto's inner city and the largest teaching hospital in Addis Ababa, he discovers that though the cultures, resources and medical challenges of the hospitals may differ, they are linked indelibly by the ground floor: the location of their emergency rooms.

Munir Khan, a recent widower from Toronto, on a whim decides to visit Delhi, the city of his forbears. Born in Kenya, he has lost all family connections, and has never visited India before. While sitting in the bar of the Delhi Recreational Club where he's staying, an attractive woman joins his table to await her husband. A sparring match ensues. The two are from different worlds: Munir is a westernized agnostic of Muslim origin; Mohini, a modern Hindu woman. Against her better judgment, Mohini agrees to show Munir around the city.

For 12 generations, when the fish were plentiful and when they all but disappeared, the inhabitants of this remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement, and each has been offered a generous compensation package to leave. But the money is offered with a proviso: everyone has to go; the government won't be responsible for one crazy coot who chooses to stay alone on an island.

What is it about evil that we find so compelling? From our obsession with serial killers to violence in pop culture, we seem inescapably drawn to the stories of monstrous acts and the aberrant people who commit them. Dr. Julie Shaw uses case studies from academia, examples from popular culture, and anecdotes from everyday life to break down complex information and concepts and offers listeners a better understanding of the world, ourselves, and our Google search histories.

Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story . . . In this sharply funny and exquisitely relatable account of romantic disaster and friendship, Dolly Alderton offers up a love story with two endings, demonstrating once again why she is one of the most exciting writers today and the true voice of a generation.

A stranger is trespassing in Celeste Turner's backyard, moving through the shadows around her shed. It could be a harmless backpacker seeking temporary refuge, but experience has taught Celeste to be extra wary. Not wishing to draw unwanted attention, she cannot turn to the police. Celeste is an outsider to this region of rural Florida, and all the locals see is a "city girl" who swooped in to secure her inheritance. But Celeste needs her new life to work, so she must confront her intruder. To her surprise, she finds out that her unwanted guest is a young backpacker named Daisy.

Genevieve has secrets that no one knows. In Rome she can be whoever she wants to be. Her neighbours aren't nosy; her Italian is passable; the shopkeepers and restaurant owners now see her as a local, and they let her be. It's exactly what she wants. One morning, after getting groceries, she returns to her 500-year-old Trastevere apartment - it's exactly as she left it, not a thing out of place...except for the small box on her kitchen table. A box that definitely wasn't there this morning. A box that is addressed to "Lucy Callahan." A name that she hasn't used in 10 years.

Is there a more sociable province than Newfoundland and Labrador? Or anywhere in Canada with a greater reputation for coming to the rescue of those in need? At this time of Covid, singer, songwriter and best-selling author Alan Doyle is feeling everyone's pain. Off the road and spending more days at home than he has since he was a child hawking cod tongues on the wharfs of Petty Harbour, he misses the crowds and companionship of performing. We're all experiencing our own version of that deprivation, and Alan, one of Newfoundland's finest storytellers, wants to offer a little balm.

Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us. This is Michael Crummey’s most ambitious and accomplished work to date. An intricate family saga and love story spanning two centuries, Galore is a portrait of the improbable medieval world that was rural Newfoundland, a place almost too harrowing and extravagant to be real.

When Casey Duncan first arrived at Rockton, the off-the-grid, isolated community built as a haven for people running from their pasts, she had no idea what to expect. There are no cell phones, no Internet, no mail, and no way of getting in or out without the town council's approval. She certainly didn't expect to become the town homicide detective. But the very last thing she expected was for the council to drop a dangerous criminal into their midst without a plan to keep him imprisoned. And she never thought that she'd have to be responsible for him.

Tomson Highway was born in a snowbank on an island in the sub-Arctic, the 11th of 12 children in a nomadic, caribou-hunting Cree family who traversed the tundra by dogsled and lived off the land. In Permanent Astonishment, one of the greatest writers of our time animates the magical world of his northern childhood, paying tribute to a way of life that few have experienced and fewer still have chronicled.

Seventeen-year-old Victoria Nash runs the household on her family's peach farm in the small ranch town of Iola, Colorado—the sole surviving female in a family of troubled men. Wilson Moon is a young drifter with a mysterious past, displaced from his tribal land but determined to live as he chooses. Victoria's chance encounter with Wil on a street corner profoundly alters both of their young lives, igniting as much passion as danger. When tragedy strikes, Victoria leaves the only life she has ever known, fleeing into the nearby mountains.

A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them.

Puncturing the bubble of Canadian smugness and naive assumptions of a post-racial nation, Cole chronicles just one year - 2017 - in the struggle against racism in this country. It was a year that saw calls for tighter borders when black refugees braved frigid temperatures to cross into Manitoba from the States, Indigenous land and water protectors resisting the celebration of Canada’s 150th birthday, police across the country rallying around an officer accused of murder, and more.

On the surface, Alice is exactly where she should be. She's just given birth to a beautiful baby girl, Dawn; her charming husband, Steve, is nothing but supportive; and they've recently moved to a wealthy neighborhood in Toronto. And yet, Alice feels like an imposter. She isn't connecting with Dawn, a struggle made even more difficult by the recent loss of her mother, and every waking moment is spent hiding her despair from her watchful white neighbors. Her growing self-doubt hinders the one vestige of her old life she has left.

In a small Alaskan town, a boy is found with his throat ripped out and all the blood drained from his body. The inhabitants of Deadhart haven’t seen a killing like this in twenty-five years. But they know who’s responsible: a member of the Colony, an ostracized community of vampyrs living in an old mine settlement deep in the woods.

Every season in Rockton seems to bring a new challenge. At least that's what Detective Casey Duncan has felt since she decided to call this place home. Between all the secretive residents, the sometimes-hostile settlers outside, and the surrounding wilderness, there's always something to worry about. While on a much needed camping vacation with her boyfriend, Sheriff Eric Dalton, Casey hears a baby crying in the woods. The sound leads them to a tragic scene: a woman buried under the snow, murdered, a baby still alive in her arms.

Nancy's mother and stepfather have been brutally killed. After a trial that gripped the nation, her stepbrother has been convicted of the double murder. But the end of the trial is just the beginning of a new nightmare for Nancy: the press is rabid, certain that she is hiding something. Certain that she knows more that she's telling about that night at the farmhouse . . . Determined to disappear, Nancy flees to the seaside in Devon, to Tall Chimneys, her grandmother's secluded inn--a place that holds many dark wartime secrets.

M.G. Vassanji has been exploring the immigrant experience for over three decades, drawing deeply on his own transnational upbringing and intimate understanding of the unique challenges and perspectives born from leaving one's home to resettle in a new land. The question of identity, of how to configure and see oneself within this new land, is one such challenge faced. But Vassanji suggests that a more fundamental and slippery endeavour than establishing one's identity is how, if ever, we can establish a sense of belonging.