English Theater

In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich listening for Broadway musical aficionados as well as scholars of musical theater and American cultural history.

In the1930s and '40s, Black Mask was the single most important magazine for the modern mystery field. Here writers such as Dashiell Hammett, Raymond Chandler, and Earl Stanley Gardner reshaped the established view of mystery fiction, creating the "hard-boiled" private eye. Now this series resurrects from those pages the toughest of tough detectives in sonic dramatizations from the award-winning Hollywood Theater of the Ear.

After conquering all of Hesse, creating a devilish new dungeon, and establishing himself as the villain that everyone loves to hate, Lucas decides to continue his quest to create new content by taking over as a dungeon master on the mainland. Unlike the dominant force on the island he left behind, however, the once-mighty Imperium only controls a single capital city in a rapidly shrinking territory, leaving a group of scheming nobles to bicker among themselves and fight over scraps of land.

After receiving a request for aid from a beautiful and mysterious messenger, Lee and his inner circle travel to nearby Birnefeld, a large and prosperous city ruled by the dragon king. Before he ever arrives, however, Lee encounters a group of marauders ransacking the countryside, meets a strange new herald who has set up camp in the region, and receives the dire news that the hero Brigid of Kildare has gone missing. To make things worse, a powerful new enemy is stalking him from the shadows, toying with his dreams, and striking at his closest relationships.

Struggling to recover from his losses in Kirshtein, Lee is swept back into the fray when a dangerous new Herald sets her sights on him. Hell-bent on reshaping the world in her own image and with her own ideals, she is willing to commit even the most immoral acts in her pursuit of righteousness. At risk of losing everything he has worked so hard to create, Lee has to find a way to defend the weak against a madwoman whose deranged sense of justice has twisted the limits of the game.

Born in 1962, Alexandra Billings grew up in a decade in which being herself was illegal. When she started transitioning in 1980, the word “Transgender” didn’t exist. With no Trans role models and no path to follow, Alexandra did what her family, teachers, and even friends said was impossible: Alexandra forged ahead. Spanning five decades, from profound lows to exhilarating highs, This Time for Me captures the events of a pioneering life.

Oric Rune is on the hunt for retribution. As the sky shifts crimson, a plague engulfs the continent. Oric must act. Revenge can come later; destiny awaits. Joined by a wolf, a mage, a giant, and a cunning illusionist, Oric's unlikely team is his best chance for survival in this fantasy LitRPG adventure. As the enemies close in from all sides, Oric must make the difficult choice between personal vengeance and becoming the hero he is destined to be. Or die. Because a player can actually die in the online fantasy world known as Unigaea.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

Mace and Shari continue their search for survivors among the undead even as they struggle to stay alive themselves. While working to raise their sync levels with the game, the new couple pursue the quests they’ve picked up, explore a dungeon or two, and work to stabilize the game world they hope to live in. With the undead world above closing in, will they have the time to figure out how to save themselves and other survivors?

Go to the big city. Hang out with the bigwigs. Have fun. That was the plan, right? Right! Except, our hero was supposed to be the guest of honor and the mob was not supposed to be invited. Daniel was running out of places to lay low, however. Something needed to be done, or he’d be caught in the ever-tightening net of his pursuers.

Portals appeared on Earth, forcing everyone to make a choice: Enter or die. However, if they managed to survive through all twelve planets in the system, they would be allowed to return home. Humanity fought bitterly and, in the end, succeeded, but the cost was high.

Deeply changed by his experiences on the fantasy world of Volar, Ty returns home to discover all-new threats and allies awaiting him. With the fate of two worlds on the line, he must do more than become the hero he’s always wanted to be. He must outmaneuver the gods themselves, even as they transform all he knows and loves into one giant theater of war.

Ellie is a sweet-natured brunette, generous of heart with a sparkling smile and an accent that reveals her East End background. Bonny is beautiful and spoilt, with cascades of blond hair, the brightest pair of blue eyes and a mouth like Cupid's bow. The two girls meet in London at the end of the war when, seduced and abandoned by two American airmen, they pool their wits and resources and set off to make a living on the stage.

Having completed the first three temples and collected some of the gems needed to defeat the Evil Emperor, the Chosen One (aka the trolling player) and Qube (his ever-cheerful companion) must navigate the increasingly broken game world.

Ava Lee has lost everything there is to lose: Her parents. Her best friend. Her home. Even her face. She doesn't need a mirror to know what she looks like - she can see her reflection in the eyes of everyone around her. But when Ava meets a fellow survivor named Piper, she begins to feel like maybe she doesn't have to face the nightmare alone. Sarcastic and blunt, Piper isn't afraid to push Ava out of her comfort zone. Piper introduces Ava to Asad, a boy who loves theater just as much as she does, and slowly, Ava tries to create a life again. Yet Piper is fighting her own battle.

With less than six months on the clock until the planet's destruction, Nate and his friends scramble to find a way to get everyone to move on to the second planet in the System of Twelve. Laybor is a dangerous world, one that cannot be safely traversed by anyone below the 30th rank, and things only get worse from there.

Year 2286. Alex Bell has put in 20 years of work in the VR game Eternal Dominion—a full dive fantasy VRMMO game that accounts for around 20 percent of the world's economy. He had risen to the top as a vice guild leader, and thanks to his work, his guild was steps away from truly standing with the other top guilds. Only fate decided to rip it all away at the last moment. After his fall, Alex awakens to see his 18-year-old self looking back at him in the mirror.

When Admiral William Halsey selected Destroyer Squadron 21 to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring résumé; it was the people serving aboard them. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron and its men.

Besieged by an army of bloodthirsty orcs and goblins, unlikely heroes Jack, Gooch, Topher, Geoe, and Dobby must find a way to save the city of Edinburgh and its inhabitants. Riding high on the success of wresting a power source away from Ravanan control, the team finally arrives in Edinburgh. Instead of the expected heroes’ welcome, they are captured and thrown in prison. To save the city, they must first win over its rulers and inhabitants, remove a decade long curse, and find a traitor.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.