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Antonio Michael Downing's memoir of creativity and transformation is a startling mash-up of memories and mythology, told in gripping, lyrical prose. Raised by his indomitable grandmother in a hot, verdant Trinidad, Downing at age 11 is uprooted to Canada when she dies. But not urban Toronto: He and his older brother are sent to live with his stern, evangelical Aunt Joan in Wabigoon, a mostly Indigenous community in Northern Ontario where they are the only Black children in the town.

On the rain-swollen banks of the River Etsi in South Carolina, Ophelia Blue Rivers—six years old in 1992—catches frogs and stretches to reach the swaying sunflowers. She’s an orphan raised in a rustic cabin by her Grandma Blue, a descendent of the Black Cherokee Freedmen. Caught in deep currents of history that she doesn’t understand, she is, as her grandma says: “half Black, half Cherokee, and all mixed up.” While Ophelia may not always understand where she came from, there’s no mistaking where she’d rather be: caught in the warmth of Grandma Blue’s cabin, listening to Cherokee legends.