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Chief of Police Ed Kapenash is about to retire. Blond Sharon is going through a divorce. But when a 22-million-dollar summer home is purchased by the mysterious Richardsons—how did they make their money, exactly?—Ed, Sharon, and everyone in the community are swept up in high drama. The Richardsons throw lavish parties, flirt with multiple locals, flaunt their wealth with not one but two yachts, and raise impossible hopes of everyone they meet. When their house burns to the ground and their most essential employee goes missing, the entire island is up in arms.

Matilda, Jo, Penny and Cressy are all women at the top of their game; so imagine their surprise when they start to be personally overlooked and professionally pushed aside by less-qualified men. Only they’re not going down without a fight. Society might think the women have passed their amuse-by dates but the Revenge Club have other plans.

Ein Erbe mit Hindernissen, der Zauber der Shetland-Inseln und die große Liebe – die neue Liebesroman-Serie der Erfolgsautorin Cornelia Engel. Überraschend erbt die Münchner Hotelmanagerin Mara eine in die Jahre gekommene Pension auf den schottischen Shetland-Inseln. Vierzehn Jahre ist es her, dass sie dort war, viel ist passiert in dieser Zeit. Aber nicht genug, um die kurze Begegnung mit dem attraktiven Gavin zu vergessen, die ein unschönes Ende nahm. Mara will so schnell wie möglich verkaufen, schließlich wartet zu Hause ihr Leben auf sie, ihre Freundinnen, ihr Job.

Emma Townsend can sum up her situationship with hot-as-hell romantic red flag Finn Hughes in one word: almost. They almost dated in high school. They almost hooked up after college. They almost took things too far one magical night. Their whole story is one series of “almosts” and “nearlys,” and now they just kind of can’t stand each other. Like, at all. But this weekend, one of their mutuals is getting married...and Emma and Finn will have to pretend they don’t remember how disastrous it was the last time they were in a room together.

As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text colour to white so no one can see. That is, until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.

With her “extraordinary capacity for radical empathy” (The Boston Globe), remarkable insight into the human condition, and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”

When Lydia takes a job running the Senior Citizens’ Social Club three afternoons a week, she assumes she’ll be spending her time drinking tea and playing gentle games of cards. The members of the Social Club, however, are not at all what Lydia was expecting. When the city council threatens to sell the doomed community center building, the members of the Social Club join forces with their tiny friends in the daycare next door—as well as the teenaged father of one of the toddlers and a geriatric dog—to save the building.

Charlie knows he’s not the main character in his own story. He’s just another schmuck in the Ivy League looking to be somebody. He plays in a terrible jazz band, falls in love too easily, and struggles with the human being business. Written in a wry, comedic style, A Comedy of Nobodies: A Collection of Stories traces one fall semester in the lives of four typical but unforgettable university students who, as compensation for their existential anxieties, just want to feel understood.

It is the summer of 1919, and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped run during the war. While she looks for a position as a bookkeeper or—horror—a governess, she’s sent as a lady’s companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance is swept up in the social whirl of Hazelbourne-on-Sea after she rescues the local baronet’s daughter, Poppy Wirrall, from a social faux pas.

Angus Lordie is approached in the park by a shadowy, Deep Throat-like figure with government secrets to share, who mistakes him for a journalist. Now Angus is privy to some controversial plans of the Scottish Parliament—but just what is he meant to do about it? Elsewhere, Big Lou's husband Bob hires a personal trainer who changes his entire outlook on life, much to Lou's dismay. At the schoolhouse, young Bertie Pollock's class has a new ringleader, Galactica MacFee, who quickly comes between Bertie and Olive.

Diana Zahrani is Formula One’s first female racing driver. All the other drivers are told to race carefully around her, and leave her to her real job: being a pretty face and good advertising for a hypermasculine sport. But Diana’s not worked this hard her whole life just to be a mascot. World Championship favourite Miguel de la Fuente is not taking any rookie seriously, let alone a woman. But motorsports is a small world, and as Diana and Miguel race their way through the season, they’re forced to face each other again and again.

Dublin-based Dessie (David Kelly) and Violet Doyle (Pauline McLynn) are trying to keep their theatrical costumier business afloat amidst drama, scandal and farce so brilliant it should be on stage itself. Attempting to embrace modern working practices, the pair find themselves in uproarious situations with a cast of colourful characters and multiple narrative threads… Listen and laugh as the beleaguered couple embrace an offer from a local nun’s drama group which might help, if only they don’t get things mixed up with the Gaiety Theatre’s opera production.

As the owner of Twisted, Seattle’s best salons, Erica knows that the sharpest cuts come from the people we love. She’s terrified that she’s losing her teen daughter, Summer, to her “other” family. Summer disdains Erica’s career as shallow, and she's growing close to her stepmom, Allison. All it takes to blow up Allison’s happy life is one collect call. From prison. Her beloved husband, Peter, has been arrested, leaving Allison pregnant, scared and alone with a toddler, with no money for rent or, hey, food.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.”

Eddie Winston's Summer of Love has descriptive copy which is not yet available from the Publisher.

Once, Jay was an artist. Shortly after graduating from his London art school, he was tipped for greatness, a promising career already taking shape before him. Now, undocumented in the United States, he lives out of his car and makes a living as an essential worker, delivering groceries in a wealthy area of upstate New York. The pandemic is still at its height—the greater public panicked in quarantine—and though he has returned to work, Jay hasn’t recovered from the effects of a recent COVID case.

In an effort to meet new people, the five not-yet-friends answer an ad seeking members for a bar trivia team—the Red Hot Quizzy Peppers. As the weeks go on, the disparate band of unhappy strangers becomes swept up in both the buzz of winning and the way quiz nights start to bond them together in friendship . . . to the detriment of other parts of their lives.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

Dancing with Butterflies uses the alternating voices of four very different women whose lives interconnect through a common passion for their Mexican heritage and a dance company called Alegría.

Earlier this year, Autumn’s life looked great: she had a great relationship with her brilliant teenage daughter Chloe and from September she was all set to be Deputy Head at the London school where she works. And with a pay rise on the cards, she was excited for her and her long-term boyfriend Marc to buy their first home. But Autumn’s barely opened the estate agent's website when Marc vanishes with half their savings, leaving her no choice but to move into grandma’s rural home in Kent. And things go from bad to worse when Autumn is involved in an accident during the move.