Family Genre

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly appears on her doorstep, it feels like the final straw. But it turns out even the family you thought you could never forgive might have something to teach you: about love, and what it actually means to be family.

Decades after its original publication, James Agee’s last novel seems, more than ever, an American classic. For in his lyrical, sorrowful account of a man’s death and its impact on his family, Agee painstakingly created a small world of domestic happiness and then showed how quickly and casually it could be destroyed.

Like many well-to-do Upper East Siders over the age of 65, esteemed art appraiser Percival Skinner had planned to spend his retirement living off his savings. But a market correction has left him living below his prior means. One day he’s visited by a dapper fixer in search of a famous work by a Renaissance master. Skinner knows the work well: The original was owned by his ancestor, and was passed down through his family over the generations. If, as an intermediary, he can coordinate a sale, a small fortune awaits. Problem is, he might not be the only one on the make.

Gemma Ballantine is getting ready for work one morning when her eldest child comes running down the stairs saying the words every mother dreads. The front door is open. And her six-year-old daughter has disappeared. Frantic with fear, Gemma starts a nail-biting search for her little girl. After what feels like forever, her mother-in-law, Diane, finds Katie wandering lost a few streets away. Relieved to have her youngest child back in her arms, breathing in the sweet scent of her hair, Gemma thinks the nightmare is over. But then her perfect family starts to fall apart....

Los Angeles, 1941. Violinist Maddie Kern's life seemed destined to unfold with the predictable elegance of a Bach concerto. Then she fell in love with Lane Moritomo. Her brother's best friend, Lane is the handsome, ambitious son of Japanese immigrants. Maddie was prepared for disapproval from their families, but when Pearl Harbor is bombed the day after she and Lane elope, the full force of their decision becomes apparent. In the eyes of a fearful nation, Lane is no longer just an outsider, but an enemy. Maddie follows when her husband is interned at a war relocation camp.

It isn't that Lizzie doesn't want to stay Amish. It's just that there is so much to figure out. Like why can't she let her hair a little looser on top? And why can't she wear shoes with a little bit more of a heel? And will she ever really just know for a fact who she is going to marry, like her next-older sister, Emma, does? And how does it happen that her just-younger sister, Mandy, is going on a date before Lizzie ever has a real one?

For Susan Green, messy emotions don’t fit into the equation of her perfectly ordered life. She has a flat that is ideal for one, a job that suits her passion for logic, and an “interpersonal arrangement” that provides cultural and other more intimate benefits. But suddenly confronted with the loss of her mother and the news that she is about to become a mother herself, Susan’s greatest fear is realized. She is losing control.

It's 2038 and Jacinda (Jake) Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich-eco-tourists in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, sprawled on his back after a workplace fall and facing the possibility of his own death. It's 1974 and Willow Greenwood is just out of jail for one of her environmental protests: attempts at atonement for the sins of her father's once vast and rapacious timber empire.

Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now 15 and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears.

Two years ago, Olivia Martindale left behind her Montana hometown and her husband, Jace, certain it was the best decision for both of them. Back temporarily to protect her almost-adopted daughters from their biological mother, she discovers an old, handwritten cookbook in the attic. Its pages are stained and torn, their edges scorched by flame. Some have been smeared by water or tears. The recipes are written in different hands and in different languages.

The year 1996 was the one that changed everything for Maggie Dawes. Sent away at 16 to live with an aunt she barely knew in Ocracoke, a remote village on North Carolina’s Outer Banks, she could think only of the friends and family she left behind...until she met Bryce Trickett, one of the few teenagers on the island. Handsome, genuine, and newly admitted to West Point, Bryce showed her how much there was to love about the wind-swept beach town - and introduced her to photography, a passion that would define the rest of her life. By 2019, Maggie is a renowned travel photographer.

Lydia, Dean, and Robyn live very different lives, but each of them, independently, has always felt that something was missing. What they don't know is that a letter is about to arrive that will turn their lives upside down. It's a letter containing a secret - one that will bind them together and show them what love and family and friendship really mean.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

Sadie may be married now, but she's as spirited as ever, and her life is no less tame. In fact, soon after she and Mark are settled into the farmhouse Mark is renovating, she's visited by three FBI agents who question her about the two children who mysteriously appeared one day at the ranch. Before the agents leave, they warn Sadie that her beloved horse, Paris, is highly valuable, and that she and Mark may be in grave danger because of Paris.

Jane Cleveland and Prudence Bates were close friends at Oxford University, but now live very different lives. Forty-one-year-old Jane lives in the country, is married to a vicar, has a daughter she adores, and lives a very proper life in a very proper English parish. Prudence, a year shy of 30, lives in London, has an office job, and is self-sufficient and fiercely independent - until Jane decides her friend should be married. Jane has the perfect husband in mind for her former pupil: a widower named Fabian Driver.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Eighteen years ago, Tess McPhail left her tiny hometown of Wintergreen, Missouri, for the bright lights of Nashville and never looked back. Now, one of country music's biggest stars, "Mac" is a hardworking woman with little time for a personal life - until her sister insists she come home to help care for their widowed mother. The welcome Mac receives is less than warm, especially from her former next-door neighbor Kenny Kronek. With a teenage daughter to raise, the handsome divorce refuses to give Mac the time of day.

From New York Times best-selling author Marie Bostwick comes a beautiful novel of sisterhood lost and found - and of the ways we create the rich tapestries that encompass the past and the future. The economic downturn has hit New Bern, Connecticut, and Tessa Woodruff’s herbal apothecary shop, For the Love of Lavender, is suffering. So is her once-happy 34-year marriage to Lee. They’d given up everything to come back to New Bern from Boston and start their business, but now they’re wondering if they made the right decision.

Ten years ago, Izzy Stone's mother fatally shot her father while he slept. Devastated by her mother's apparent insanity, Izzy, now 17, refuses to visit her in prison. But her new foster parents, employees at the local museum, have enlisted Izzy's help in cataloguing items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades-old journal, and a window into her own past.

After my marriage crumbles, I run from the scrutiny of my suburban Stepford-wife life to my hometown of Balsam Ridge, Tennessee, with my son to pick up the pieces. The small mountain town offers plenty of opportunities for a fresh start: genuine friendships, reconnecting with my mother, and even finding work with the biggest family in town, the Tuttles. It was only supposed to be for the summer, and catching feelings for someone wasn’t part of the plan, but with his quiet confidence the sexy as sin Graham Tuttle has broken down all my walls.